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<eadid countrycode="us" mainagencycode="NcD" publicid="-//North Carolina State Archives:://TEXT (US::NcD::PhC.120::Miscellaneous Postcard Collection)//EN" url="http://www.ah.dcr.state.nc.us/archives/EAD/eadxml/phc_misc_postcard_coll_120.xml">phc_misc_postcard_coll_120</eadid>


<filedesc>
	<titlestmt>
		<titleproper>Finding Aid of the Miscellaneous Postcard Collection
		</titleproper>
		<author>Processed by: Jennifer Baker; machine-readable finding aid created by: Jennifer baker</author>
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		<publisher encodinganalog="publisher"></publisher>
		<date normal="2008">2008</date>


	</publicationstmt>

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	<creation>Machine-readable finding aid derived from XML authoring program.<lb/>
		<date>Date of source: March, 2006</date>
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	<langusage>Description is in
		<language langcode="eng">English</language>
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<frontmatter>
<titlepage>
<titleproper>Finding Aid of the Miscellaneous Postcard Collection
</titleproper>
<publisher>North Carolina State Archives<lb/>
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<did>
<head>Descriptive Summary</head>

<repository label="Repository"> 
<corpname>North Carolina State Archives.</corpname></repository> 

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</origination>-->

<unittitle label="Title" encodinganalog="245">Miscellaneous Postcard Collection </unittitle>

<unitid countrycode="us" repositorycode="NcD" label="Call Number" encodinganalog="099">Ph.C.120</unitid>

<langmaterial label="Language of Materials" encodinganalog="546">Materials in 
<language langcode="eng">English</language>
</langmaterial>

<physdesc label="Extent">
<extent unit="items" encodinganalog="300">1101</extent>


</physdesc>

<physloc label="Location">For current information on the location of these materials, please consult the Public Services Branch, North Carolina State Archives.</physloc> 

<abstract label="Abstract" encodinganalog="520">The Miscellaneous Postcard Collection is a collection of 1101 postcards collected from a variety of sources. The postcards are divided into five series - individual postcards, addressed individual postcards, postcard packets, oversize and miscellaneous postcards and cards. The heyday of postcards was between 1900 and the outbreak of World War I. Most of the postcards in Series 2: Addressed Individual Postcards, reflect this trend. While later postcards depict places, many of these early postcards convey simple birthday or holiday greetings and were seemingly used in effort to facilitate community events, agricultural pursuits, illnesses and courtships.</abstract>

</did>

<descgrp type="admininfo">
<head>Administrative Information</head>
<accessrestrict encodinganalog="506">
<head>Access Restrictions</head>
<p>Available for research.</p>
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<userestrict>
<head>Usage Restrictions</head>
<p></p></userestrict>
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<userestrict encodinganalog="540">
<head>Copyright Notice</head>
<p>Copyright is retained by the authors of these materials, or their descendants, as stipulated by United States copyright law (Title 17 US Code). Individual researchers are responsible for using these materials in conformance with copyright law as well as any donor restrictions accompanying the materials.</p>
</userestrict>

<prefercite>
<head>Preferred Citation</head>
<p>[Identification of item], Ph.C.120, Miscellaneous Postcard Collection, North Carolina State Archives, Raleigh, NC, USA.</p>
</prefercite>

<acqinfo encodinganalog="541">
<head>Acquisitions Information</head>
<p>Acquired from a variety of sources including private donors and unknown sources.</p>
</acqinfo>

<processinfo>
<head>Processing Information</head>
<p>Processed by Jennifer Baker, 2008</p>
<p>Encoded by Jennifer Baker, 2008</p>
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<p></p>
-->

</processinfo>

</descgrp>



<scopecontent>

<head>Collection Overview</head>
<p>The Miscellaneous Postcard Collection is a collection of 1101 postcards collected from a variety of sources. The postcards are divided into five series - individual postcards, addressed individual postcards, postcard packets, oversize and miscellaneous postcards and cards. The heyday of postcards was between 1900 and the outbreak of World War I. Most of the postcards in Series 2: Addressed Individual Postcards, reflect this trend. While later postcards depict places, many of these early postcards convey simple birthday or holiday greetings and were seemingly used in effort to facilitate community events, agricultural pursuits, illnesses and courtships.</p>      
	<p>In this collection, a significant portion of the postcards in Series 2: Addressed Postcards, are addressed to either Pearl Bailey, Joe Webb, Mr. and Mrs. Joe Webb or Aunt Pearl and Uncle Joe Webb. Based on the content of these postcards, it is reasonable to assume that Pearl Bailey and Joe Webb were married sometime in the late 1910s or early 1920s and that they are responsible for the vast majority of this collection. The earliest postcards date from the 1900s and reflect local social gatherings, illnesses and school issues. As the dates on the cards move into the 1910s, the content of the postcards changes to reflect courtships and changing friendships. There is a gap in the postcards addressed to either Pearl or Joe in the 1920s that lasts until the 1950s. It is possible this gap is a result of two world wars and the rigors of parenthood. </p>
	<p>The subject of virtually the entire collection is North Carolina. These range from naturally occurring landscapes to hotels and other man-made interests. The western part of North Carolina is heavily represented in this collection, with Chimney Rock, Blowing Rock and the Asheville-Biltmore Estate area prominent. Homes of important individuals, plantations, and unusual residences have a place, as do sites of significant historical occurences. The Wright Brothers Memorial, Kitty Hawk, Jockey's Ridge and Kill Devil Hills are heavily represented as are the rest of the Outer Banks.</p>




<arrangement>
<head>Collection Arrangement</head>

<p>This collection is divided into five series. Series 1: Miscellaneous Individual Postcards are postcards that were never sent. These postcards were chosen because of the place they depicted. As a result, the item level descriptions of these postcards include the information printed on the postcards as well as publication information. Series 2: Addressed Individual Postcards are important because of the information conveyed by the people sending and receiving the postcards rather than other pieces of information. Series 3: Packets are a unique and interesting form of postcards. Rather than separating the packets, the individuals who sent these packets chose to keep all of the postcards together, allowing the recipient to enjoy the entire visual collection of postcards ratehr than only one scene. Series 4: Oversize and Miscellaneous Postcards represents large postcards as well as postcards that have some unique or interestign feature about them. Series 5: Cards are mostly cards sent by individuals at the holidays. </p>
<p>Presently, Series 1 and part of Series 2 (through Item PhC.120.2.329) are housed in Box 1, and the rest of Series 2 through the end of Series 5 are housed in Box 2.</p>

</arrangement>
</scopecontent>


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<separatedmaterial>
<head>Separated Material</head>
<p>

</p>

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<controlaccess>
<head>Online Catalog Headings</head>
<p>These and related materials may be found under the following headings in online catalogs.</p>
<list type="simple">
<head>Subject Terms</head>
<item><subject encodinganalog="650" source="lcsh">African Americans</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Albemarle (Confederate ironclad)</corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Aiken, Gene</persname></item>
<item><corpname encodinganalog="610" source="local">Alamance Battleground State Historic Site (N.C.)</corpname></item>
<item><subject encodinganalog="650" source="local">Allen House (Burlington, N.C.)</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Appalachian State Teachers College (N.C.)</corpname></item>
<item><corpname encodinganalog="610" source="local">Artsplosure Millenium Project</corpname></item>
<item><corpname encodinganalog="610" source="local">Asheville Post Card Company</corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Aycock, Charles B. (Charles Brantley), 1859-1912</persname></item> 
<item><subject encodinganalog="650" source="lcsh">Azaleas</subject></item>
<item><persname encodinganalog="600" source="lcnaf">Bailey, Pearl</persname></item>
<item><corpname encodinganalog="610" source="local">Baptist Orphanage (Thomasville, N.C.)</corpname></item>
<item><corpname encodinganalog="610" source="local">Basilica of Gethsemane (Jerusalem)</corpname></item>
<item><corpname encodinganalog="610" source="lcnaf">Bermuda Archives</corpname></item>
<item><corpname encodinganalog="610" source="lcnaf">Biltmore Estate (Asheville, N.C.)</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Black bear</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Blue Ridge Assembly, Inc. </corpname></item>
<item><corpname encodinganalog="610" source="local">Blue Ridge Mountain Shrine (Asheville, N.C.)</corpname></item>
<item><persname encodinganalog="600" source="local">Bower, Jack</persname></item>
<item><corpname encodinganalog="610" source="lcnaf">Brevard College</corpname></item>
<item><corpname encodinganalog="610" source="local">Briggs Hardware</corpname></item>
<item><subject encodinganalog="650" source="local">Brinegar Cabin (N.C.)</subject></item>
<item><persname encodinganalog="600" source="lcnaf">Brown, Aycock
</persname></item>
<item><corpname encodinganalog="610" source="local">Bynum University (Durham, N.C.)</corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Campbell, Carlos C. (Carlos Clinton), b. 1892</persname></item>
<item><corpname encodinganalog="610" source="lcnaf">Carolina Hurricanes (Hockey team)</corpname></item> 
<item><corpname encodinganalog="610" source="local">Cherokee Indian Fair</corpname></item>
<item><corpname encodinganalog="610" source="local">Chicamacomico Coast Guard Station</corpname></item>
<item><corpname encodinganalog="610" source="local">Chinqua Penn Plantation (Rockingham County, N.C.)</corpname></item>
<item><corpname encodinganalog="610" source="lcnaf">Christ's School (Arden, N.C.)</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Church buildings</subject></item>
<item><subject encodinganalog="650" source="lcsh">Cities and towns</subject></item>
<item><corpname encodinganalog="610" source="local">Cliff Dweller's Inn (Chimney Rock, N.C.)</corpname></item>
<item><persname encodinganalog="600" source="local">Cline, Walter </persname></item>
<item><corpname encodinganalog="610" source="lcnaf">Davidson College</corpname></item> 
<item><subject encodinganalog="650" source="lcsh">Dogwoods</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Duke University</corpname></item> 
<item><corpname encodinganalog="610" source="lcnaf">Durham and Southern Railway Company</corpname></item> 
<item><corpname encodinganalog="610" source="local">Eastern Carolina Teacher's College</corpname></item>
<item><corpname encodinganalog="610" source="local">Elizabeth City News Company</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Freemasonry</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Grove Park Inn (Asheville N.C.)</corpname></item>
<item><corpname encodinganalog="610" source="lcnaf">Guilford Battleground Co. </corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Harmon, Jack</persname></item>
<item><subject encodinganalog="650" source="lcsh">Historic sites </subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Holiday Inns, Inc.</corpname></item>
<item><corpname encodinganalog="610" source="lcnaf">Independent Order of Odd Fellows</corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Jesus Christ</persname></item>
<item><persname encodinganalog="600" source="lcnaf">Johnson, Andrew, 1808-1875</persname></item>
<item><persname encodinganalog="600" source="lcnaf">Jones, Frank</persname></item>
<item><persname encodinganalog="600" source="local">Lane, Joel, 1740-1795</persname></item>
<item><persname encodinganalog="600" source="local">Lee, Annie Carter, 1839-1862</persname></item>
<item><corpname encodinganalog="610" source="lcnaf">Lees-McRae College</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Lilies-of-the-valley </subject></item>
<item><corpname encodinganalog="610" source="local">Lost Colony (Symphonic drama) </corpname></item>
<item><persname encodinganalog="600" source="local">Lusher, Nicholas E.</persname></item>
<item><subject encodinganalog="650" source="lcsh">Measles</subject></item>
<item><persname encodinganalog="600" source="lcnaf">Miller, Walter H.</persname></item>
<item><persname encodinganalog="600" source="local">Minges, Harold</persname></item>
<item><persname encodinganalog="600" source="lcnaf">Morton, Hugh M. </persname></item>
<item><corpname encodinganalog="610" source="lcnaf">Mount Vernon Ladies' Association of the Union</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Mumps</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">N.C. State Sanatorium (McCain, N.C.)</corpname></item>
<item><corpname encodinganalog="610" source="local">North Carolina News Company (Durham, N.C.)</corpname></item>
<item><corpname encodinganalog="610" source="lcnaf">Old Salem, Inc.</corpname></item>
<item><corpname encodinganalog="610" source="local">Orton Plantation (N.C.)</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Pansies</subject></item>
<item><geogname encodinganalog="651" source="local">Pierce Moore House</geogname></item>
<item><subject encodinganalog="650" source="lcsh">Photographers</subject></item>
<item><genreform encodinganalog="655" source="aat">Postcards</genreform></item>
<item><subject encodinganalog="650" source="lcsh">Redwoods</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Reynolda House</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Rhododendrons</subject></item>
<item><corpname encodinganalog="610" source="local">Mendenhall Plantation</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Sand dollars</subject></item>
<item><persname encodinganalog="600" source="local">Sides, George B.</persname></item>
<item><subject encodinganalog="650" source="lcsh">Travel</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">Tryon Palace (New Bern, N.C.)</corpname></item>
<item><subject encodinganalog="650" source="lcsh">Typhoid Fever</subject></item>
<item><corpname encodinganalog="610" source="lcnaf">University of Virginia</corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Vance, Zebulon Baird, 1830-1894</persname></item>
<item><persname encodinganalog="600" source="lcnaf">Verner, Elizabeth O'Neill, 1883-1979</persname></item>
<item><corpname encodinganalog="610" source="lcnaf">Wake Forest College</corpname></item>
<item><persname encodinganalog="600" source="lcnaf">Ward, Mary</persname></item>
<item><persname encodinganalog="600" source="lcnaf">Wootten, Bayard Morgan, 1875-1959</persname></item> 
<item><geogname encodinganalog="651" source="lcsh">Wright Brothers National Memorial (N.C.)</geogname></item>
</list>

<list type="simple">
<head>Geographic Terms</head>
<item><geogname encodinganalog="651" source="lcsh">Abilene (Tex.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Alexandria (Va.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Alum Cave Trail</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Ansonville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Appalachian Mountains</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Arden (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Arizona</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Asheville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Atlantic City (N.J.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Banner Elk (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Bat Cave (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Beaufort (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Beaufort County (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Beaver Lake (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Belmar (N.J.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Belmont (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Black Mountain (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Blowing Rock (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Blount's Creek (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Blue Ridge Parkway (N.C. and Va.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Boone (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Boston (Mass.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Brazil</geogname></item>
<item><geogname encodinganalog="651" source="local">Bridal Veil Falls (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Bryson City (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Buggs Island Dam (Boydton, Va.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Buncombe County (N.C.) </geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Burlington (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Caesar's Head (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Canada</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Carl Sandburg Home National Historic Site (Flat Rock, N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Carolina Beach (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Chapel Hill (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Charles (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Charleston (S.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Charlotte (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Charlottesville (Va.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cherokee Indian Reservation (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cherokee (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cheyenne (Wyo.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Chicago (Ill.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Chile</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Chimney Rock (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Chimney Tops (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cleveland (Ohio)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cleveland (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Clingman's Dome (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Clingman's Peak (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Colorado</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Columbia (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Concord (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Constitution House (Halifax, N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Copenhagen (Denmark)</geogname></item>
<item><geogname encodinganalog="651" source="local">Coquina Beach (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Cornwallis House (Wilmington, N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cullowhee (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Cypress Gardens (Charleston, S.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Dare County (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Davidson (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Durham (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Edenton (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Elizabeth City (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Elmare (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Elmwood (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Emerald Isle (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Fairmont (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Fayetteville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Florida</geogname></item>
<item><geogname encodinganalog="651" source="local">Fontana Dam (Tenn. and N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Fort Macon (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Fort Raleigh (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">France</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Franklin (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Fredericksburg (Va.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">French Broad River (N.C. and Tenn.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Goldsboro (N.C.) </geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Grand Canyon National Park (Ariz.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Grandfather Mountain (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Great Smoky Mountains National Park (N.C. and Tenn.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Greensboro (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Greenville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hatteras, Cape (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hendersonville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hickory (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Hickory Nut Gorge (Rutherford County, N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hiddenite (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">High Point (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hillsboro (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hillsborough (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Hollywood (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Hot Springs (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Jamestown (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Jockey's Ridge State Park (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">John H. Kerr Reservoir (Va. and N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Kannapolis (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Kansas City (Mo.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Kerenhappuch Turner Monument</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Laurinburg (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Lilesville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Linville Caverns (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Little Switzerland (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Loray (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Lumberton (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Lure, Lake  (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Mecklenburg County (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">
Mitchell, Mount (N.C. : Mountain)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Morehead City (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Morganton (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Mount Airy (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Mount Pisgah (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Murfreesboro (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Murphy (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Myrtle Beach (S.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Nag's Head (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">New Bern (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">New York (N.Y.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Norman, Lake (N.C.) </geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Oak Ridge (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Outer Banks (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Pea Island (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Peru</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Philpott Lake (Va.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Pilot Mountain (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Pinehurst (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Pisgah National Forest (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Qualla Boundry (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Raleigh (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Reidsville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Ridgecrest (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Rio de Janeiro (Brazil)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Roanoke Island (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Rocky Mount (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Scotts (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Scotland Neck (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Shelby (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Shenandoah National Park (Va.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Sneads Ferry (N.C.)</geogname></item> 
<item><geogname encodinganalog="651" source="lcsh">Southern Pines (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Southport (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Statesville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Stony Point (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Summit, Lake (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Swansboro (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="local">Sylvia (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Tahoma, Lake (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Thomsaville (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Tryon (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">United States--History--Civil War, 1861-1865--Monuments</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Wake Forest (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Warrenton (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Washington (D.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Washington (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Weaverville (N.C.)</geogname></item>
<item><subject><geogname>West Jefferson (N.C.)</geogname></subject></item>
<item><geogname encodinganalog="651" source="lcsh">Wilmington (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Wilson (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Winston-Salem (N.C.)</geogname></item>
<item><geogname encodinganalog="651" source="lcsh">Zurich (Switzerland)</geogname></item>
</list>

</controlaccess>


<relatedmaterial encodinganalog="544">
<head>Related Collections</head>
<p>Additional information on topics found in this collection may be found in the Manuscript and Archives Reference System (MARS) <extref href="http://www.ncarchives.dcr.state.nc.us/">http://www.ncarchives.dcr.state.nc.us</extref>.</p>
</relatedmaterial>

<dsc type="combined">
<head>Container List</head>

<c01 level="series">
<did>
<unittitle>Series 1: Miscellaneous Individual Postcards</unittitle>
</did>


<c02 level="item">
<did><container type="box">1</container><container type="Item">PhC.120.1.1</container>
<unittitle>Airplane View of Asheville, N.C. Looking West, <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithographic-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Birdseye view of Asheville; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.2</container>
<unittitle>The George Vanderbilt Hotel, Asheville, N.C., <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print; </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of George Vanderbilt Hotel, framed to show only hotel; on back <emph render="quoted">The George Vanderbilt, Asheville's most popular hotel, is in the center of the business, social, and tourist activity of the city. The Municipal Auditorium is next door. It is the meeting place of thousands who come to enjoy the scenic wonders of this Western North Carolina mountain area, or to contact the business life of the 'Land of the Sky'; Published by the Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.3</container>
<unittitle>Picturesque Sunset View of Asheville, N.C. <emph render="quoted">In the Land of the Sky</emph>, <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent>
<p>Birdseye view of Asheville from surrounding mountains; on back <emph render="quoted">Situated upon a high mountain table-land 2300 feet above the sea, and commanding a sweeping panorama of mile-high mountains. Asheville occupies perhaps the most beautiful setting of any city in America. The drifting clouds touching the summits of the mountains and the many days of sunshine, have given to the Asheville region its distinctive title, 'The Land of the Sky'; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.4</container>
<unittitle>Night Time Scene of Asheville, N.C. Showing City Hall and Court House,  <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Night time view of downtown Asheville, only shows part of downtown; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.5</container>
<unittitle>Asheville Auditorium and George Vanderbilt Hotel, Asheville, N.C., <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>On front, view of auditorium and hotel with <emph render="quoted">In the Land of the Sky</emph>; on back, <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.</emph> and <emph render="quoted">Genuine Curteich- Chicago 'C.T. Art- Colortone' Post Card (Reg. U.S. Pat. Off.'</emph>.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.6</container>
<unittitle>Municipal Auditorium, Asheville, N.C. <emph render="quoted">In the Land of the Sky,</emph> <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Municipal Auditorium; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.7</container>
<unittitle>Asheville Auditorium, Asheville, N.C., <unitdate type="inclusive">1930-1960 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Asheville Auditorium, able to see side of auditorium, front entryway made of concrete, rear portion made of concrete; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich- Chicago 'C.T. Art- Colortone' Post Card (Reg. U.S. Pat. Off.'</emph> Postage rate one cent. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.8</container>
<unittitle>Memorial Mission Hospital, Asheville, N.C.,  <unitdate type="inclusive">1950-1960 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Memorial Mission Hospital, period cars in parking lot; on back- <emph render="quoted">Memorial Mission Hospital, Biltmore Ave., Asheville, N.C.; Color-King Natural Color Card, W M. Cline Co., Chattanooga, Tennessee.</emph> </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.9</container>
<unittitle>Forest Manor Lodge and Restaurant, Asheville, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Postcard split into three views, motel buildings and restaurant; on back <emph render="quoted">Forest Manor Lodge and Restauant, 866 Hendersonville Road, 3 1/2 miles South, Highway 25, Asheville, North Carolina, 5 acres wooded grounds, Air Conditioned Rooms, with or without Kitchens. Room Phones- Television- Color-set in Lounge. 'Food that's Famous.' Mr. and Mrs. Paul Kirk, Owners and Managers, Telephone: 252- 8791; AAA approved; Color-King Natural Color Card, W. M. Cline Co., Chattanooga, Tennessee.</emph> </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.10</container>
<unittitle>Beaver Lake, Asheville, N.C.,  <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photograph print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of woman waiving to sail boats in distance. Woman is leaning against tree trunk, green boat in water beside her. Some leaves on ground, some changing color on tree; on back <emph render="quoted">Beaver Lake- 'In the Land of the Sky'- Asheville, N.C.</emph>; <emph render="quoted">Photographed in color by Jack Bowers; Color-King Natural Color Card, W M. Cline Co., Chattanooga, Tennessee</emph>. </p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.11</container>
<unittitle>Beaver Lake, Asheville, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Beaver Lake, trees in forefront, mountains in background; on back <emph render="quoted">Beaver Lake-Asheville, N.C. Looking toward Beaver Lake Dam, and showing Beaver Lake Golf Course and Club House in the foreground; Photographed in color by Jack Bowers; Color-King Natural Color Card, W M. Cline Co., Chattanooga, Tennessee.</emph> </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.12</container>
<unittitle>Grove Park Inn and Motor Lodge, Asheville, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 7</extent></physdesc>
</did>
<scopecontent>
<p>Birdseye view of the Grove Park Inn and Motor Lodge and surrounding countryside; on back <emph render="quoted">Grove Park Inn and Motor Lodge, Asheville, North Carolina, Where the Blue Ridge meets the Great Smokies. Swimming - Golfing - Putting greens - Shuffleboard - Riding - Cookouts - 300 car parking - 50 new motor lodge rooms - New ballroom - Convention hall - Your choice of traditional inn or modern motor lodge accomodations; Prepare to be Pampered at Jack Tar Hotels.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.13</container>
<unittitle>Air View of the Grove Park Inn and Motor Lodge, Asheville, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Grove Park Inn and golf course, also surrounding countryside; on back <emph render="quoted">Air View of the Grove Park Inn and Motor Lodge showing the Golf Course of the Asheville Country Club, Asheville, North Carolina; Photographed in color by Jack Bowers; Color-King Natural Color Card, W M. Cline Co., Chattanooga, Tennessee.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.14</container>
<unittitle>Grove Park Inn, Asheville, N.C., <unitdate type="inclusive">1930-1950 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Grove Park Inn, showing steps leading down to tennis courts(?); on back- <emph render="quoted">Grove Park Inn, Asheville, N.C., The Grove Park Inn is absolutely unique- unique in conception, in design, in construction, in furnishing, in decoration, and in equipment. It is one of the notable monumental structures of this country. It was built not for the present alone, but for ages yet to come, and it probably will be an object of wonder and admiration for generations yet unborn. Its location, on the side of Sunset Mountain two miles and a half from the center of Asheville, was made possible by acquisition of the mountain and of hundreds of acres of that part of the plateau now known as Grove Park.</emph> One of these postcards has on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich- Chicago 'C.T. Art- Colortone' Post Card (Reg. U.S. Pat. Off.).</emph> Postage rate one cent., the other has <emph render="italic">Asheville Post Card Co., Asheville, N.C.; C.T. Art- Colortone.</emph> Postage rate one cent.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.15</container>
<unittitle> Grove Park Inn and Swimming Pool, Asheville, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Grove Park Inn and Swimming Pool- shows aerial view of pool in relation to inn and layout of tables and chairs that surround pool; on back <emph render="quoted">Grove Park Inn and Swimming Pool, Asheville, North Carolina. The Grove Park Inn is one of the most notable and unique resorts in the country. It is absolutely fireproof - built of the great boulders of Sunset Mountain at the foot of which it sits; Photographed in color by Richard Henry; Color-King Natural Color Card, W M. Cline Co., Chattanooga, Tennessee.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.16</container>
<unittitle>Grove Park Inn and Swimming Pool, Asheville, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Grove Park Inn and Swimming Pool- shows pool in relation to inn at ground level with some tables, chairs, and landscaping visible; on back <emph render="quoted">Grove Park Inn and Swimming Pool, Asheville, North Carolina. The Grove Park Inn is one of the most notable and unique resorts in the country. It is absolutely fireproof - built of the great boulders of Sunset Mountain at the foot of which it sits; Photographed in color by Richard Henry; Color-King Natural Color Card, W M. Cline Co., Chattanooga, Tennessee.</emph> </p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.17</container>
<unittitle> Asheville Country Club, Golf Course and Grove Park Inn, Asheville, N.C.,  <unitdate type="inclusive">1930-1950 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Grove Park Inn and Asheville Country Club, showing their relation to one another and the surrounding countryside; on back <emph render="quoted">Pub. by Asheville Post Card Co., Asheville, N.C.; postage rate- One Cent for United States and Island Posessions Cuba, Canada, and Mexico. Two cents for Foreign.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.19</container>
<unittitle>Grove Park Inn, Asheville, N.C., Finest Resort Hotel in the World, <unitdate type="inclusive">1930-1950 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Ground level view of Grove Park Inn and some landscaping that partially obscures the inn; on back <emph render="quoted">Grove Park Inn, Asheville, N.C., Finest Resort Hotel in the World; Published by Asheville Post Card Co., Asheville, N.C.; Imported exclusively by K.S. Tanner, Jr., Rutherfordton, N.C.</emph> postage square reads <emph render="quoted">Made in Switzerland.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.20</container>
<unittitle><emph render="quoted">Big Room,</emph> Showing Fire Place, Grove Park Inn, Asheville, N.C., <unitdate type="inclusive">1930-1950 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of <emph render="quoted">Big Room,</emph> shows large natural stone fireplace, tables and chairs clustered for socialization purposes- some people appear in front of fireplace; on back <emph render="quoted">'Big Room,' Showing Fire Place, Grove Park Inn, Asheville, N.C., 'America's Beauty Spot.' The 'Big Room,' or lobby, is one of the most beautiful rooms in the world. It is 120 ft. long by 80 ft. wide, and can comfortably entertain 1,000 people. It is built up of the most unique collection of native boulders, flint, and mica, and at night is illuminated by indirect lights which are reflected against the ceiling and give over 12,000 candlepower of illumination in this one room; Published by Asheville Post Card Co., Asheville, N.C.; C.T. American Art Colored.</emph> postage rate- One Cent.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.21</container>
<unittitle>Secretary of State W.J. Bryan, Viewing the Mountains from Grove Park Inn, Asheville, N.C., <unitdate type="inclusive">1930-1950 </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Grove Park Inn from ground level with Secretary of State W.J. Bryan in left foreground looking off into the distance; on back <emph render="quoted">Secretary of State William Jennings Bryan, Viewing the Mountains from Grove Park Inn, Asheville, N.C. Mr. E.W. Grove of St. Louis, Mo. has built the finest resort hotel in the world on the side of Sunset Mountain at Asheville, N.C. This is Grove Park Inn and probably the only building of its kind in existence to-day, and is operated the year around. The exterior of the building gives it the appearance of having been built hundreds of years ago, and although it is equipped with every modern device and comfort that money could secure, there is little of anything modern in evidence to spoil the effect of harmony; Published by Southern Post Card Co., Asheville, N.C.; C.T. American Art</emph> postage rate- <emph render="quoted">One Cent for United States and Island Posessions Cuba, Canada, and Mexico. Two cents for Foreign.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.22</container>
<unittitle>Large Fireplace, Grove Park Inn, Asheville, N.C.,<unitdate type="inclusive">1910-1930 </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of large stone fireplace with both straight-backed and rocking chairs placed near fireplace. Right foreground <emph render="quoted">Grove Park Inn, Asheville, N.C.</emph>; Left foreground on rung of straight-backed chair <emph render="quoted">Robinson.</emph> No information on back of postcard. </p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.23</container>
<unittitle>Elevator Entrance, Grove Park Inn, Asheville, N.C.,<unitdate type="inclusive">1910-1930 </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of bellhop in uniform standing to the left of the elevator entrance. Elevator entrance surrounded by large stone blocks, interior metal. Left foreground <emph render="quoted">Elevator Entrance, Grove Park Inn, Asheville, N.C.</emph>; No information on back of postcard. </p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.24</container>
<unittitle>Grove Park Inn, Asheville, N.C., <unitdate type="inclusive">1910-1930 </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View portion of exterior of Grove Park Inn, Asheville, N.C. Shows exterior stone work, inset windows, lintels over window frames. Also notable for horse and buggy pictured; Left foreground <emph render="quoted">Grove Park Inn, Asheville, N.C.</emph> Center foreground <emph render="quoted">Robinson.</emph>; No information on back of postcard. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.25</container>
<unittitle>Grove Park Inn, Asheville, N.C.,<unitdate type="inclusive">1910-1930 </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Uphill view of Grove Park Inn, Asheville, N.C. Shows overall size and placement at top of rolling hills. Notable for construction taking place on left wing of building, workers on roof; Left foreground <emph render="quoted">Grove Park Inn, Asheville, N.C., Robinson. 18.</emph>; No information on back of postcard. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.26</container>
<unittitle>Grove Park Inn, Asheville, N.C., From the Golf Links, <unitdate type="inclusive">1910-1930 </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Distance view of Grove Park Inn, Asheville, N.C. Shows overall size and placement at top of rolling hills. Includes golf links that surround inn; Top left <emph render="quoted">Grove Park Inn, Asheville, N.C., From the Golf Links.</emph>; No information on back of postcard. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.27</container>
<unittitle>The Cross, Lake Junaluska, N.C., <unitdate type="inclusive">1950-1970 </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of large metal cross, mountains in background; on back <emph render="quoted">The Cross, Lake Junaluska, North Carolina, Lake Junaluska, North Carolina, the home of the Southern Assembly, 'The Summer Capital of American Methodism in the South,' is twenty-six miles west of Asheville and has a 252-acre lake well stocked with fish; splendid auditorium, fine hotels, sporty nine- hole golf course, tennis, boating, swimming, fishing; strong conference and Chautauqua programs; Published by Asheville Post Card Co., Asheville, N.C.; Color photo by Shields Studio, Asheville, N.C.; Mirro-Krome by H.S. Crocker Co., Inc.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.28</container>
<unittitle>The Cross at Lake Junaluska, N.C., <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of large metal cross on plateform of stone next to lake, mountains in background; on back <emph render="quoted">The Cross at Lake Junaluska, Erected by Wesley Bible Class Federation of Western North Carolina Conference; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.29</container>
<unittitle>Dahlia Garden of Mr. J. B. Ivey, Lake Junaluska, N.C., <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of house next to lake, mountains in background, flower garden in foreground; on back <emph render="quoted">This Garden contains about 500 Dahlia bushes Blooming dates about July 1st to frost. The garden open to the public, no charge. Mr. Ivey adds a number of new varieties each year to his collection. Dahlia blooms from the small 1 and a half inch pom to huge blooms 10 to 13 inches across; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.30</container>
<unittitle>Memorial Chapel, Lake Junaluska, N.C., <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of church in front of lake, mountains in background; on back <emph render="quoted">Lake Junaluska, N.C., the home of the Southern Methodist Assembly, 26 miles west of Asheville on Southern Railway and U.S. Highways 19 and 23. Adjacent to Great Smoky Mountains National Park and Cherokee Indian Reservation. Provides fine Conference Programs plus wholesome recreation such as fishing on 252 acres of lake, boating, swimming, shuffleboard, supervised playground for children. Excellent hotels and cottages are available for visitors; Published by Asheville Post Card Co., Asheville, N.C.; Photo by Grenell.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.31</container>
<unittitle>Peaceful Lake Junaluska, N.C., <emph render="quoted">In the Land of the Sky,</emph> <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Lake Junaluska, mountains in background. Woman sits in boat on water in foreground, <emph render="quoted">Photo by Grenell;</emph> on back <emph render="quoted">Lake Junaluska, N.C., the home of the Southern Assembly, 'The Summer Capitol of American Methodism in the South', is twenty-six miles west of Asheville on the Southern Railway and on U.S. Highway Nos. 19 and 23. Seventeen miles of driveway; lake of 252 acres, well stocked with fish; splendid auditorium and other public buildings and fine residences; good water, electric lights and other public utilities; fine hotels; sporty nine hole golf course, tennis, boating, swimming, fishing: strong conference and Chautauqua programs; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.32</container>
<unittitle>Scene on Beautiful Lake Lure, Western North Carolina, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Lake Lure with road in foreground. Asheville, Spartanburg, S.C., and Charlotte are written in on the road with arrows pointing in their general direction from this place on Lake Lure; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich- Chicago 'C.T. Art- Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.33</container>
<unittitle>Moonlight over Lake Lure from Lake Lure Inn, Western North Carolina, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Lake Lure at night with road in foreground; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph> </p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.34</container>
<unittitle>Lake Lure, N.C., Where Water Sports and Mountains Meet, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>View of Lake Lure with a sailboat, canoe, rowboat, and powerboat pictures in center of lake; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.35</container>
<unittitle>Smith-McDowell House, <unitdate type="inclusive">1950-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Front of Smith-McDowell house, 2 story brick with large shuttered windows; on back <emph render="quoted">Smith-McDowell House on the campus of Asheville-Buncombe Technical Institute at 283 Victoria Road (formerly the Buncombe Turnpike). Restored as a heritage center by the western North Carolina Historical Association. Built in 1840 by James M. Smith, first child of white parentage born west of the Blue Ridge Mountains. Later home of Major William W. McDowell, noted for his efforts in the War Between the States; The Stephens Press, Inc.,1251 Hendersonville Road, Asheville, N.C. 28803; Photo by Rich English, A-B Tech.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.36</container>
<unittitle>The Black Forest Lodge, <unitdate type="inclusive">1950-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Picture of mountain cabin, probably two stories with side porch, people milling in front of cabin, lots of trees; on back <emph render="quoted">The Black Forest Lodge; A home for Dr. Carl Schenck's Rangers, Cradle of Forestry in America located in Pisgah National Forest near Asheville, North Carolina; Color- King Natural Color Card, W. M. Cline Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.37</container>
<unittitle>Ever Green Motel, <unitdate type="inclusive">1950-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Postcard split into quarters, with picture in middle. Pictures are of the parking lot, structure, pool, inside one of the rooms, marquis outside motel; on back <emph render="quoted">Ever Green Motel, 612 Merrimon Ave., Asheville, North Carolina, On Highways U.S. 19-23-25 and 70 - 1 and one half miles, North of Business District, 26 Rooms with Tile Showers - TV and Phones in all rooms - Wall-to-Wall carpeting - Heated Swimming and Wading Pools - Swings - Ping Pong - Volley Ball - Shuffleboard - Quiet Central Air Conditioning and Heating - Restaurants Adjacent, Telephone 254-4681; Photographed in Natural Color by Jack W. Bowers; Color- King Natural Color Card, W. M. Cline Co., Chattanooga, Tennessee.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.38</container>
<unittitle>Interior of the Ranger Gillespie House, <unitdate type="inclusive">1950-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Domestic scene, costumed woman stirs soup in pot over fire. Notable for early American kitchen-ware, and table with picnic type- bench; on back <emph render="quoted">Interior of the Ranger Gillespie House on the Campus Tour; Cradle of Forestry in America located in Pisgah National Forest near Asheville, North Carolina; Color- King Natural Color Card, W. M. Cline Co., Asheville, North Carolina.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.39</container>
<unittitle>Biltmore House- Front View <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Picture of Biltmore house with pool in front; on back <emph render="quoted">7- Biltmore House - Front View, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.40</container>
<unittitle>Biltmore House- From Italian Garden, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Side view of Biltmore house; on back <emph render="quoted">8- Biltmore House - From Italian Garden, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.41</container>
<unittitle>Biltmore House- From South Terrace, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Distance view of Biltmore house with statue in foreground, some landscaping with shrubs around pool; on back <emph render="quoted">9- Biltmore House - From South Terrace, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.42</container>
<unittitle>Biltmore House over The Lagoon, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Biltmore house on hill in distance with lagoon in front, natural area surrounding lagoon, springtime colors; on back <emph render="quoted">6- Biltmore House over The Lagoon, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph> </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.43</container>
<unittitle>Aeroplane View, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Biltmore with surrounding countryside; on back <emph render="quoted">26- Aeroplane View, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.44</container>
<unittitle>The Dancing Lesson - Italian Garden, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Two person statue in front of stairs, dancing woman and small cherub; on back <emph render="quoted">10- The Dancing Lesson - Italian Garden, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.45</container>
<unittitle>Peter Pan - South Terrace, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Statue of male figure playing flute(?), in background side of house; on back <emph render="quoted">11- Peter Pan - South Terrace, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.46</container>
<unittitle>One of the Lions - Main Entrance to House, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>Statue of lion on pedestal to right of main entrance; on back <emph render="quoted">13- One of the Lions - Main Entrance to House, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.47</container>
<unittitle>The Pisgah Range - Across South Terrace, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of mountains in background, landscaping in foreground on South Terrace; on back <emph render="quoted">12- The Pisgah Range - Across South Terrace, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.48</container>
<unittitle> Pisgah and the Rat from the West Loggia, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View from the inside of the west loggia - graceful arcitectural arch above, looking out at Pisgah Range; on back <emph render="quoted">23- Pisgah and the Rat from the West Loggia, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.49</container>
<unittitle> Biltmore Lodge Gate, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of ivy covered brick gatehouse with surrounding trees; on back <emph render="quoted">1 - Biltmore Lodge Gate, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.50</container>
<unittitle>The Ramp from Main Entrance to House, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View is from inside main entrance with guard depicted on left, ramp is a two- story concrete structue with ramps on either side; on back <emph render="quoted">14 - The Ramp from Main Entrance to House, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.51</container>
<unittitle>The Bridge over Bass Lake, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of road with car coming around a curve in road after driving over bridge, different varieties of trees present; on back <emph render="quoted">5 - The Bridge over Bass Lake, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.52</container>
<unittitle>Falls of Bass Lake, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of road in foreground, waterfall in background - water is man-made with foot-bridge over top, many tree varieties present; on back <emph render="quoted">4 - Falls of Bass Lake, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.53</container>
<unittitle>Kalmia (Mt. Laurel) along Approach Road, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of road with mountain laurel blooming in foreground; on back <emph render="quoted">3 - Kalmia (Mt. Laurel) along Approach Road, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.54</container>
<unittitle>In the Walled Garden - May, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of walled garden, appears landscaped as English country garden with wide walkways.  Flowers are in full bloom; on back <emph render="quoted">24 - In the Walled Garden - May, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.55</container>
<unittitle>In the Walled Garden - June, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent>
<p>View of walled garden, different than 120.1.54, evidence of manipulation of garden into specific shapes; on back <emph render="quoted">25 - In the Walled Garden - June, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.56</container>
<unittitle>Along the Approach Road, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>View of mountain road, no structures in evidence, various types of trees line road; on back <emph render="quoted">2 - Along the Approach Road, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph>  </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.57</container>
<unittitle>The Louis XVI Room, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Interior of Louis XVI room, large room with curved ceiling, purple wallpaper and draperies, fireplace and chair groupings; on back <emph render="quoted">19 - The Louis XVI Room, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.58</container>
<unittitle>Italian 16th Century Cabinet, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p> Cabinet has intricate and ornate woodwork, cabinet doors are open, along with an interior set of doors revealing interior cabinet with painted artwork and figurines; on back <emph render="quoted">22 - Italian 16th Century Cabinet, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph> </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.59</container>
<unittitle>The Palm Court, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p> Interior solarium with glass ceiling, lanterns hanging from ceiling, fountain in center of room, large plants, and rugs on floor; on back <emph render="quoted">Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.60</container>
<unittitle>The Banquet Hall - Two of the Goeblin Tapestries, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p> Banquet Hall decorated to resemble medieval banquet hall with chandeliers, coats of arms on flags, large bearskin rug on floor, multiple grate fireplace, throne on right side; on back <emph render="quoted">16 - The Banquet Hall - Two of the Goeblin Tapestries, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.61</container>
<unittitle>Napoleon's Chess Men and Table, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p> Chess table with chess pieces, chairs in gold fabric on either side, couch behind, tapestry on wall; on back <emph render="quoted">21 - Napoleon's Chess Men and Table, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.62</container>
<unittitle>Tapestry Gallery - The Flemish Tapestries, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Long gallery with parkay floors, exposed beam ceiling, row of windows along right side, tapestries and fireplaces along left, the three tapestries are floor to ceiling; on back <emph render="quoted">17 - Tapestry Gallery - The Flemish Tapestries, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph> </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.63</container>
<unittitle>A Bed Room, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p> Bedroom decorated in gold and burgundy, bed curtains, several large windows, dressing table; on back <emph render="quoted">20- A Bed Room, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.64</container>
<unittitle>The Library, <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p> Library has two levels for book access, large fireplace, staircase to upper level of books, large table; on back <emph render="quoted">18 - The Library, Photo Copyrighted by C.V.C., Biltmore House and Gardens, Biltmore Estate, Biltmore, N.C.; Made in Switzerland by Atelier Graphique H. Vontobel, Feldmeilen, Imported exclusively by Runca Import Company, Rutherfordton, N.C. USA.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.65</container>
<unittitle>Airplane View of Biltmore House, Asheville, N.C., <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Biltmore House with some grounds included; on back <emph render="quoted">Biltmore House, Asheville, N.C., Home of the late George W. Vanderbilt, is one of the finest mansions in America and contains many art treasures gathered from all parts of the world. The estate compromises over 12,000 acres of beautifully landscaped grounds, forests, fields, and the house and gardens are open to visitors. Also operated in connection with the estate is the Biltmore Dairy Farms, recognized as one of the largest and best dairies in the country; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.66</container>
<unittitle>Biltmore House and Reflection in Lily Pool, Asheville, N.C., <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Biltmore house on rise in background, lily pool in foreground surrounded by various shrubbery; on back <emph render="quoted">Biltmore House, Asheville, N.C., Home of the late George W. Vanderbilt, is one of the finest mansions in America and contains many art treasures gathered from all parts of the world. The estate compromises over 12,000 acres of beautifully landscaped grounds, forests, and fields. Also operated in connection with the estate is the Biltmore Dairy Farms, recognized as one of the largest and best dairies in the country, Published by Asheville Post Card Co., Asheville, N.C.</emph>; postage rate one cent. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.67</container>
<unittitle> Biltmore House at Night, Asheville, N.C. <emph render="quoted">In the Land of the Sky,</emph> <unitdate type="inclusive">1930-1950</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> View of Biltmore House at night with windows lit from inside and moon emerging from clouds above, some landscaping visible; on back <emph render="quoted">Biltmore House, Asheville, N.C., Home of the late George W. Vanderbilt, is one of the finest mansions in America and contains many art treasures gathered from all parts of the world. The estate compromises over 12,000 acres of beautifully landscaped grounds, forests, and fields. Also operated in connection with the estate is the Biltmore Dairy Farms, recognized as one of the largest and best dairies in the country.; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.68</container>
<unittitle>Aerial View of Biltmore House, Asheville, N.C.,<unitdate type="inclusive">1964</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Biltmore House, also shows surrounding countryside and some landscaping; on back <emph render="quoted">Aerial view of Biltmore House, Asheville, N.C. One of the showplaces of the world - Biltmore House located on U.S. 25, two miles south of Asheville, N.C., was opened to the public in 1930 as a memorial to George W. Vanderbilt, its builder. It features a magnificent art collection and treasures gathered from all parts of the world. The House and Gardens are open to visitors.; Pub. by Aerial Photogrpahy Services, Inc., P.O. Box 27112, Charlotte, N.C. 28208.</emph> There is a 1964 Aerial Photography Services copyright mark. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.69</container>
<unittitle>Biltmore House, Asheville, N.C., <unitdate type="inclusive">1950-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Biltmore House from directly in front of house, fountain in foreground; on back <emph render="quoted">The Biltmore House, Asheville, North Carolina. Home of the late George W. Vanderbilt, it is one of the finest mansions in America and contains many art treasures gathered from all parts of the world. The estate compromises over 12,000 acres of beautifully landscaped grounds, forests, and fields. The house and gardens are open to visitors.; Photographed in color by Jack Bowers, Color- King Natural Color Card, W.M. Cline Co., Chattanooga, Tennessee.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.70</container>
<unittitle>The Twelve Apostles, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Porcelain figurines of twelve apostles with twelve candles behind them, red background; on back <emph render="quoted">The Twelve Apostles of white porcelain on the Refectory Table are by Johann Joachim Kandler, famed Meissen (Dresden) sculptor. In The World Famous Biltmore House, Biltmore Estate, Asheville, North Carolina, Open to the public Daily from Feb. 1st to Dec. 15th, Photographed in Natural Color by Walter Cline Copyright 1960 - The Biltmore Co., Exclusive Color Cards made for Biltmore House and Gardens.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.71</container>
<unittitle>Biltmore House near Asheville, N.C., <unitdate type="inclusive">1963,</unitdate></unittitle>
<physdesc><physfacet>Black and white pencil sketch print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Sketch of Biltmore House in pencil with pond in front, artist signature and date in front left corner; on back <emph render="quoted">'Lith O Sketch' Reg. U.S. Pat. Off. - Made by Curhan Co., Gloucester, Mass.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.72</container>
<unittitle>Airplane View of Lake Tomahawk and Recreation Center, Black Mountain, N.C., <unitdate type="inclusive">1930-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Lake Tomahawk with surrounding countryside. The lake is visible along with roads surrounding lake; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.;</emph> stamp - one cent Washington. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.73</container>
<unittitle>A Glimpse of Robert E. Lee Hall, Blue Ridge Assembly, Blue Ridge, N.C. near Black Mountain, <unitdate type="inclusive">1900-1930,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large, 3 story building with columns, bushes in front; on back <emph render="quoted">Blue Ridge Assembly, Blue Ridge, N.C. is located in the beautiful Blue Ridge Mountains, Western North Carolina, 3 miles from Black Mountain, 15 miles east of Asheville, and is reached by taking U.S. Highway No.70. Black Mountain, N.C. is the Railroad, Bus Terminal, express and telegraph address for the Assembly. Blue Ridge Assembly is open to individuals, families or organized groups. Friends of the Y.M.C.A., social, religious, and educational organizations and all who are interested in a summer recreational center with a Christian purpose, will be welcome; Published by Asheville Post Card Co.</emph> </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.74</container>
<unittitle> Blowing Rock, Alt. 4000 Ft. showing Mt. Mitchell and Grandfather Mountain in the Distance, <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Blowing Rock in left foreground, with red visitors station on top. In background, Mt. Mitchell designated with an arrow, and Alt. 6684 ft. in center of postcard, on right, Grandfather Mt. marked with arrow and Alt. 5964 ft; on back <emph render="quoted">Blowing Rock, From Blowing Rock can be seen a far-flung panorama of magnificent mountain scenery that is unsurpassed. This colossal rock, leaning over the deep dimensions of John's River Gorge, derives its name from the fact that at nearly all times a strong wind is blowing at this point. Here wind currents defy the laws of Nature, and it is said that if a light object, such as a handkerchief, or a straw hat, is thrown from the rock, it will be blown back by the force of the wind sweeping up from the gorge below - <emph render="quoted">Believe it or not!</emph>;  Harry N. Martin, P.O. Box 324, Asheville, N.C., Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>  </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.75</container>
<unittitle> The Blowing Rock,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Blowing Rock in foreground, North Carolina mountains in background; on back <emph render="quoted">The Blowing Rock, Blowing Rock, North Carolina. This world famous scenic attraction where the wind always blows is located in the high- altitude resort town of Blowing Rock. Wide panoramic views of the surrounding mountains may be had from The Blowing Rock; Photographed in Natural Color by Walter Cline, Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tennessee, Copyright 1955, W.M. Cline Co.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.76</container>
<unittitle> The Blowing Rock,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Blowing Rock in foreground, North Carolina mountains in background, same view as 120.1.75; on back <emph render="quoted">The Blowing Rock, Blowing Rock, North Carolina, One of North Carolina's best known scenic objectives visited by thousands annually. Shown on distant horizon are Table Rock, Hawk's Bill, and Mount Mitchell; Photogrpahed and Published by Hugh Morton, Linville, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston, Mass., U.S.A.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.77</container>
<unittitle> The Blowing Rock, altitude 4350 ft., Western North Carolina, <unitdate type="inclusive">1920-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Blowing Rock; on back <emph render="quoted">Pub. by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.78</container>
<unittitle> Blowing Rock, altitude 4350 ft., Western North Carolina, <unitdate type="inclusive">1920-1940</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Blowing Rock, same as 120.1.77, color in print is more intense; on back <emph render="quoted">Pub. by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.79</container>
<unittitle> St. Mary's of the Hills Episcopal Church, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Outside view of church, mostly obscured by ivy and trees, one tree showing radiant fall color; on back <emph render="quoted">St. Mary's of the Hills Episcopal Church (Stringfellow Memorial), Blowing Rock, North Carolina; Natural Color Photo by Wm. M. Fulton, A Natural Color Card by W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.80</container>
<unittitle> Sunset of the Blowing Rock, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Blowing Rock at sunset, mountains in background, guard rail visible; on back <emph render="quoted">Sunset at the Blowing Rock: North Carolina. The Blowing Rock, a world famous scenic attraction is located in the high-altitude resort town of Blowing Rock, North Carolina. Grandfather Mountain and the Linville Range of the Blue Ridge Mountains can be seen in the background, on which is located the Blue Ridge Parkway; Photographed in Natural Color by Jack W. Bowers, Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.81</container>
<unittitle> Green Park Hotel, Alt. 4,000 Ft., Blowing Rock, N.C., <unitdate type="inclusive">1920-1940</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Green Park Hotel from across the street, hotel is multi-storied with large entranceway; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich- Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.82</container>
<unittitle>The Mayview Manor, Blowing Rock, N.C., <unitdate type="inclusive">1920-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View along side of Mayview Manor, shows the full manor, along with landscaped lawn; on back <emph render="quoted">Mayview Manor, Blowing Rock, North Carolina. This hotel is situated on the crest of the St. John's River Gorge in the heart of the Blue Ridge Mountains, offering a scenic splendid vista in every direction. In the excellence of its service, its cuisine and appointments, Mayview Manor upholds the finest traditions of hospitality. With an average summer temperature of 67 degrees and its invigorating atmosphere this place makes an ideal summer vacation spot; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.83</container>
<unittitle>Green Park Hotel and a Few of the Cottages, Blowing Rock, N.C., <unitdate type="inclusive">1920-1940</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Panoramic side view of the Green Park Hotel and some cottages, trees obscure many of the cottages; on back <emph render="quoted">Green Park Hotel - Blowing Rock, N.C., Green Park Hotel is noted for its informal and friendly atmosphere. Around 4,000 Feet above sea level and surrounded by mountains, Green Park offers the most in scenic beauty and delightfully cool nights. Adjoining is Blowing Rock's golf course, the highest and the coolest east of the Rockies. Your vacation here will mean more in hours of recreating rest and more in rich and happy memories; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.84</container>
<unittitle>Tweetsie Railroad, Blowing Rock, N.C., <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of the Tweetsie rail cars, including engine, people milling around in front of and around train. In background, picture of Tweetsie Skyliner; on back <emph render="quoted">Tweetsie Railroad, Blowing Rock, North Carolina. In background is Tweetsie Skyliner chair lift which transports visitors to and from Tweetsie station to amusement area atop Magic Mountain; Photographed and Published by Hugh Morton, Linville, N.C., Plastichrome by Colourpicture Publishers, Inc. Boston 30, Mass, U.S.A.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.85</container>
<unittitle>Hospital, Appalachian State Teachers' College, Boone, N.C., (Altitude 3,333 Ft.), <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of the hospital at the teacher's college, three story red brick with lawn; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.86</container>
<unittitle>Campus Scene, Appalachian State Teacher's College, Boone, N.C.,  <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of various buildings on campus, fronted by an avenue, all buildings brick; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.87</container>
<unittitle>Brevard College, <unitdate type="inclusive">1940-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Brevard College, showing all buildings, some of the surrounding town and agricultural lands; on back <emph render="quoted">Brevard College, Owned and operated by the Western North Carolina Conference of the United Methodist Church. Situated in the heart of the Blue Ridge Mountains at Brevard, North Carolina. Brevard College lies in a beautiful valley at the entrance to the Pisgah National Forest, one of the most scenic areas in the eastern United States. Readily accessible from the Interstate highway system and two major airports, the College is located 30 miles southwest of Asheville, N.C. and 45 miles north of Greenville and Spartanburg, S.C.; Published by Asheville Post Card Co., P.O. Box 351, Asheville, N.C. 28802.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.88</container>
<unittitle>Tweetsie's Locomotive #12, Crossing Dead Horse Trestle, <unitdate type="inclusive">1950-1980</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of train crossing wooden trestle bridge, engine blowing smoke with engineer and passengers present, can see surrounding countryside; on back <emph render="quoted">Tweetsie's Locomotive #12, Crossing Dead Horse Trestle: Tweetsie Railroad; Eastern America's most exciting travel attraction. Full size steam locomotives daily carry fun loving tourists thru three miles of scenic mountains, where trains are attacked by renegade Indians and robbed by outlaws. Authentic western town features live entertainment of Tweetsie Palace, just off the Blue Ridge Parkway at Blowing Rock, North Carolina; Photographed in Natural Color by Jack W. Bowers, Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.89</container>
<unittitle>The Cascades, Blue Ridge Parkway, North Carolina, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>A couple looks out over a retaining wall at a small waterfall in North Carolina mountains; on back <emph render="quoted">The Cascades, Blue Ridge Parkway, North Carolina, A fifteen-minute hike along a picturesque trail reveals the Cascades. Here, a series of ribbon-like falls tumble several hundred feet into the valley below; Color Photography by J. Wellington Young, Published by National Park Concessions, Inc., Mammoth Cave, Kentucky. Mirro-Krome Card by H.S. Crocker Co., Inc., San Francisco 1, Calif.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.90</container>
<unittitle>Ravine Bridge on Boone Trail Between Boone, and North Wilkesboro, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Ravine Bridge, steel construction, can see water passing underneath bridge and ravine walls; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.91</container>
<unittitle>Lee's Lodge and Country Restaurant, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Lee's Restaurant and Lodge, notable for cars in parking lot; on back <emph render="quoted">Hot Home-made Biscuits All Day, Lee's Lodge and Country Restaurant, On Blue Ridge Parkway, Turn at Northwest Trading Post, One Hundred Yards, Mile Post 259 Glendale Springs, N.C. 28629, 20 Modern Units, Color TV and Air Conditioning, Country Ham - Fried Chicken - Steaks, Seafood - Home-Made desserts and Jellies, Harry and Ola Lee, Lodge and Restaurant Owners, Phone 919-982-3289; Pub. by Aerial Photography Services, Inc., 2300 Dunavant St., Charlotte, N.C. 28203; Made by Dexter Press West Nyack, New York.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.92</container>
<unittitle>The Deep Water Bridge on the French Broad, <emph render="quoted">In the Land of the Sky,</emph> <unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of steel suspension bridge over French Broad River, can see ravine on either side, bridge is angled slightly in picture; on back <emph render="quoted">Hackney and Moale Co., Asheville, N.C., Publishers, Made in Germany, 4444." Postage rate- One Cent for United States, and Island Possessions, Cuba, Canada and Mexico. Two Cents for Foreign.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.93</container>
<unittitle>Night Time of the Picturesque Blue Ridge Parkway, <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of road ambling across ridge at night, moon and clouds in sky, no structures in picture; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph>; postcard was glued onto lined white <emph render="quoted">notebook</emph> paper at some point, some of paper and adhesive still visible.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.94</container>
<unittitle>Springtime on Blue Ridge Parkway, <unitdate type="inclusive">1940-1960, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of red car driving road cut into mountain, rock and some azaleas visible; on back <emph render="quoted">Springtime on the Blue Ridge Parkway, showing Flame Azalea and Rhododendron in bloom; Published by Asheville Post Card Co., Ektachrome by Elliot Lyman Fisher, Asheville, N.C.; Mirro-Krome by H.S. Crocker Co., Inc.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.95</container>
<unittitle>Authentic Gems, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Various gems of North Carolina pictured with identification underneath; on back <emph render="quoted">Authentic Gems local to North Carolina, 'The Rockhounds Paradise' - Part of the Fabulous Collection of Gems and Minerals at 'Ruby City' - on all highways in Franklin, N.C. - The Gem Center of the U.S.A.; Ekta Chrome by Ed Carver; Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.96</container>
<unittitle>Blue Ridge Parkway, North Carolina, <unitdate type="inclusive">1955, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of road leading off into mountains, with turnaround/ lookout in foreground; on back <emph render="quoted">Blue Ridge Parkway, North Carolina. This shows the intersection of the Parkway and the highway to the summit of Mt. Mitchell. The Peak at the right is Clingman's Peak part of the Black Mountain Range; Photographed in Natural Color by Walter Cline; Copyright 1955, W.M. Cline Co.; Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.97</container>
<unittitle>Bottomless Pools, Western North Carolina, <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of waterfalls into large pools, sunset in background, interesting rock formations; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.98</container>
<unittitle>Rhododendron, <unitdate type="inclusive">1920-1950,  </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of rhododendron in bloom in foreground, mountains in background; on back <emph render="quoted">Rhododendron in Full Bloom in the Heart of the Mountains; Published by Standard Souvenirs and Novelties, Inc., Knoxville, Tenn.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.99</container>
<unittitle>The Brinegar Cabin, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sideview of Brinegar cabin with stone chimneys, wood pile and root house on site, historical interpreters dressed in period garb and working with textiles outside cabin; on back <emph render="quoted">The Brinegar Cabin. A mountain family built this cabin in 1877 and placed the 'root house' just behind it. A reminder of by-gone days, it is open to travelers at mile-post 238.5 on the Blue Ridge Parkway in North Carolina; Photographed and Published by Hugh Morton, Linville, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston 30, Mass., U.S.A.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.100</container>
<unittitle>Bluffs Lodge - Doughton Park, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of lodge with walkways and lawn; on back <emph render="quoted">Bluffs Lodge - Doughton Park, Blue Ridge Parkway, North Carolina. This 24-room lodge, of rustic design, is located in a beautiful Highland Meadow, at an elevation of 3,750 feet. The lodge is open from spring through autumn; Pub. by National Park Concessions, Inc., Mammoth Cave, Kentucky, 42259.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.101</container>
<unittitle>Blue Ridge Mountain Shrine, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Single story structure with painted panels of religious images, there is a large cross on one end, can see car driving by on highway just above roof of shrine; on back <emph render="quoted">Blue Ridge Mountain Shrine. 16 miles east of Asheville, on U.S. Highway 74. The builder conceived the idea of a SHRINE such as this, and discussed it with his wife and children, all of whom approved of the idea. Upon the death in 1951, of IDA HOUSTON DAVIS, beloved wife, he decided to proceed with the building as a SHRINE to Christ our Lord, and a memorial to her for years of untiring work she did in Church and Sunday School. This being built as a non-sectarian memorial, the 'Mite Box' offerings are distributed among various Orphanages, regardless of race, creed, or color. R.W. Davis, Builder, Gerton, N.C.; Pub. by mellinger Studio, Altadena, Calif.; Dextone, Made Direct from Kodachrome and Ansco Color by Dexter Press, Inc., West Nyack, N.Y.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.102</container>
<unittitle>Bryson City Motor Court, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of motor court from across the street and probably from a third story window. Sign for court is visible, pool, and period car in parking lot; on back <emph render="quoted">Bryson City Motor Court, Mr. and Mrs. James P. Myers, U.S. Highway #19 on main street, Bryson City, N.C., 18 units. Electric Heat and Air Conditioned. Free T.V. Room telephones. Tiled Showers. Wall to Wall Carpet. Private Swimming Pool. Restaurants nearby. Diners Club and American Express cards accepted. Phone 8410; Color Photo by Gene Aiken; Color-King Natural Color Card- W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.103</container>
<unittitle>Allen House- Alamance Battleground State Historic Site, <unitdate type="inclusive">1967-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of log cabin with porch, no windows visible; on back <emph render="quoted">Scene of the Allen House, a pioneer type log cabin built about 1782. It was moved to this site from nearby Snow Camp and restored in 1967; with many of its original furnishings. Alamance Battleground State Historic Site, Route 1, Box 108 - Burlington, N.C. 27215; Burlington Quick Copy Printing Co. and Advertising Specialties, Burlington, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.104</container>
<unittitle>Interior of John Allen House- Alamance Battleground State Historic Site, <unitdate type="inclusive">1967-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of log cabin interior, top picture shows fireplace and kitchen table with chairs, lower picture shows other side of cabin with kitchen table, double bed, and loom. Noteworthy for items that have been kept inside house; on back <emph render="quoted">Alamance Battleground, Burlington, N.C., A North Carolina Historic Site, Interior views of the John Allen house showing many of its original furnishings. Built around 1782 in Snow Camp, it was moved and restored in 1967 to provide a typical example of the life style of the period; Photogrpahed by: Jack Harmon - Jaxpix - Raleigh, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.105</container>
<unittitle>View from Battle Seat, Chapel Hill, North Carolina, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Half of curved stone wall on hill, picture taken facing wall, fantastic view of countryside behind wall in distance; on back <emph render="quoted">Photo by Bayard Wooten; A 'Natural-Finish Card made by Graycraft Card Co., Danville, Va.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.106</container>
<unittitle>Institute of Government, Chapel Hill, North Carolina, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Front view of two-story brick building with <emph render="quoted">Institute of Government</emph> on front, large trees in foreground and lawn, no roads, cars or parking area visible; on back <emph render="quoted">A 'Natural-Finish Card made by Graycraft Card Co., Danville, Va.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.107</container>
<unittitle>Mountainside Theatre, Cherokee Indian Reservation, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> Top view of ampitheater, stage and mountainside background visible, trees changing colors; on back <emph render="quoted">The Mountainside Theatre has been created from a natural amphitheatre in the hills above the Indian village of Cherokee. In this sylvan setting, in the shadow of the everlasting peaks of the Great Smoky Mountains, will be presented a moving and authenthic saga of Cherokee Indians and their mountaineer neighbors. It is the story of the handful of Cherokees who hid in the Great Smokies rather than move west on The Trail of Tears. Through their descendents, Indian customs, and mountain traditions, fast becoming extinct, are being received and preserved; Photo by Frank Jones of Winston- Salem Journal and Sentinel; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.108</container>
<unittitle>Entrance to Mountainside Theatre, Qualla Indian Reservation, Cherokee, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> View of entrance to Mountainside Theatre, resembles wooden palisade with large sign that reads <emph render="quoted">Mountainside Theatre; Photo by Hammer of N.C. Dept. of Conservation</emph> at bottom of postcard; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.109</container>
<unittitle>Actors of Indian Drama at Mountainside Theatre, Cherokee Indian Reservation, Cherokee, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>A scene from the play, image of Cherokee and US soldiers, large group on right side, background is a wooden palisade with a red schoolhouse, where majority of actors are located; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.;</emph> Damage on back due to removal from some unknown material.</p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.110</container>
<unittitle>Cherokee Indians in Full Native Costume,<unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Scene from ceremonial dance, headdresses are elaborate, only male dancers, some women and older individuals in audience. Full text around border of card <emph render="quoted">Cherokee Indians in Full Native Costume in one of their Ceremonial Dances on Cherokee Indian reservation Adjoining Great Smoky Mountains National Park; Photo by Carlos C. Campbell;</emph> on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.111</container>
<unittitle>Cherokee Indians, Cherokee Indian Reservation, North Carolina, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Three Cherokee pictured, L-R: Middle-aged man, large white headdress, fringed jacket, standing with bow in right hand; Elderly woman, single feather in hair, braids next to face, sunken cheek/lip/chin appearance probably indicates no teeth; Older man, headdress smaller than first man, but perhaps with back feathers. All three wearing clothing with Native American designs; copyright W.M. Cline; on back <emph render="quoted">The Cherokees today number over 3000 on the reservation here. They are descendents of those who hid in the Smokies when the Cherokee removal to Oklahoma began in 1838;" Published only by Cline Photo Co., Chattanooga, Tennessee; 'Tichnor Quality Views' Reg. U.S. Pat. Off. Made only by Tichnor Bros., Inc., Boston, Mass.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.112</container>
<unittitle>Cherokee Indian Brave, <unitdate type="inclusive">1939, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Picture of a young man in native dress with stylized hair and wearing a blanket over his costume. Text box on front of postcard states <emph render="quoted">Cherokee Indian Fair, Cherokee, North Carolina. October 3, 4, 5 and 6, 1939. Indian exhibits, ball games, dances, archery and blowgun contests. An unique event when the mountains are in their most colorful mood;</emph> on back <emph render="quoted">P.S. - I have enjoyed a visit to North Carolina's exhibit at the New York World's Fair. You must be sure to see it. For information about North Carolina write Governor's Hospitality Committee, Raleigh, North Carolina; The Observer Printing House, Inc., Charlotte, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.113</container>
<unittitle>Cherokee County Historical Museum, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Inside of Cherokee county historical museum. Both wall and floor cases visible holding wide variety of artifacts. Red curtains are drawn, flower arrangements decorate floor cases; on back <emph render="quoted">Cherokee County Historical Museum, Murphy, North Carolina, 28906, A unique collection of Indian relics, early American Tools and Housewares; rare artifacts, and 'Fairy Crosses'; in the shadow of a magnificent courthouse constructed of Regal Blue Marble quarried in this Valley of Romance and Intrigue; Photo by Winfield Clonts; Kolorvue by Artvue Post Card Co., 160 Fifth Ave., New York, N.Y. 10010.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.114</container>
<unittitle>The Needles Eye, Chimney Rock, Western North Carolina, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of long wooden staircase leading up through rock, can see rock on left side of staircase; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.;</emph> postage rate - One cent for United States and Island possessions, Cuba, Canada, and Mexico. Two Cents for foreign.
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.115</container>
<unittitle>U.S. Highway No.74 by Moonlight Between Chimney Rock and Bat Cave, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of road wrapping around mountain at night, trees visible on either side of road, some clouds in background; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.116</container>
<unittitle>Chimney Rock and Cliff Dweller's Inn, North Carolina,  <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of Chimney Rock in background with side of building and outside area with awning visible on left, gazebo on separate rock formation on right; on back <emph render="quoted">Chimney Rock shown here with the unique Cliff Dwellers Inn at the left, is one of the great scenic objectives of thousands of tourists who visit Asheville. The summit of the rock, reached by stairways, commands extensive views of the eastern slopes of the North Carolina Blue Ridge; Pub. by Deuel News Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.117</container>
<unittitle>Chimney Rock, <emph render="quoted">In the Land of the Sky,</emph> <unitdate type="inclusive">1940-1970</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of Chimney Rock from oppposite side of Cliff Dwellers Inn, can see people at summit; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.; C.T. American Art Colored.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.118</container>
<unittitle>Chimney Rock, Western North Carolina, <unitdate type="inclusive">1940-1970,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of Chimney Rock same as 120.1.117, but from farther away and down slope, summit has American flag perched on top, surrounding mountainside visible; on back <emph render="quoted">Chimney Rock, Western North Carolina, Published by Asheville Post Card Co., Asheville, N.C.; Imported Exclusively by K.S. Tanner, Jr., Rutherfordton, N.C.</emph> </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.119</container>
<unittitle>Chimney Rock in the <emph render="quoted">Land of the Sky,</emph><unitdate type="inclusive">1940-1970,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of Chimney Rock same as 120.1.117 and 120.1.118, but from farther away and down slope, summit has American flag perched on top, some of surrounding mountainside visible; on back <emph render="quoted">For millions of years this 'Mighty Chimney,' 225 ft. high has stood unmoved. The panorama from its top is a memory maker- beautiful mountains, Hickory Nut Gorge, towering cliffs, incomparable Lake Lure, and the Piedmont Plain.; Asheville Post Card Co., Asheville, N.C.; C.T. American Art Colored.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.120</container>
<unittitle>Glimpse of Chimney Rock and Pavilion, a Portion of Cliff Dwellers Inn Appearing to the Left, <unitdate type="inclusive">1940-1970,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Same view of Chimney Rock same as 120.1.116, showing part of Inn. This picture surrounded by a border, 120.1.116 is not; on back <emph render="quoted">High up among the cliffs of Chimney Rock is 'The Cliff Dwellers Inn'. The spectacular surroundings constitute an amazing setting and beautiful scenery everywhere abounds. A wonder- panorama is spread before the visitor, rivaling the finest on the American continent.; Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.121</container>
<unittitle>Chimney Rock and West Arm of Lake Lure, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Aerial from above Chimney Rock. Chimney Rock appears in right foreground with flag on top, west arm of Lake Lure extends off into distance. Mountains and surrounding trees visible; on back <emph render="quoted">1. Chimney Rock and west arm of Lake Lure. Lake Lure, North Carolina. Photo by Geo. Masa. Asheville, N.C.; Map showing location of Lake Lure on North Carolina's Super Highway System.; Imported by North Carolina Securities Co., Rutherfordton, N.C., Made in Switzerland by H. Vontonel, Meilen- Zurich.</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.122</container>
<unittitle>Hickory Nut Falls (400 Feet High) in the Chimney Rock Section, Western North Carolina, <unitdate type="inclusive">1940-1970,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Aerial from above Hickory Nut Falls. Falls go over long smooth section of mountain into valley floor, trees surrounding, some beginning to turn; on back <emph render="quoted">Hickory Nut Falls. These falls, 400 feet high, break over the south rim of Hickory Nut Gorge as it cuts through the Blue Ridge. Two excellent trails lead to the top of the falls from Chimney Rock.; Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.123</container>
<unittitle>Entrance to the Tunnel Leading to the Elevator, Chimney Rock, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of elevator entrance, structure of stone cut into side of mountain, has the word elevator standing on top; on back <emph render="quoted">The Pedestrian Tunnel Leading to the Elevator at Chimney Rock. This tunnel and the elevator shaft were blasted out of the solid granite cliff, taking nine months and eight tons of dynamite to open up the passages. The tunnel pictued is 7x7 feet inside dimensions and lighted by flourescent fixtures, with a total length of 196 feet; Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.124</container>
<unittitle>Freedom Park, Charlotte, N.C., <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of small lake with island in center, small footbridge leading towards island, lawn in foreground, trees in background; on back <emph render="quoted">Freedom Park, Charlotte, N.C. This beautiful city park, completed during the past few years, has become a mecca for Charlotteans and visitors alike. Its beautiful grounds and lake, located well within the city limits, are convenient to many sections of the city. The park was obtained and developed as a special project by the Charlotte Lions Club; Kodachrome by Ray Epting, Jr.; Pub. by B and H Photo Co., Charlotte, N.C.; Made Direct from Kodachrome and Ansco Color By Dexter Press, Pearl River, N.Y.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.125</container>
<unittitle>Queen Charlotte, <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Painting of Queen Charlotte of England; on back <emph render="quoted">The Mint Museum of Art, Charlotte, North Carolina; Allan Ramsay: English, 1713-1784, Charlotte of Mecklenburg- Strelitz, Queen of England b.1744 d.1818, Oil on canvas h.8' w.5'3", painted 1761, Gift of Mrs. Westray Battle; Photograph by James Doane;  Made by Dexter Press,Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.126</container>
<unittitle>Mt. Vernon Gardens, Washington Park, Denver, Colo., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithographiclike print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of various formal gardens, flowers blooming; on back <emph render="quoted">Mount Vernon Gardens along the lake shore at Washington Park are one of the many noted beauty spots in Denver. From these gardens one may look away to the distant Rockies to the west, especially notable are the sunsets from this spot; Sanborn Souvenir Co., Denver, Colo.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.127</container>
<unittitle>Greetings from Colorado, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> Large mountain with COLORADO in all capital letters across the front. Each of the letters has an image of something that represents Colorado inside; on back <emph render="quoted">Key to Views on the Other Side: - C- Mount of the Holy Cross, O- Colorado Columbines and Aspens, L- Will Rogers Shrine of the Sun, O-Pikes Peak, R- State Capitol, A- Three Graces, Garden of the Gods, D- Trout Fishing in Brainerd Lake, O- Forest Rangers Lookout; Published by Elmer C. Clark, 739 Marion St. Denver, Colorado- Natural Color Post Card Made in U.S.A. by E.C. Kropp Co., Milw., Wis.- CDY.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.128</container>
<unittitle> Colorado, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Yellow map of Colorado in center of postcard, border contains numbered images of Colorado's sites; on back <emph render="quoted">Key to Views on the Other Side: 1. Will Rogers Shrine of the Sun, 2. East Gateway, Garden of the Gods, 3. Steamboat Rock, Garden of the Gods, 4. Berthoud Pass, 5. Grave of "Buffalo Bill," 6. State Capitol, Denver, 7. Rocky Mountain Canary, 8. Ruins of Montezumas Temple, 9. Natural Ampitheatre, Park of the Red Rocks, 10. The Balanced Rock, Garden of the Gods, 11. Glaciers from Long Lake, 12. Aerial View of Civic Center, Denver, 13. Mount of the Holy Cross; Published by Elmer C. Clark, 739 Marion St. Denver, Colorado- Natural Color Post Card Made in U.S.A. by E.C. Kropp Co., Milw., Wis.- CDY.</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.129</container>
<unittitle> Scuppernong River Festival, Columbia, N.C, <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Aerial view of Scuppernong River Festival in Columbia, N.C., Tents set up along sides of street with people thronging in the street. Nothing in picture indicates what kind of festival (though scuppernongs are a type of grape), but might be useful for representations of clothing styles; on back <emph render="quoted">Thousands enjoy the food, fun, festivities and fireworks of the family oriented Scuppernong River Festival held in the 2nd Saturday in October in Columbia, N.C.; Photo- M. Griffin.</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.130</container>
<unittitle> Memorial Garden, Concord, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
 <scopecontent><p>View of gravestones in cemetery, under trees, some flowers blooming in background; on back <emph render="quoted">Memorial Garden, First Presbyterian Church, Concord, N.C. 28025; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph> on the back of 120.1.130a is written in blue ink, <emph render="quoted">R. F. Phifer, Nov. 19, 1849, Oct. 16, 1928, Sallie Phifer Williamson (sister), Mr. James Yorke (Yorbe), mantlepiece came from Phifer home place (now site of Charles Common House).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.131</container>
<unittitle> Memorial Garden, Concord, N.C.,  <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
 <scopecontent><p>View of brick walkways with large fountian in center, large beds of tulips blooming; on back <emph render="quoted">Memorial Garden, First Presbyterian Church, Concord, N.C. 28025; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.132</container>
<unittitle> Memorial Garden, Concord, N.C.,  <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
 <scopecontent><p>View of cemetery, one large tree surrounded by rock wall, landscaped tulips and small azaleas blooming in foreground; on back <emph render="quoted">Memorial Garden, First Presbyterian Church, Concord, N.C. 28025; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.133</container>
<unittitle> Memorial Garden, Concord, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Large fountain at end of alternating brick/ concrete walkway, trees and shrubs on either side; on back <emph render="quoted">Memorial Garden, First Presbyterian Church, Concord, N.C. 28025; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.134</container>
<unittitle> Memorial Garden, Concord, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Distance view of fountain pictured in 120.1.133, surrounded by large beds of flowers in pinks and yellows; on back <emph render="quoted">Memorial Garden, First Presbyterian Church, Concord, N.C. 28025; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.135</container>
<unittitle> Memorial Garden, Concord, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
 <scopecontent><p>Close up of fountain pictured in 120.1.133 and 120.1.134, fountain has three concentric tiers with small figure at top holding a fish, figure only visible from rear; on back <emph render="quoted">Memorial Garden, First Presbyterian Church, Concord, N.C. 28025; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph> 120.1.135a has handwritten in black and blue ink <emph render="quoted">Hostesses, Mrs. Frank Thompson, 647 Burrage, Rd. NE, Concord (Helene) N.C., Caddie Lafferty, Martha Myers, L.S. (Les), luncheon host, Martha and Jones Yorke.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.136</container>
<unittitle>Duke Hospital,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of Duke Hospital, both an older looking gothic structure and a connected building which shows newer construction. Some cars visible in front of hospital; on back <emph render="quoted">Duke Hospital, located in Durham, North Carolina, is part of Duke University Medical Center, which was established in 1930. A 730- bed hospital, it is one of the largest private hospitals in the United States; Pub. by North Carolina News Co., Durham, N.C.; 'Lusterchrome' Reg. U.S. Pat. Off. Made Only by Tichnor bros., Inc., Boston, Mass. 02215.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.137</container>
<unittitle>Handsome Residence in Durham, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>A large home in background seen through gate at street, border of postcard brown, entire postcard designed to look like picture in a frame; on back <emph render="quoted">Published by Durham Book and Stationary Co., Durham, N.C.</emph> postage rate- domestic one cent, foreign two cents.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.138</container>
<unittitle>Main Entrance to Trinity College and West Duke Hall, Durham, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>From street, large entranceway, imposing building in background, car pulling out into street from entrance; on back <emph render="quoted">Published by Durham Book and Stationary Co., Durham, N.C.; C.T. American Art.</emph> postage rate- domestic one cent, foreign two cents.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.139</container>
<unittitle>Aerial View of Duke University, Durham, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Aerial view of Duke University, shows Duke Chapel as well as other buildings on campus, with roads that connect them; on back <emph render="quoted">The architecture of the University Campus is Collegiate Gothic, a modification of the building style of Tudor England. The University Quadrangle is composed of three smaller quadrangles: South, or dormitory; North, or academic; and Center, including the Chapel Court. Adjoining the campus proper is the Duke Forest of 4,700 acres; North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.140</container>
<unittitle> Interior View, the Chapel, Duke University, Durham, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Interior of chapel looking towards altar, highlighting domed ceiling and hanging lanterns; on back <emph render="quoted">The Chapel, accomodating approximately 2,000 persons, is the home of Duke University Church (Interdenominational). The interior is finished in limestone, acoustical brick and oak. The 73 stained glass windows are devoted to characters and stories from the Old and New Testaments. The 7,791- pipe Aeolian- Skinner Organ is in six parts; the console has four manuals. In the Memorial Chapel are Sarcophagi of Washington Duke and his two sons, James B. and Benjamin N. Duke. Beneath the Memorial Chapel is the Crypt, containing twenty burial vaults; North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.141</container>
<unittitle>Main Quadrangle, showing Chapel, Duke University, Durham, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithographiclike print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of main quadrangle standing in front of Chapel, several buildings visible on either side, lawn in front; on back <emph render="quoted">Main Quadrangle. Dominating the main approach to the Duke University Campus is the 210 foot chapel tower. On the sides of the chapel approach are the Union and the Library. In the tower of the chapel is a 50-bell carillon, and the four manual chapel organ contains 7,791 pipes. One of the outstanding edifices in America, the chapel was dedicated in 1935. Its stained glass, sculpture, and wood and iron work are notable; North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.142</container>
<unittitle>Entrance to West Campus, Duke University, Durham, North Carolina, <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of entrance to west campus, Chapel visible through entrance, trees lining side of main drive, grass in foreground; on back <emph render="quoted">Photo by Bayard Wooten; A 'Natural- Finish' Card made by Gray and Thompson, Chapel Hill, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.143</container>
<unittitle>Night Scene Over West Campus, Duke University, Durham, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Night time view of main quadrangle as though standing on campus, buildings visible on three sides, lit by interior lights, moon and clouds in background; on back <emph render="quoted">Duke University, its origin dating back to 1838, ranks among the leading educational institutions in this nation. For years Duke's enrollment has annually exceeded 3500 students, coming from every state in the Union and more than a dozen countries. Outstanding among the scores of native stone buildings on the University campus is the magnificent Gothic Chapel, with its graceful 210- foot tower, 50-bell carillon, and 7,791 pipe organ; North Carolina News Company, Durham, N.C., Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.144</container>
<unittitle>The Stadium, Duke University, Durham, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Aerial view of stadium, stands appear to be packed and players on field, also shows two main entrances into stadium; on back <emph render="quoted">The Duke University Stadium, situated in a natural ampitheater, is the mecca of thousands of sports fans each football season, with attendance at times exceeding 50,000 persons. This card shows a scene taken during a Duke-Carolina Game; North Carolina News Company, Durham, N.C., Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.145</container>
<unittitle>Duke Stadium, Duke University, Durham, North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Aerial view of stadium, stands appear to be packed and players on field, can see the University campus, including the chapel, in relation to the stadium, can also see some of the extent of Duke Forest, and parking lot for stadium; on back <emph render="quoted">A 'Natural-Finish' Card - made only by Gray and Thompson - Chapel Hill, North Carolina.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.146</container>
<unittitle>Durham, N.C., Hotel Carrolina,  <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Hotel Carrolina pictured, large multi-story building with large tower, building wraps around a street corner. <emph render="quoted">Hotal Carrolina" written on side of tower, some other single family homes visible, wagon visible to left side of picture, also exterior chimneys; on back "H.E. Hugh C. Leighton Co., Manufacturers, Portland, Me., U.S.A. Printed in Frankfort o/main, Germany 6459.</emph> postage rate - One cent for United States and Island Possessions, Cuba, Canada, and Mexico. Two Cents for Foreign. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.147</container>
<unittitle>Conservatory of Music, Durham, N.C.<unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of grey building resembling a large private home, multi-storied with multiple entrances. Notable for power line and pole on corner; on back <emph render="quoted">The Rotegraph Co., N.Y., City. (Germany.).</emph> postage rate - Domestic One Cent, Foreign Two Cents.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.148</container>
<unittitle>New Academy of Music, Durham, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of large grey building, notable for a ladder on right of building, as opposed to 120.1.147, this building appears to be less friendly in appearance, more industrial; on back <emph render="quoted">Published by The Durham Book and Stationary Co., Durham, N.C.</emph> postage rate - Domestic One Cent, Foreign Two Cents.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.149</container>
<unittitle>Union Station, Durham, N.C.<unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of train station, large central viewing tower with single story station extending in both directions; on back <emph render="quoted">28- F.M. Kirby and Co., Made in Germany.</emph> postage rate - United States and Canada, One Cent, Foreign Two Cents.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.150</container>
<unittitle>Bynum University, University of North Carolina, Durham, <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of large tan building, three stories, large columns at front entrance. Gymnasium appears to stand alone; on back <emph render="quoted">E.C. Kropp., Milwaukee.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.151</container>
<unittitle>Episcopal Church, Erected 1736, Edenton, N.C., <unitdate type="inclusive">1900-1930,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>View of small red church behind fence, surrounded by trees, some gravestones visible; on back <emph render="quoted">Published by [?] Pharmacy, Edenton, N.C., Made in U.S.A.; C.T. American Art.</emph> postage rate- One cent for United States and Island Possessions, Cuba, Canada, and Mexico. Two Cents for Foreign.</p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.152</container>
<unittitle>The Edenton Tea Pot, Edenton, N.C., <unitdate type="inclusive">1900-1930,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1 </extent></physdesc>
</did>
 <scopecontent><p>Large bronze tea pot, sitting on top of pedestal next to iron fence, in background can see water; on back <emph render="quoted">The Edenton Tea Pot, Edenton, N.C., [?] this spot stood the residence of Mrs. [?] King in which the [?] of Edenton [?] Oct 25, 1774 to protest against the tax on tea; Published by Mitchener's Pharmacy, Edenton, N.C. Made in U.S.A.;  C.T. American Art.</emph> postage rate- Domestic One Cent, Foreign Two Cents. The back of this postcard has been damaged and some of the wording has been pulled off. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.153</container>
<unittitle>Cupola House, Edenton, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Two- story house with chimneys at either end, large cupola on top, house appears to have wooden siding, front door partially obscured by shrubs, some other buildings partially visible in background; no information on back. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.154</container>
<unittitle>Bordeaux Motor Inn, Fayetteville, North Carolina, <unitdate type="inclusive">1950-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
 <scopecontent><p>Picture of hotel with attached parking garage, photo taken at night, some cars visible parked out front; on back <emph render="quoted">Bordeaux Motor Inn, 1707 Owen Drive, Fayetteville, N.C. 28304. Phone (919)323- 0111. Ideally located, offering the very finest in ultra modern accomodations. Gourmet Restaurant, Nightclub, Cafeteria, Cinemas I and II, Skating, Bowling, Miniature Golf, Beauty and Gift Shops, all available on the premises. Shopping complex minutes away - Welcome!!; Pub. by Dalbro Photo and Advertising, 201 Hope Mills Rd. Fay, N.C. (919)424-1437; Kolor View Press, Los Angeles, CA 90064.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.155</container>
<unittitle>Market House, Fayetteville, North Carolina, <unitdate type="inclusive">1930-1950,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> The Fayetteville Market House in middle of traffic circle. Bottom level is open, has large clock on top, decorated with garland, both on market house and going from Market and terminating in other places. Surrounding buildings somewhat visible, two cars driving around circle. In antebellum North Carolina, the Fayetteville Market House was the home of one of the largest slave markets in North Carolina; on back <emph render="quoted">Ye Olde Market House, Fayetteville, North Carolina, has become a veritable shrine to the thousands of tourists who annually pass beneath its shadow on their way to and from southern resorts. This beautiful building is symbolic of the long and colorful history of Fayetteville, the Friendly City, and is now the city's public library; Kodachrome by Jack Taylor; Pub. by Photo Center, Fayetteville, N.C.; Dextone, made direct from Kodachrome and Ansco Color By Dexter Press. Pearl River, N.Y.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.156</container>
<unittitle>Headquarters, 82nd Airborne, Fort Bragg, <unitdate type="inclusive">1950-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> Multi-storied building with buildings extending to either side. In front is a flagpole with American flag flying, picture taken from across highway; on back <emph render="quoted">Headquarters, 82nd Airborne Division Artillery, Fort Bragg, North Carolina. Nerve center for coordinating all artillery training in the famous 82nd Airborne Division; Kodachrome by Jack Taylor; Pub. by Photo Center, Fayetteville, N.C.; Dextone, made direct from Kodachrome and Ansco Color By Dexter Press. Pearl River, N.Y.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.157</container>
<unittitle>Holiday Inn, Fayetteville, North Carolina, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> The Copper Hearth Restaurant Dining Room, tables are set with plates, linens, glasses, green carpet and gold fabric on chairs, can also see a small grill or bar behind the tables; on back <emph render="quoted">Holiday Inn, Fayetteville, North Carolina, U.S. Highway 301 South, see your favorite steak cooked to sizzling perfection in the Copper Hearth Restaurant of Holiday Inn. Tel: 433-4132 - AC: 919, TWX 919-484-2446; CurteichColor 3-D Natural Color Reproduction (Reg. U.S. Pat. Off).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.158</container>
<unittitle>Cumberland County Court House, Fayetteville, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> Three story white building with multiple entrances, concrete. American flag flying on top; on back <emph render="quoted">Carolina News Co., Fayetteville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.; postage rate- one cent.</emph> Postcard has retained notebook paper attached with adhesive on back.
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.159</container>
<unittitle>Hay Street from <emph render="quoted">Ye Olde Market House,</emph> Fayetteville, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> Scene down Hay Street from Fayetteville Market House, store fronts visible along both sides of street, numerous cars parked and some in transit along street; on back <emph render="quoted">Pub. by Carolina News Co., Fayetteville, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.160</container>
<unittitle>Connemara Farms, Dining Room, <unitdate type="inclusive">1975,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of dining room, can see into kitchen. Dining room has table, bookshelves, radiator, windows that look onto trees; on back <emph render="quoted">Main House, Dining Room - Connemara Farms: Carl Sandburg Home National Historic Site; Flat Rock, North Carolina. As well as eating here, the Sandburgs frequently entertained guests and each other in this dining-family room area. After lunch Carl sat at the table late into the afternoon reading his mail and magazines; Copyright 1975 - ENP and MA; photographed in Natural Color by Jack Bowers; Eastern National Park and Monument Association.</emph> Back of postcard is stamped with the following: <emph render="quoted">SAMPLE, Natural Color Publication, World's Most Attractive View, Color King, W.M. Cline Company, 92 Brook St. - Asheville, N.C. 28803.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.161</container>
<unittitle>Connemara Farms, Downstairs Study, <unitdate type="inclusive">1975,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Study has built-in bookshelves on two walls, two desks covered in papers, several chairs around and under desks, typewriter on stand covered in plastic; on back <emph render="quoted">Main House, Downstairs Study - Connemara Farms: Carl Sandburg Home National Historic Site; Flat Rock, North Carolina. With a secretary Sandburg used this room primarily for working on his voluminous correspondence. Part of his 12,000 volume library is also located here.  Copyright 1975 - ENP and MA; photographed in Natural Color by Jack Bowers; Eastern National Park and Monument Association.</emph> 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.162</container>
<unittitle>Connemara Farms, Living Room, <unitdate type="inclusive">1975,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Sandburg family living room, bookshelves, piano, various chairs, a guitar, fireplace, collection of walking sticks by fireplace; on back <emph render="quoted">Main House, Living Room - Connemara Farms: Carl Sandburg Home National Historic Site; Flat Rock, North Carolina. The Sandburg family entertained guests here, such as photographer Edward Steichen, who was Mrs. Sandburg's brother and one of Carl's closest friends. Carl sometimes worked here also, completing much of his only novel, Remembrance Rock, for example; Copyright 1975 - ENP and MA; photographed in Natural Color by Jack Bowers; Eastern National Park and Monument Association.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.163</container>
<unittitle>Connemara Farms, Carl Sandburg's Study, <unitdate type="inclusive">1975,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Study appears to be tucked into corner of attic. Bookshelves with books, desks, typewriter sitting on upturned crate, vent from floor to ceiling, window; on back <emph render="quoted">Main House, Carl Sandburg's Study- Connemara Farms: Carl Sandburg Home National Historic Site; Flat Rock, North Carolina. 'To be out of jail, to eat regular, to get what I write printed, and then a little love at home and a little outside...' said the man who spent many productive years writing in this spartan, but fully adequate, study; Copyright 1975 - ENP and MA; photographed in Natural Color by Jack Bowers; Eastern National Park and Monument Association.</emph> Stamped on the back of the postcard, <emph render="quoted">SAMPLE, Natural Color Publication, World's Most Attractive View, Color King, W.M. Cline Company, 92 Brook St. - Asheville, N.C. 28803.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.164</container>
<unittitle> The Monkey Jungle, near Miami, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Three monkeys sitting in a tree, monkey on left has infant monkey in her arms, monkeys are light brown, infant is black; on back <emph render="quoted">In South Florida, with climate and abundance of natural foods so similar to their native jungles, these monkeys live and thrive in complete liberty. With few enemies and no fear of man, they may be observed and photographed at close range; Thomas R. West, Miami, FL; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off). Stamped on back of postcard "Visit North America's first wild monkey colony at the only Monkey Jungle in the U.S.A. 22 Mi. So. of Miami, Fla., Off Overseas Highway near Goulds, 'Where the humans are caged and monkeys run wild.' An approved A.A.A. attraction.</emph>
</p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.165</container>
<unittitle> The <emph render="quoted">Horse Shoe Palm</emph> at Beautiful Silver Springs, Fla.,  <unitdate type="inclusive">1910-1940,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Center of picture is a palm tree that after reaching a certain height began to grow around and then down in the shape of a horseshoe. Water in the background has glass- bottomed boat, everything surrounded by trees and natural foliage; on back <emph render="quoted">Florida's International Attraction, SEE SILVER SPRINGS, 'Nature's Underwater Fairyland,' largest flowing springs in the world, over 750 million gallons daily. Electric driven glass bottom boats. Greatest depth 80 feet. Temperature of water 72 degrees winter and summer. Shown from sunrise to sunset, in all weather, every day in the year; Tropical Florida Series; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.166</container>
<unittitle>Legend of the Dogwood in Florida, <unitdate type="inclusive">1910-1940,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Three sides of a dogwood blossom with white and pink dogwood trees as background. On the front in the petals of the large blossom is written, <emph render="quoted">Legend of the Dogwood in Florida: An old and beautiful legend has it that, at the time of the Crucifixion, the dogwood was comparable in size to the oak tree and other monarchs of the forest. Because of its firmness and strength it was selected as the timber for the cross, but to be put to such a cruel use greatly distressed the tree. Sensing this, the Crucified Jesus in his gentle pity for the sorrow and suffering of all said to it: 'Because of your sorrow and pity for My sufferings never again will the dogwood tree grow large enough to be used as a gibbet. Henceforth it will be slender, bent and twisted and its blossoms will be in the form of a cross - two long and two short petals. In the center of the outer edge of each petal there will be nailpins- brown with rust and stained with red- and in the center of the flower will be a crown of thorns, and all who see this will remember.</emph>; on back <emph render="quoted">Tropical Florida Series; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.167</container>
<unittitle>Cocker Spaniel on brick steps, <unitdate type="inclusive">1910-1940,</unitdate></unittitle>
<physdesc><physfacet>Black and white photogrpahic print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p> Sepia- toned photograph of what looks to be a cocker spaniel-almost-adult-but-not-quite puppy sitting at the edge of a brick stair, door to house in background is open, can only see lower half of door and a window, house is also brick; on back <emph render="quoted">Aufn. u. Verlag Bruno Schroeter - Berlin-Lichtenrade.</emph> 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.168</container>
<unittitle>Rimini- Il Grande Hotel e la Spiaggia, <unitdate type="inclusive">1915,</unitdate></unittitle>
<physdesc><physfacet>Black and white photogrpahic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>view of a large hotel with bathing houses (?) lined up along side. In foreground women and childen play. A few figures in background seem to have been placed into photogrpah rather than actually being in the original photograph- the depth preception is off; on back <emph render="quoted">Il Grand Hotel di Rimini, 1915.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.169</container>
<unittitle>Rimini- Il nuovo Grand Hotel, <unitdate type="inclusive">1915,</unitdate></unittitle>
<physdesc><physfacet>Black and white artist's rendering,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Same large hotel pictured as 120.1.168. The angle is slightly different, and there are no bathing houses. Front of hotel is visible, various cars parked out front. Also visible retaining wall and walkway along water; on back <emph render="quoted">Il Grand Hotel di Rimini, 1915.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.170</container>
<unittitle>Fleur de Pommier, <unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Branch of pink and white apple blossoms on black background; on back <emph render="quoted">Malus- Fleur de pommier, Apple-blossom - Apfelblute; Imrime en Suisse: Edition Stehli; Printed in Switzerland.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.171</container>
<unittitle>Switzerland,<unitdate type="inclusive">1950-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Map of Switzerland in center with various Swiss scenes around border of postcard. Clockwise from upper left corner: Matterhorn; Luzern; Eiger, Monch, and Jungfrau; St. Gallen; Rheinfall; Stoos; Zurich; Davos.; on back <emph render="quoted">Rud. Suter AG, 8942 Oberrieden- Zurich.</emph>
</p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.172</container>
<unittitle>Zurich,<unitdate type="inclusive">1950-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Postcard divided into 4 pictures of Zurich, the 2 on the right are smaller. Top left aerial view of large river with bridge, boats, and buildings alongside; top right, nightime picture on river with lights illuminating water; lower left view of river with small boy looking into river, lots of boats on water; lower right, large double-towered structure, with man on horseback statue in front; on back <emph render="quoted">Verlag Beringer and Pampuluchi, 8027 Zurich.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.173</container>
<unittitle>Palace House Beaulieu, Home of Lord Montagu,<unitdate type="inclusive">1950-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Interior view of a dining hall, long wooden table, hearth, antlers on wall above portrait of a woman, interior ceiling architecture visible; on back <emph render="quoted">Palace House Beaulieu, Home of Lord Montagu. The Dining Hall with its magnificent elm trestle table. The 13th century dove-tailed vaulting is especially noteworthy; Pub. by Roberts and Wrate Ltd., Portsmouth; Colour by w. Skipper; Plastichrome by Colourpicture Publishers, Inc. Boston 15, Mass., U.S.A.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.174</container>
<unittitle>Marie-Antoinette,<unitdate type="inclusive">1940-1970,</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Painting of Marie-Antoinette, with period costume, large hat, holding a small bouquet in her left hand. At bottom of postcard <emph render="quoted">Cliche A. Bourdier - Versailles; Versailles - Marie-Antoinette, reine de France, par Mme Vigee-Lebrun,</emph> top left of postcard has been torn off; on back in french <emph render="quoted">Carte Postale, tous les yas etrangers n'acceptent pas la correspondance au recto., (Se renseigner a la poste.).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.175</container>
<unittitle>Del Sarto, the Portait of the Artist,<unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Painting of a young man (20-35 yrs old) wearing tri-corner hat, large billowy shirt with dark vest on top, looking over left shoulder; on back <emph render="quoted">Post Card, Universal Postal Union; Carte Postale, Union Postale Universelle; Great Britain and Ireland; E.F.A. Series, Famous Pictures No. 23; postage rate Inland 1/2d., Foreign 1d., Printed in Holland.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.176</container>
<unittitle>The Almsgiver. Etching, 1648, <unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Black and white etching of man standing in doorway giving money to a woman with a baby strapped to her back. The woman is carrying a basket and a walking stick. There is a man standing beside her to her right, a young boy stands to her left, his back to audience. Bottom on the picture <emph render="quoted">The Almsgiver. Etching, 1648. Remembrandt, Museum of Art, University of Kansas, Lawrence.</emph>; on back <emph render="quoted">Artvue Post Card Co., 225 Fifth Ave., New York, N.Y.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.177</container>
<unittitle>Tombeau du Cardinal Richelieu, <unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Black and white photograph of a sculpture on top of a cardinal's tomb. The sculpture has a man reclining with right hand on heart, leaning into the arms of a woman whose head is covered, she is holding a book of some sort in her left hand. Figure at foot of scupture completely covered, can only see back of this figure. Plaque behind the sculpture reads <emph render="quoted">Armandvs Iohannes, Cardinalis, DVX de Richeliev, Primarivs Regni-Administer, Regnante, Lvdovico XIII- Ivsto, Sorbonae Provisor, Obht- PR- Non- Dec, Anno R-S-H-M-DC-XXXXII, Aetatis- LVII.</emph> At bottom of postcard it reads, <emph render="quoted">Paris (Eglise de la Sorbonne).- Tombeau du Cardinal Richelieu, Ministre de Louis XIII, par Girardon, sculpteur;</emph> on back <emph render="quoted">Carte Postale; Tous les pays etrangers n'acceptent pas la correspondance au recto. Se renseigner a la poste.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.178</container>
<unittitle>Virgin Mary, Jesus, and St. Jean, <unitdate type="inclusive">1910-1930</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Painting of the Virgin Mary, holding baby Jesus. Mary's head is covered, and she holds baby Jesus in her right hand as she looks down at him/ has her eyes closed. Baby Jesus looks up into her face. There is another figure of a young boy (10-17 yrs of age) stanidng behind and to the left of these two figures; On front of postcard <emph render="quoted">Musee Du Louvre.- Ecole Florentine, Filipepi (Sando), dit il Botticelli (1447-1510), La Vierge, L'Enfant Jesus te Saint Jean;</emph> on back <emph render="quoted">Carte Postale; Tous les pays etrangers n'acceptent pas la correspondance au recto. Se renseigner a la poste.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.179</container>
<unittitle>Woman with Baby and Grapes, <unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Painting of woman holding a toddler on her lap, mother and child both have their hands on a bunch of grapes. Child has pulled mother's head covering over her own head and is peaking out at audience. Curtain in background, table with fruit in basket to her right. On front on postcard it reads <emph render="quoted">Musee du Louvre.- Ecole Francaise, Mignard (Pierre) (1612-1695), La Vierge a la Grappe;</emph> on back <emph render="quoted">Carte Postale; Tous les pays etrangers n'acceptent pas la correspondance au recto. Se renseigner a la poste.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.180</container>
<unittitle>Madame Le Brun and her daughter, <unitdate type="inclusive">1910-1930,</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Painting of woman holding a young girl on her lap. Mother looks elegant and holds her daughter closely, daughter has cherub face and is tucked into her mother's arms, looking over her right shoulder at audience. They are seated on a couch. On front of postcard, <emph render="quoted">Musee du Louvre.- Ecole Francaise, Le Brun (Mme Elisabeth-Louise Vigee) (1755- 1842), Madame Le Brun et sa Fille;</emph> on back <emph render="quoted">Carte Postale; Tous les pays etrangers n'acceptent pas la correspondance au recto. Se renseigner a la poste.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.181</container>
<unittitle>Birthplace of Charles B. Aycock, <unitdate type="inclusive">1968,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>Two cabins, wooden siding, building on left has chimney at either end of the house, porch on back, possibly water in background, surrounded by white picket fence; on back <emph render="quoted">Birthplace of Charles B. Aycock, A State Historical Park, Fremont, North Carolina, Governor of North Carolina from 1901-1905, C.B. Aycock was remembered as a crusader for universal education; Photo by Dozier Mobley; Color by C.H. Ruth; 1968 Aerial Photography Services, Charlotte, N.C.;  Made by Dexter Press, Inc., West Nyack, New York; Dist. by Aerial Photography Services, Inc. P.O. Box 27112, Charlotte, N.C. 28208.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.182</container>
<unittitle>Wit's End, Underground Atlanta, <unitdate type="inclusive">1960-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of covered street with street lamps, opening to venue on the right; on back <emph render="quoted">Box 1746, Atlanta, Georgia 30301, 404-524-0461, Underground Atlanta. Atlanta's own Wit's End presents superb food and beverage - scalpel-sharp satire by talented Wit's End Players. The pioneer establishment in the Historic City Beneath the Streets; Photo by Dozier Mobley; Pub. by Mobley and Mahan Photography, Atlanta, Ga. 30324; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.183</container>
<unittitle>Muhlenbrink's Saloon, Underground Atlanta, <unitdate type="inclusive">1960-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of entrance to saloon with people standing on sidewalk out front, streetlamps and covered street visible, sign for saloon visible; on back "Box 1746, Atlanta, Georgia 30301, 404-524-0461, Underground Atlanta. Muhlenbrink's Saloon is a unique re-creation of a pioneer Atlanta landmark - circa 1850. <emph render="quoted">The Face on the Barroom Floor</emph> shares feature billings with unusual deep-rooted Southern entertainment; <emph render="quoted">Photo by Dozier Mobley; Pub. by Mobley and Mahan Photography, Atlanta, Ga. 30324; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.184</container>
<unittitle>Primary Entrance to Underground Atlanta, <unitdate type="inclusive">1960-1970,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
 <scopecontent><p>View of downtown Atlanta, skyscraper in background, bridge, cable car; on back <emph render="quoted">Box 1746, Atlanta, Georgia 30301, 404-524-0461, Underground Atlanta. The primary entrance to Underground Atlanta. The high- rise splendor of famous Five Points on Peachtree makes a glittering backdrop for the cobble-stoned approach to the Historic City Beneath the Streets. Photo by Dozier Mobley; Pub. by Mobley and Mahan Photography, Atlanta, Ga. 30324; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.185</container>
<unittitle>Mile High Swinging Bridge,Grandfather Mountain, N.C., <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of the mile high swinging bridge at Grandfather Mountain. Can see bridge from visitors center side with people crossing bridge. American flag waves in foreground; on back <emph render="quoted">Mile High Swinging Bridge, Grandfather Mountain, North Carolina. The pedestrian span connects Convention Table Rock at Grandfather Mountain Visitor Center with Linville Peak of Grandfather Mountain. Views of distant peaks and foothills range up to 100 miles; Photographed and Published by Hugh Morton, Linville, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston 30, Mass., U.S.A.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.186</container>
<unittitle>Singing on the Mountain, Grandfather Mountain, N.C., <unitdate type="inclusive">1960-1980,</unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of large crowd of people surrounding a group of men on raised dais with musical instruments; on back <emph render="quoted">'Singing on the Mountain,' Grandfather Mountain, North Carolina. The colorful mountain religious singing convention has been held each fourth Sunday in June for more than 50 years at the base of Grandfather Mountain near Linville, North Carolina; Photographed and Published by Hugh Morton, Linville, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston 30, Mass., U.S.A.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.187</container>
<unittitle>Grandfather Mountain (Alt. 5964 Ft.) as seen from Blowing Rock, Western North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Grandfather Mountain from Blowing Rock, gray rock in foreground, green mountains in background; <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph>
 </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.188</container>
<unittitle>The Chimney Tops in Fall Colors seen from U.S. 441, <unitdate type="inclusive">1959, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Fall leaves on trees - orange, red, and yellow, mountains in background showing same colors, road in foreground; on back <emph render="quoted">The Chimney Tops in Fall Colors seen from U.S. 441 - Great Smoky Mountains National Park; Photographed in Natural Color by Walter Cline; Copyright 1959, W.M. Cline Co.; Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph>
 </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.189</container>
<unittitle>U.S. 441 Descending into North Carolina, <unitdate type="inclusive">1955-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of U.S. 441 descending into mountains, mountains are covered in green - probably late spring/ early summer; on back <emph render="quoted">U.S. 441 Descending into North Carolina- Great Smoky Mountains National Park; Photogrpahed in Natural Color by Walter Cline; Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph>
 </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.190</container>
<unittitle>Peregrine Peak, <unitdate type="inclusive">1963, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Peregrine Peak, can see climbing path, man standing on top holding binoculars and looking into distance, mountains in background; on back <emph render="quoted">Peregrine Peak- Great Smoky Mountains National Park. This spectacular knife edge ridge is located on the south side of Mt. LeConte a short distance from Alum Cave; Photographed in Natural Color by Walter Cline; Copyright 1963, W.M. Cline, Co., Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph>
 </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.191</container>
<unittitle>Horseback Riders, <unitdate type="inclusive">1955-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of horseback riders at top of a ridge, they are standing on a well-worn path, looking out at view from ridge, there are three riders, mountains in background; on back <emph render="quoted">Horseback Riders High in the Great Smoky Mountains National Park. This picture is made on the trail to Mt. LeConte at a place called Rocky Spur. Horseback riding is a popular sport in the Smokies and there are many trails suitable for riding. Photographed in Natural Color by Walter Cline; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph>
 </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.192</container>
<unittitle>The Chimney Tops in Fall Colors, <unitdate type="inclusive">1959, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of fall colors, mostly oranges and reds; on back <emph render="quoted">The Chimney Tops in Fall Colors- Great Smoky Mountains National Park. Photographed in Natural Color by Walter Cline; Copyright 1959 W.M. Cline Co., Color-King Natural Color Card, W.M. Cline Co., Gatlinburg, Tenn.</emph>
 </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.193</container>
<unittitle>Entrance to the Great Smoky Mountains National Park,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Photograph of entrance sign, sign is brown with yellow letters, stone base; on back <emph render="quoted">Entrance to the Great Smoky Mountains National Park- Cherokee, N.C. Located half in Tennessee and half in North Carolina the Great Smoky Mountains are the most massive uplift in Eastern America. This park attracts more visitors, over 5,000,000 a year, than any other Park in the National Park System.  Photographed in Natural Color by Gene Aiken, Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph>
 </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.194</container>
<unittitle>Rhododendron in Bloom along the Alum Cave Trail to Mt. LeConte, <unitdate type="inclusive">1950-1980</unitdate></unittitle>
<physdesc><physfacet>Color photographic print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>People on trail through rhodendron bushes in bloom, mountain visible in background; on back <emph render="quoted">Rhododendron in Bloom along the Alum Cave Trail to Mt. LeConte- Great Smoky Mountains National Park. In June the Smokies are ablaze with rhododendron and laurel in full bloom. The Alum Cave Trail is one of the most popular for the hiker venturing up into the mountains to see this magnificent display. Photographed in Natural Color by Walter Cline; Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph>
 </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.195</container>
<unittitle>Black Bear Cubs, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two young black bear cubs; on back <emph render="quoted">Black Bear Cubs- Great Smoky Mountains National Park. A Natural Color Card by Walter Cline; Chattanooga, Tenn.; Color by Mike Roberts, Berkley, Calif., 94710.</emph>
 </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.196</container>
<unittitle>Panoramic vista of early fall, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of fall colors, appearing mostly red, mountains in background; on back <emph render="quoted">Panoramic vista in early fall- Great Smoky Mountains National Park. This is the largest national park in eastern America and straddles the range which forms the boundary between North Carolina and Tennessee. Within its borders there are many mountain peaks over a mile high, deep ravines, precipitous cliffs, waterfalls and numerous mountain streams. Natural Color by Mike Roberts, Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.197</container>
<unittitle>Newfound Gap Highway, showing Chimney Tops, <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Road curving down to left, mountains visible in background, stream that crosses under road, trees visible; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>
 </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.198</container>
<unittitle>Parking Area at Newfound Gap, Alt. 5048. As seen from Rockefeller Memorial, <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Parking area at crossroads area, Clingman's Dome, Alt 6642 ft. identified with arrow in right background, arrows identifying way to the Cherokee Indian Reservation as well as Gatlinburg, and the Skyline Drive to Clingman's Dome; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.199</container>
<unittitle>Laurel Falls, Great Smoky Mountains National Park, <unitdate type="inclusive">1955, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of waterfall, single fall at top level, descends several levels and waterfall spreads out; on back <emph render="quoted">Laurel Falls- Great Smoky Mountains National Park. This view shows the upper Falls and is the most easily recognized view of this popular waterfalls. Laurel Falls is just a short hike from Fightin' Creek Gap over an easy trail, and is perhaps the most popular hike in the Park. The hiking distance is 1.3 miles. Photogrpaed in Natural Color by Walter Cline, Copyright 1955, W.M. Cline Co., Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn</emph>.
 </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.200</container>
<unittitle>Laurel Falls, Great Smoky Mountains National Park, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of new highway U.S. 441 with mountains in background; on back <emph render="quoted">View from the new section of U.S. 441 on the North Carolina side of the Great Smoky Mountins National Park. Photographed in Natural Color by Walter Cline, Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.201</container>
<unittitle>Tunnel on U.S. 441 near Newfound Gap, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of tunnel on U.S. 441, tunnel wall is made out of stone, hillside above is in bloom with pink rhododendrons; on back <emph render="quoted">Upper tunnel on U.S. 441 near Newfound Gap- Great Smoky Mountains National Park. This photograph was made in the month of June showing rhododendron in full bloom above the tunnel; Photographed in Natural Color by Walter Cline, Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn</emph>.
 </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.202</container>
<unittitle>Bridal Veil Falls, Great Smoky Mountains National Park, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Bridal Veils Falls, falling into wide pool of water, greenery apparent all around, falls are fairly wide and short; on back <emph render="quoted">Bridal Veil Falls, Great Smoky Mountains National Park; Published by Asheville Post Card Co., Asheville, N.C.</emph>; postcard retains notebook paper residue on back.
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.203</container>
<unittitle>The Chimney Tops, Great Smoky Mountains National Park, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of peaks referred to as <emph render="quoted">Chimney Tops</emph> in background, river with many boulders in it in foreground, trees on either side, very idyllic; on back <emph render="quoted">The Great Smoky Mountains National Park includes 428,000 acres and lies on both sides of the central ridge which marks the border line between North Carolina and Tennessee. Majestic mountain  summits, deep valleys and gorges, saw-toothed ridges, tumbling streams and waterfalls and a seemingly endless blanket of virgin forest, are its characteristics. Highways and trails through the Park open the beauties of these mountains to the touring public; Asheville Post Card Co., Asheville, N.C.; 'C.T. Art Colortone' Reg. U.S. Pat. Off.</emph> postage rate- one cent.
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.204</container>
<unittitle>Indian Gap Highway Thru Great Smoky Mountains National Park, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Indian Gap Highway appears to be cut into side of mountain, left side is steep slope, background looks out onto mountains; on back <emph render="quoted">The Great Smoky Mountains National Park includes 428,000 acres and lies on both sides of the central ridge which marks the border line between North Carolina and Tennessee. Majestic mountain summits, deep valleys and gorges, saw-toothed ridges, tumbling streams and waterfalls and a seemingly endless blanket of virgin forest, are its characteristics. Highways and trails through the Park open the beauties of these mountains to the touring public; Published by Asheville Post Card Co., Asheville, N.C.; 'C.T. Art Colortone' Reg. U.S. Pat. Off.; Asheville Post Card Co., Asheville, N.C.; 'C.T. Art Colortone' Reg. U.S. Pat. Off.</emph> postage rate- one cent.
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.205</container>
<unittitle>Winding Highway Cut thru Solid Rock, in the Heart of the Mountains, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of highway cut through the side of the mountain, former mountain obvious on one side, retaining wall on other, mountains visible in distance; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.206</container>
<unittitle>"Hitch-Hiker" in the The Great Smoky Mountains National Park, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Adult Black Bear standing next to tunnel entrance; on back <emph render="quoted">Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.207</container>
<unittitle>View of U.S. Highway No.441, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of highway with car driving along, can see side of a mountain with trees; on back <emph render="quoted">A view of U.S. Highway No. 441 between Gatlinburg, Tennessee, and Cherokee, North Carolina, in the Great Smoky Mountains National Park; Color photo by Bill Kobert; Published by Asheville Post Card Co., Asheville, N.C.; Color by Mike Roberts.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.208</container>
<unittitle>North Carolina State Hospital, Goldsboro, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large hospital 3-4 stories, takes up entire postcard, some landscaping visible in front surrounded by large lawn; on back <emph render="quoted">North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph> postage rate- one cent.
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.209</container>
<unittitle>Journey's End Motel Court, <unitdate type="inclusive">1954-1960, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Artist's rendering of photograph of Journey's End Court. Marquis visible with entrance to motor court, period car parked under entrance carport. Lawn on either side of entrance; on back <emph render="quoted">Journey's End Motel Court, 2310 Battleground Ave., On U.S. 220 North - Greensboro, N.C. Quiet, conveniently located inside city, near Bliss restaurant. Completely new, built in 1954, Wall-to-Wall carpeting. Air-Conditioning and heat individually controlled. Room telephones, television and radio. Tile Baths with tub and shower. Mrs. Edith C. Price, Owner- Manager. Telephone 3-8216; Pub. by The Vernon Co., Newton, Iowa.</emph></p>
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<c02 level="item">
<did><container type="Item">PhC.120.1.210</container>
<unittitle>Journey's End Motel Court, <unitdate type="inclusive">1954-1960, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of pool at Journey's End Motor Lodge. Marquis is visible in background, two men are sitting next to the pool socializing, both are wearing shirts and slacks, not swim trunks; on back <emph render="quoted">Journey's End Motel Court, U.S. #220 North - Greensboro, N.C. Carpeted, Air Conditioned, Hot Water Heat, Room Phones, Free T.V., House Physician, and Swimming Pool. Located in City Limits, near Shopping Center, Churches and Restaurants. Mrs. Edith C. Price, Owner- Mgr. Phone 3-8216; Color by C.H. Ruth; Pub. by Advertising Enterprises, 1206 Country Club Dr., Greensboro, N.C.; Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>



<c02 level="item">
<did><container type="Item">PhC.120.1.212</container>
<unittitle>Mrs. Kerenhappuch Turner Monument, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Monument standing amongst trees, white base with plaque, dark scuplture of woman on top; on back <emph render="quoted">Mrs. Kerenhappuch Turner Monument, Guilford Courthouse National Military Park, N.C. According to legend, Mrs. Turner rode on horseback from her Maryland home to nurse a son wounded in the battle here, March 15, 1781; Color photo by Walter H. Miller; Pub. by Walter Miller, 427 Scotland St., Williamsburg, Va.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.213</container>
<unittitle>Towers Apartments, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Artist's rendering, aerial view of high rise apartment building. Building surrounded by lawn and trees, no other buildings visible. A few cars in parking lot; on back <emph render="quoted">Towers Apartments, 1101 North Elm Street, Greensboro, N.C., Phone 275-0406; Pub by E. and M. Sales Co., P.O. Box 5055, Greensboro, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.214</container>
<unittitle>Well house, Richard Mendenhall Plantation, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of exterior of well house, bucket not visible, but can see crank handle. Appears to be behind main house. Can see stone foundation of main house, and foundation of well house; on back "Richard Mendenhall Plantation - 1811 located in Jamestown, N.C. (National Register) This is the well house just off the kitchen and across a small court yard from the slave quarters. Out buildings include carriage house, blacksmith shop, corn crib, and bank barn; Card Chart Crafts, P.O. Box 792, High Point, N.C. 27261."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.215</container>
<unittitle>Richard Mendenhall Plantation, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of exterior main house, two story with large wrap-around porch, chimneys on either side of house, kitchen added onto back of house, everything white-washed. Part of kitchen obscured by greenery, can see other trees and shrubbery around house; on back "Richard Mendenhall Plantation - 1811 located in Jamestown, N.C. First floor has four levels. There is a concealed spiral stairway and slave quarters. Built of brick laid in Flemish bond with segmental arched openings amd rambling additions. With out buildings and fields, suggests the self sufficiet semi-rural life of early Jamestown; Card Chart Crafts, P.O. Box 792, High Point, N.C. 27261."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.216</container>
<unittitle>Woman's College of the University of North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>View of large, multi-story brick building with large columns at front entrance, lawn in front with single walkway leading to entrance, photograph is taken at angle in order to see entire building; on back "Woman's College of the University of North Carolina, Greensboro, N.C. The Science Building is typical of the excellent facilities among the fifty buildings on the College's 130-acre campus; Published by Hugh Morton, Wilmington, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston 15, Mass., U.S.A."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.217</container>
<unittitle> Colonial "Gaol," <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two- story brick jail with bars on the visible windows, building visible behind jail, lawn in front covered with scruffy grass and yellow flowers; on back "Colonial 'Gaol.' The Tories captured in the Revolutionary Battle of Moore's Creek Bridge February 27, 1776 were cast into this historic jail. Flora McDonald came here to plead for the freedom of her Tory husband. The building constructed in the 1760's is maintained as a museum by the Historical Halifax Restoration Association, Inc.; Ektachrome by McElvain; A 'True-to-Life' Natural Color Card by Florida Pre-Vues and Associates, New Post Richey, Fla. and Rocky Mount, N.C." There is the number 41 with a circle around it handwritten in black ink on the back of the postcard.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.218</container>
<unittitle>Constitution House, Halifax, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Single-story home behind white picket fence, trees in background, plaque on stone base just inside fence to right of center; on back "The Constitution House, Halifax, North Carolina. The birthplace of our Constitution. In this house a committee of seven men met and drafted the Constitution of North Carolina on Nov.12, 1776. Congress was in session at this time. The House was restored in 1923 by the Daughters of the American Revolution; Post Cards- Florida Pre-Vies, New Port Richey, Fla." There is a handwritten note in pencil on the back of the postcard that states "buy for 3.5 cents, sell for 5."</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.219</container>
<unittitle>Rock Hill, Flat Rock, Hendersonville, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Photograph of small pond with house on hill a fair distance from pond. Along right side of photo "Published by Baker's Art Gallery, Hendersonville, N.C."; on back postage rate "United States and Canada One Cent, Foreign Two Cents."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.220</container>
<unittitle>Chimney Rock, <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Photograph of Chimney Rock, can see the guard rails at the top. Along right side of photo "Published by Baker's Art Gallery, Hendersonville, N.C.", along bottom left center of photo, "Greeting from Hendersonville"; on back postage rate "United States and Canada One Cent, Foreign Two Cents."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.221</container>
<unittitle>"St. John's in the Wilderness,"<unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>One story Catholic Church with bell tower on right, cemetery visible in front. Along left side of photo "Published by Baker's Art Gallery, Hendersonville, N.C.", along bottom left center of photo, "Greeting from Hendersonville," on right, "St. John's in the Wilderness";  on back postage rate "United States and Canada One Cent, Foreign Two Cents."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.222</container>
<unittitle>View from Chimney Rock, <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View from the top of Chimney Rock- can see mountains in distance. Along top of photo "Published by Baker's Art Gallery, Hendersonville, N.C.", along bottom left center of photo, "Greeting from Hendersonville," on right, "View from Chimney Rock.";  on back postage rate "United States and Canada One Cent, Foreign Two Cents."</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.223</container>
<unittitle>Mt. Mitchell, Altitude 6712 ft., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Mt. Mitchell, rhododendron in foreground. Along left side of photo "Published by Baker's Art Gallery, Hendersonville, N.C.", along bottom left center of photo, "Greeting from Hendersonville," on right, 'Mt. Mitchell, Altitude 6712 ft.";  on back postage rate "United States and Canada One Cent, Foreign Two Cents."</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.224</container>
<unittitle>Mt.Hebron Tower, Hendersonville, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Mt. Hebron Tower. A large tower with a circular stairway around the outside of the tower. There are some trees around the base of the tower, then a split rail fence, then an open field. At bottom of postcard "Moore and Gibson Co., New York. Germany."  on back postage rate "Domestic One Cent, Foreign Two Cents."</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.225</container>
<unittitle>Jump off Rock by Night, Near Hendersonville, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Rock juts out from mountain, appears to be only rocks below, moon and clouds in background; on back "Published by Asheville Post Card Co., Asheville, N.C."</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.226</container>
<unittitle>Saint James Episcopal Church, Hendersonville, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Front of Saint James Epicopal Church and bell tower, both covered almost completely in ivy, part of church obscured by trees, crosses on both sanctuary and bell tower, lawn in front; on back <emph render="quoted">Photo by Barber, Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.227</container>
<unittitle>Trail's End, Genuine Antiques, Hendersonville, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front of antiques store, covered porch with iron railing, appears to have addition built onto front right corner of house, widow's walk. Few decorations out in the yard, sidewalk runs in front of store, on front <emph render="quoted">Trail's End Genuine Antiques, 309 South Main St., Hendersonville, N.C., Phone 877-J  Vera Gaffney.</emph> There is no writing on the back. Negative for postcard included.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.228</container>
<unittitle>Kilarney House, Hendersonville, N.C., <unitdate type="inclusive">1916, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large, three story home surrounded by trees, covered porch runs length of house. Two period cars parked beneath trees to side of house; on back handwritten in blue ink <emph render="quoted">Kilarney, Hendersonville, N.C., 1916.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.229</container>
<unittitle>Southern Furniture Exposition Building, High Point, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Artist's rendering print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Southern Furniture Exposition Building. Sidewalk around building teeming with people, cars on highway. <emph render="quoted">Furnitureland, U.S.A.</emph> printed on left side; on back <emph render="quoted">Southern Furniture Exposition Building, High Point, N.C. 27261. This internationally famous complex of 30 acres of floor space provides a showcase for the furniture and accessories produced by America's leading manufacturers. At the Heart of Furnitureland, U.S.A., it is where retailers of these products view and buy the new fashions at the Southern Furniture Market.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.230</container>
<unittitle>World's Largest Bureau, High Point, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>Large white bureau, standing as tall as some of the surrounding trees. Bureau has side entrance with stairs and mailbox. Large sign on top of Bureau says <emph render="quoted">World's Largest Bureau, High Point, N.C., North Carolina Jaycees</emph>; on back <emph render="quoted">World's Largest Bureau, High Point, N.C. Erected to call attention to the fact that High Point is an important furniture manufacturing center- This building is State Headquarters for the N.C. Jaycees; Color by C.H. Ruth; Aerial Photography Services, Inc. P.O. Box 27112, Charlotte, N.C. 28208; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.231</container>
<unittitle>Hillsborough Presbyterian Church, Hillsborough, N.C., <unitdate type="inclusive">1969, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Side view of front half of Hillsborough Presbyterian Church, can see steps leading up to area in front of church, stone walls, steeple with wooden shingles, appears to be early fall with one tree reddish-orange; on back <emph render="quoted">Hillsborough Presbyterian Church, Hillsborough, North Carolina, Built 1816; Color by C.H. Ruth; 1969 Aerial Photography Services, Inc., Charlotte, N.C., Pub. by Aerial Photography Services, Inc., P.O. Box 27112, Charlotte, N.C. 28208; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.232</container>
<unittitle>St. Matthew's Episcopal Church, Hillsborough, N.C., <unitdate type="inclusive">1969, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front view of St. Matthew's Episcopal Church. Church constructed of brick, steeple visible with brick steps leading up to church, early fall with some trees turning colors; on back <emph render="quoted">St. Matthew's Episcopal Church, Hillsborough, North Carolina. This building was erected in 1825, on land given by Chief Justice Thomas Ruffin, of the North Carolina Supreme Court. The Parish, which existed in colonial days, was reorganized in 1824; Color by C.H. Ruth; 1969 Aerial Photography Services, Inc., Charlotte, N.C., Pub. by Aerial Photography Services, Inc., P.O. Box 27112, Charlotte, N.C. 28208; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.233</container>
<unittitle>The Epicopal Church Hillsboro, N.C. <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of church from rear across cemetery. Lawn surrounded by short fence, plenty of room left in cemetery though some monuments are visible; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.234</container>
<unittitle>Presbyterian Church, Hillsboro, N.C., built in 1810, <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of church from angled front view, front door obscured by bushes, stone wall around church, road to right of church, unpaved. Can see other buildings in the background, power pole visible, right foreground; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.235</container>
<unittitle>Baptist Church, Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of church from street, steeple to right of entrance, few trees close to church, primarily empty lawn, buildings visible in background; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.236</container>
<unittitle>The "Old Town Bridge" Over Eno River, Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist's color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Eno River, some trees on right side, left side fairly open, man fishing or relaxing at small bend, bridge crosses in background; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.237</container>
<unittitle>Orange County Court House, Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist's color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of courthouse, bell tower on top, large columns at front entrance. Power lines visible running across street, other buildings visible in background. On front <emph render="quoted">Orange County Court House, Hillsboro, N.C. Clock in Tower was presented to the town of Hillsboro by King George III, in 1769, and has been a reliable time piece since installation;</emph> on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.238</container>
<unittitle>Dark Walk on Eno River, Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist's color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of walk along bank of Eno River. Pathway is dirt, small trees between bank and walk, river on right; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.239</container>
<unittitle>Highway through Oconeechee Farm near Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist's color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dirt road through open fields, trees lining highway on either side; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.240</container>
<unittitle>The Old Cedar Lane Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Artist's color rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Cedar lane is dirt path through a line of cedar trees set close to path, fields on either side open up, path seems closed and narrow; on back <emph render="quoted">Made in Germany. A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States, and Island Possessions, Cuba, Canada, and Mexico. Two Cents. For Foreign.  </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.241</container>
<unittitle>Home of William Hooper, Hillsboro, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Old two-story home tucked away into trees, left portion of front porch and front of house obscured by trees, chimneys at either end of the home, on front <emph render="quoted">Home of William Hooper, one of North Carolina's Three Signers of the Declaration of Independence, Hillsboro, N.C.; on back "Artvue Post Card Co., 225 Fifth Ave., New York, N.Y.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.242</container>
<unittitle>Hillsborough Methodist Church - Hillsborough, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front view of Methodist Church, trees surrounding church, shading front door, open lawn with marquis out front; on back <emph render="quoted">Artvue Post Card Co., 225 Fifth Ave., New York, N.Y.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.243</container>
<unittitle>Coastal Motel and Restaurant, Jacksonville, N.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of motel from across the street, can see pool surrounded by rooms, restaurant on right, period cars, highway running in front of motel; on back <emph render="quoted">Coastal Motel and Restaurant, Located on Highway 17, 3 miles south of Jacksonville, N.C. 44 modern units, kitchenettes. Centrally air-conditioned year 'round. Free room TV. Ceramic tile combination tub and shower baths, with glass enclosure. Wall-to-wall carpeting (most rooms). Swimming pool. Family accommodations. For reservation write or call 347-4187, Jacksonville, N.C. owned and operated by Master Sgt. (Ret.) and Mrs. W. R. Letson; Glo-var Finish by Aurora Postcard Company- Aurora, Missouri, C. Hettesheimer, 905 Oaklawn Dr., Thomasville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.244</container>
<unittitle>The Daughter's Bedroom, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Daughter's bedroom- blue paneled walls, rug, fireplace, small writing desk, books on bed; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Daughter's Bedroom; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.245</container>
<unittitle>The Lady's Bedroom, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Lady's Bedroom, carved wooden bedframe, table set for tea, fireplace, hardwood floors; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Lady's Bedroom; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.246</container>
<unittitle>The Music Room or Living Room, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large room with chandelier, writing desk, period couch, painting over mantle; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Music Room or Living Room; Pub. by Henry S. Fullerton III, 3rd, 237 Sylvania Place, Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.247</container>
<unittitle>The Library or Office, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Room has wooden dining room table with chairs, writing desk, carpet, decanter with glasses on table; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Library or Office; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.248</container>
<unittitle>The Parlor or Ladies' Withdrawing Room, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Room with chandelier, table and chairs covered in rose colored fabric, landscape painting over mantle, table set with tea set; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Parlor or Ladies' Withdrawing Room; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.249</container>
<unittitle>The Gentlemen's Bedroom, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-198, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Man's bedroom, carven wooden bedframe, bureau, rocking chair, done in much darker colors than ladies' rooms, portrait of men over mantle; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Gentlemen's Bedroom; Pub. by Henry S. Fullerton, III, 237 Sylvania Place, Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.250</container>
<unittitle>The Entrance Hall, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Entrance Hall, table, mirror and two chairs against wall; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Entrance Hall; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.251</container>
<unittitle>The Summer Dining Room, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dining room with wooden table and chairs, wooden buffet, candle chandelier overhead; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Summer Dining Room; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.252</container>
<unittitle>The Winter Dining Room, Liberty Hall, Kenansville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dining room with wooden table and chairs, carpet underneath, larger chandelier than 120.1.251; on back <emph render="quoted">Liberty Hall, Kenansville, North Carolina, The Summer Dining Room; Pub. by Henry S. Fullerton, 3rd, 732 Hanford Pl., Westfield, N.J. 07090; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.253</container>
<unittitle>Musical Formations, Linville Caverns, N.C. <unitdate type="inclusive">1900-1930</unitdate></unittitle>
<physdesc><physfacet>Colorized lithographiclike print</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Rock formations of green and rust/rose colored, on front at bottom <emph render="quoted">An Underground Fairyland;</emph> on back <emph render="quoted">Linville Caverns, located 4 miles southeast of Blue Ridge Parkway on U.S. 221 between Linville and Marion, N.C., contains beautiful stalactite and stalacmite formations. Open Year 'Round; Harry N. Martin, P.O. Box 324, Asheville, N.C.;
Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.254</container>
<unittitle>Moonlight Scene, Showing Mountains Near Little Switzerland, N.C., <unitdate type="inclusive">1900-1930, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Some tree visible with rock on right, mountains in distance, moon and clouds in background; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.255</container>
<unittitle>Person Place, Louisburg, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dollhouse sitting on green faux grass. The Dollhouse is an adaptation of Person Place; on back <emph render="quoted">Person Place, North Main Street, Louisburg, N.C. 27549. A rare combination of Georgian and Federal architecture located on the original site of the Raleigh- Richmond stagecoach road. Restoration by the Person Place Preservation Society. Doll house adaptation designed and constructed by Charles 'Bo' May; Color photo by Allen de Hart; Kolorvue by Artvue Post Card Co., 160 Fifth Ave., New York, N.Y. 10010.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.256</container>
<unittitle> The Royal Orleans, LA.<unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color artist painting print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of hotel from across the street, hotel is distinct with people, plants, and background, more impressionistic; on back <emph render="quoted">The Royal Orleans, Royal and St. Louis Streets, New Orleans 16, Louisiana. All the glamour and excitement of the French Quarter combined with rooftop pool and patio, TV and radio in every luxurious room. Garage attached, with direct entrance and registration; Hotel Corporation of America; 'Lusterchrome' Reg. U.S. Pat. Off. Made only by Tichnor Bros., Inc., Boston 15, Boston, Mass.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.257</container>
<unittitle>Blanchard's Restaurant, Pine and 20th Street (US 301) Lumberton, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two story brick restaurant, green striped awnings and doors. Sign outside says <emph render="quoted">Blanchard's Restaurant,</emph> empty parking lot; on back <emph render="quoted">'For Wonderful Food,' Blanchard's Restaurant, In the Heart of tobaccoland, Telephone 3136, U.S. 301, Lumberton, N.C.; Entire 2nd floor devoted to banquets and private parties; Published by Henry H. Ahrens, P.O. Box 2663, Charlotte, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.258</container>
<unittitle>North Carolina Sanitorium, McCain, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Aerial view of sanitorium complex, surrounding countryside visible, along with water tower, other buildings in the town and highway running in front of sanitorium; on back <emph render="quoted">North Carolina Sanitorium, McCain, North Carolina, N.C. Highway 211 - Between Aberdeen and Raeford. One of the four hospital units of the North Carolina Sanitorium System; Published by Dick Johnson Photos, Box 863, Spring Lake, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.259</container>
<unittitle>Olney Inn, MD, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large rambling inn, multiple entrances, multiple additions. Lawn surrounds inn, chairs placed in social groupings; on back <emph render="quoted">Olney Inn, Olney, Maryland. An historic inn, atop a greening hill in the heart of an old Quaker neighborhood. 12 miles north of Washington, on State Route 97. 30 miles from Baltimore, U.S. Route 40A to Cooksville, left on Route 97 to Olney. Old traditions of cooking Maryland's finest farm foods prevail. Open every day (except Monday) from noon to nine for Luncheon, Tea, and Dinner. The finest rural inn in Maryland.</emph> The <emph render="quoted">Tea</emph> in the next to last sentence has been marked through with black ink.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.260</container>
<unittitle>The Leamington, Minneapolis, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large hotel, red sides with several floors of glass windows on top several floors. Sign on top says <emph render="quoted">The Leamington.</emph> Period cars in parking lot, some people milling around outside; on back <emph render="quoted">The Leamington, 3rd Avenue, 10th and 11th Streets, Minneapolis 4. The upper Mid-West's largest, finest, most complete, 100% central air-conditioned luxury hotel. 800 spacious outside rooms, suites, patio suites and penthouses. All with private bath, television, radio and musak. Five exciting restaurants and bars - Crown Room - Imperial Garden - Kaffee Klatsch - Norse Room and Terrace - Rendez Vous Bar. Largest and finest facilities for groups from 10 to 6,000. Plenty of convenient parking with motor entrance. Curteich 3-D Natural Color Reproduction (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.261</container>
<unittitle>White Sulphur Springs, in the Shadow of the Blue Ridge, Mount Airy, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithographic like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Multi-story hotel in background, small bath house and trees next to river in foreground. Surrounded by trees; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.262</container>
<unittitle>River scene, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>River with bends, trees on either side, some beginning to change color. Border designed to look as though picture as been framed in light green oblong, mat with white border; on back <emph render="quoted">Pub for Asheville Post Card Co., Asheville, N.C.; A 'Colourpicture' Publication.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.263</container>
<unittitle>A Romantic Southern Moonlight Scene, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithographic like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Lake or pond, trees around periphery. Postcard entitled moonlight scene, color in sky and on water actually more closely resembles the last of a sunset on a cloudy and overcast day; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.264</container>
<unittitle>Thalian Hall, Wilmington, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Interior of a theater, from second story, ornate decorations, columns, seats. Green curtain hanging in front of stage, stage itself and audience outside field of vision in photograph; on back <emph render="quoted">Thalian Hall, one of America's oldest theatres, was built 1855-1858. Many famous actors have appeared upon its historic stage and performances are regularly given by a number of groups including the Thalian Association, organized circa 1788; Photographed by J. Blow/ Penumbra.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.265</container>
<unittitle> T.J. Powell, Chief Constable, <unitdate type="inclusive">1986-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Man in constable uniform, constable hat, has three medals on left lapel, standing next to wall of some kind with lattice work on top, picture taken in a studio; on back <emph render="quoted">'T.J. Powell,' Chief Constable, Hamilton, circa 1902. Photographed by Nicholas E. Lusher (1859-1932, copyright Bermuda Archives; In Memory of Helen Elizabeth Rowe, Bermuda Archivist, 1977- 1986.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.266</container>
<unittitle> Unidentified Man with Dog, <unitdate type="inclusive">1986-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Man is in white shirt and pants with hat cocked back on his head while pointing at dog. Dog (male Jack Russel) is sitting on his hind legs on table with a hat on his head, a pipe in his mouth, and his paws tied together with dark string. The scene is staged; on back <emph render="quoted">Unidentified Man with Dog, circa 1895. Photographed by Nicholas E. Lusher (1859-1932), copyright Bermuda Archives; In Memory of Helen Elizabeth Rowe, Bermuda Archivist, 1977- 1986.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.267</container>
<unittitle> Ratterey, <unitdate type="inclusive">1986-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Portrait of a woman, dark curly hair parted in middle and pulled into bun at nape of her neck, high collared dress with puffed elbow jacket and tight sleeves, small earrings, jewelry at neck of dress; on back <emph render="quoted">'Ratterey', circa 1885-1890, Photographed by Nicholas E. Lusher (1859-1932), copyright Bermuda Archives; In Memory of Helen Elizabeth Rowe, Bermuda Archivist, 1977-1986.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.268</container>
<unittitle> J.I. Smith's Group, <unitdate type="inclusive">1986-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Group of three children dressed in gendered versions of sailor's outfits. Eldest boy on left, standing, youngest girl sitting on rock in middle, middle girl on right, also sitting on rock, some flowers around their feet; on back <emph render="quoted">'J.I. Smith's Group', circa 1900, Photographed by Nicholas E. Lusher (1859-1932), copyright Bermuda Archives; In Memory of Helen Elizabeth Rowe, Bermuda Archivist, 1977-1986.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.269</container>
<unittitle>Unidentified Mother with Three Children, <unitdate type="inclusive">1986-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Portrait of black woman dresed in dark dress seated, with three black children dressed in white. Eldest boy is on left holding hat in his right hand, small baby sitting on her lap, middle girl on right standing on small box. Mother is wearing band on her left ring finger and holding hat in right hand; on back <emph render="quoted">'Unidentified Mother with Three Children', circa 1895, Photographed by Nicholas E. Lusher (1859-1932), copyright Bermuda Archives; In Memory of Helen Elizabeth Rowe, Bermuda Archivist, 1977-1986.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.270</container>
<unittitle> Mark Swan, <unitdate type="inclusive">1986-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Portrait of black couple. Man is standing on left wearing banner across chest and holding scepter in hand (Banner and Scepter indicate Oddfellows order). Woman seated on right, hair pulled back, small hoop earrings, black dress with button up jacket; on back <emph render="quoted">'Mark Swan', circa 1890, Photographed by Nicholas E. Lusher (1859-1932), copyright Bermuda Archives; In Memory of Helen Elizabeth Rowe, Bermuda Archivist, 1977-1986.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.271</container>
<unittitle>The Legend of the Sand Dollar, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Picture of both sides a sand dollar, surrounded by the following text, <emph render="quoted">The Sand Dollar or Holy Ghost Shell is one of the most unusual specimens of marine life. the markings on the shell symbolize the Birth, Crucifixion and Resurrection of Christ. On the top side of the shell, an outline of the Easter Lily is clearly seen. At the center of the Lily a five points Star representing the Star of Bethelem appears. The five narrow openings are representative of the four nail holes and the spear wound made in the body of Christ during the Crucifixion. Reversing the shell you will easily recognize the outline of the Christmas Poinsettia and also the Bell. When broken, inside the shell are five little birds called the Doves of Peace. Some say they are the Angels that sang to the Shepherds the First Christmas Morning.</emph> on back <emph render="quoted">'Lusterchrome' Reg. Pat. Off. made only by Tichnor Bros., Inc., Boston, Mass.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.272</container>
<unittitle>Our Strange Sand Dollar, <unitdate type="inclusive">1950-198, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Picture of both sides a sand dollar, surrounded by the following poem. <emph render="quoted">Examine my face/ And you'll behold/ A five pointed star/ More perfect than gold. Or turn me over/ And there you'll say/ Is the lovely Poinsettia/ Of Christmas Day. Or, perhaps my face/ Will cause you to dream/ Of the Bethlehem Star/ And its five radiant beams. But, break me open/ And out will fall/ Five beautiful sea gulls/ So strange, so small.</emph>; on back <emph render="quoted">Our Strange Sand Dollar, poem and photograph by Ernest Ferguson; Koppel Color Cards, Hawthorne, N.J.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.273</container>
<unittitle>The Legend of the Dogwood, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Picture of male cardinal sitting on dogwood tree with white blossoms. on left text box reads, <emph render="quoted">The Legend of the Dogwood. There is a legend, that at the time of the Crucifixion, the dogwood had been the size of the oak and other forest trees. So firm and strong was the tree it was chosen as the timber of the cross. To be used thus for such a  cruel purpose greatly distressed the tree, and Jesus, nailed upon it, sensed this, in His gentle pity for all sorrow and suffering said to it: 'Because of your regret and pity for My suffering, never again shall the dogwood tree grow large enough to be used as a cross. Henceforth it shall be slender and bent and twisted and its blossoms shall be in the form of a cross...two long and two short petals. And in the center of the outer edge of each petal there will be nail prints- brown with rust and stained with red, and in the center of the flower will be a crown of thorns, and all who see it will remember.</emph> Handwritten in blue ink at top of legend, <emph render="quoted">May 8, 1967.</emph>; on back <emph render="quoted">The Legend of the Dogwood, photo by Herbert Lanks; Genuine Natural Color made by Dexter Press, Inc., West Nyack, N.Y., U.S.A.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.274</container>
<unittitle> The Legend of the Dogwood, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Picture of pink dogwood blossoms on a tree, text in center reads, <emph render="quoted">The Legend of the Dogwood. There is a legend, that at the time of the Crucifixion, the dogwood had been the size of the oak and other forest trees. So firm and strong was the tree it was chosen as the timber for the cross. To be used thus for such a cruel purpose greatly distressed the tree, and Jesus, nailed upon it, sensed this, in His gentle pity for all sorrow and suffering said to it: 'Because of your regret and pity for My suffering, never again shall the dogwood tree grow large enough to be used as a cross. Henceforth it shall be slender and bent and twisted and its blossoms shall be in the form of a cross...two long and two short petals. And in the center of the outer edge of each petal there will be nail prints- brown with rust and stained with red, and in the center of the flower will be a crown of thorns, and all who see it will remember.</emph>; on back <emph render="quoted">'Lusterchrome' Reg. Pat. Off. made only by Tichnor Bros., Inc., Boston, Mass.</emph>" </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.275</container>
<unittitle> Constitution House, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Photo of Constitution House, different angle than 120.1.218. This angle shows side of house away from front door, has two chimneys. White clapboard, green front door, no shutters; on back <emph render="quoted">Constitution House. The Constitution for the State of North Carolina was drafted in this building. North Carolina became the first of the thirteen colonies to adopt a constitution on December 3, 1776. This building is maintained by the DAR; Ektachrome by McElvain; A 'True-to-Life' Natural Color Card by Florida Pre-Vues and Associates, New Port Richey, Fla. and Rocky Mount, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.276</container>
<unittitle>Royal White Hart Lodge, No.2, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story white building, with bell hung outside and small grave with fence around it, plaque on fence; on back <emph render="quoted">On St. David St., west of Main, is the Royal White Hart Lodge No.2. Here is buried Joseph Montfort, first, last and only Grandmaster of America. The Lodge is the first in America built exclusively and continuously for Masonic purposes. This stands intact with original furnishings; Ektachrome by McElvain; A 'True-to-Life' Natural Color Card by Florida Pre-Vues and Associates, New Port Richey, Fla. and Rocky Mount, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.277</container>
<unittitle>Pierce Moore House, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story home with wrap around porch, photo taken from across the street. Hanging over stairs just before stepping onto front porch is a sign that reads <emph render="quoted">Pierce Moore.</emph> The <emph render="quoted">Moore</emph> is obscured by tree branches. Rocking chairs on fron porch, period car to the right of house. Perhaps it is a hotel or boarding house of some sort.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.278</container>
<unittitle>Alexander Stuart Grave, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Headstone made with stones and mortar. This a replacement headstone. The original slate headstone, which sat low to the ground and was unadorned except for the initials <emph render="quoted">A.S.</emph> The new headstone stands much taller and appears to be made of fieldstone and mortar. The original slate marker is placed on the front side of the headstone and a new plaque on top reads <emph render="quoted">Alexander Stuart 1737-1767, Farmer.</emph> on back there is retained black material, probably from a scrapbook.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.279</container>
<unittitle>Fort Macon, North Carolina's Most Visited Park, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Fort Macon, North Carolina, ocean and sand visible in background. Fort is pentagon, made of concrete, roof covered in grass. Bridges lead from inner ring, cross <emph render="quoted">moat,</emph> and connect with outer ring, same construction, concrete with grass on top, cut into surrounding land; on back <emph render="quoted">Adjoining Atlantic Beach, N.C., near Morehead City, Fort Macon State Park is one of the best preserved old forts in the nation. This historic fort commands Beaufort Inlet with well preserved gun emplacements, domed rooms, arches and an interesting moat. Copyright 1973 Aerial Photography Services, Inc. Charlotte, N.C.; Pub. by Aerial Photography Services, Inc, 2300 Dunavant St., Charlotte, N.C. 28203; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.280</container>
<unittitle>The Motor Vessel "Danco," <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large boat on water with approximately 24 people lined up behind guard rail, facing photographer, boat moving through water; on back <emph render="quoted">'Danco.' 90 foot party and charter boat. Sailing daily, through out the summer, from 507 Evans Street, Morehead City, N.C.; Herald Printing Co., Morehead City, N.C.</emph> Handwritten sums in pencil. There is some damage to top corners, bent and off-color. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.281</container>
<unittitle>Shrimp Boats, Sneads Ferry, N.C.,  <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of two shrimp boats moored in small inlet. Inlet surrounded by trees, has small island with vegetation on it in center of canal. Spanish moss, grass, and dead trees visible; on back <emph render="quoted">Shrimp Boats, (Sneads Ferry). A major industry and the showcase for the Sneads Ferry Shrimp Festival - shrimping is big business in Onslow county; Onslow County Tourism; www.onslowcountytourism.com; 1099 Gum Branch Rd., Jacksonville, NC 28540; (800) 932-2144.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.282</container>
<unittitle>Oceans King Hotel, Lobby View,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Interior lobby, walls and ceiling a light green, chairs upholstered in green and burgundy, carpet, recessed lighting; on back <emph render="quoted">Ocean King Hotel, Lobby View, Morehead City, Atlantic Beach, North Carolina, Open all year; Photo by Jerry Schumacher; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.283</container>
<unittitle>Oceans King Hotel, Ocean Front, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of hotel from ocean, two-story white with striped awnings over windows, people outside on beach, on towels and under blankets, period swimsuits; on back <emph render="quoted">Ocean King Hotel, Ocean Front, Morehead City, Atlantic Beach, North Carolina, Open all year; 'Curteichcolor' Reproduction from Kodachrome or Ektachrome-Original.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.284</container>
<unittitle>Sanitary Fish Market and Restaurant, Morehead City, North Carolina, <unitdate type="inclusive">1940-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior of restaurant, white with green roof. Side of building reads <emph render="quoted">Tony's, Famous for Seafoods and for Tar Heel Hushpuppies;</emph> on back <emph render="quoted">The Recipe for our Famous Tar Heel Hush Puppies, 1 lb. fine corn meal, 1 egg, 1 Tablespoon salt, 1 Tablespoon sugar, pinch soda, 1 cup buttermilk, serving for 6 persons, Stir, adding water to thick consistency. Drop in deep fat, (preferably Wesson Oil), Cook in temperature of 375 degrees; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.285</container>
<unittitle>Sanitary Fish Market and Restaurant, Morehead City, North Carolina, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior view taken from roof of building across the street. Can see water behind and underneath restaurant. Period cars parked in front; on back <emph render="quoted">The Recipe for our Famous Tar Heel Hush Puppies, 1 lb. fine corn meal, 1 egg, 1 Tablespoon salt, 1 Tablespoon sugar, pinch soda, 1 cup buttermilk, serving for 6 persons, Stir, adding water to thick consistency. Drop in deep fat, (preferably Wesson Oil), Cook in temperature of 375 degrees;   Curteichcolor 3-D Natural Color Reproduction (Reg. U.S. Pat. Off.).</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.286</container>
<unittitle>Sanitary Fish Market and Restaurant, Morehead City, North Carolina, <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>Exterior view taken from roof of building across the street. Can see water behind and underneath restaurant. Period cars parked in front; on back <emph render="quoted">The Recipe for our Famous Tar Heel Hush Puppies, 1 lb. fine corn meal, 1 egg, 1 Tablespoon salt, 1 Tablespoon sugar, pinch soda, 1 cup buttermilk, serving for 6 persons, Stir, adding water to thick consistency. Drop in deep fat, (Preferably Duke's Peanut Oil), Cook in temperature of 375 degrees; Pub. by Charles H. Markey and Associates, Havelock, N.C.</emph> Note the difference in prefered deep fat, from Wesson Oil in 120.1.285 to Duke's Peanut Oil in 120.1.286. The photographs in this set are the same photograph, though I believe they were taken at different times of the day. 120.1.286a and 120.1.286b were taken before customers arrived, 120.1.286c, after. The cars along the curb are all the same, though the pictures are cropped slightly differently, the addition of people and the lighting is the real change. Also note that since 120.1.284 and 120.1.285, a large addition has been added along the side of the restaurant that obscures <emph render="quoted">Tony's, Famous for Seafoods and for Tar Heel Hushpuppies</emph> that once adorned the side of the building.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.287</container>
<unittitle>Emerald Isle, N.C.,  <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of pier, late afternoon, can see beach and ocean, people along pier; on back <emph render="quoted">Emerald Isle, NC, Beautiful beaches and excellent fishing; Photo by Bob Doane; Copyright and published by Aerial Photography Services, Inc., 2511 South Tryon St., Charlotte, NC 28203; Printed in USA; Keep North Carolina Clean and Beautiful.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.288</container>
<unittitle>Bell House, 1767, Historic Beaufort, North Carolina, <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story red clapboard house with attic, porch on both levels, porches face road, sign in front of house; on back <emph render="quoted">Bell House, 1767, Historic Beaufort, North Carolina. One of the fine restorations depicting the charm and flavor of this 18th Century seacoast town, the third oldest in North Carolina; Aerial Photography Services, Charlotte, N.C.; pub. by Aerial Photography Services,InC., 2300 Dunavant St., Charlotte, N.C. 28203; Made by Dexter Press, Inc., West Nyack, New York.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.289</container>
<unittitle>Scotland Neck, North Carolina, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Three female skiers, each on one ski, lifting left leg, two end skiers have outside arms thrown up; can see ski ropes, cannot see boat, out on water; on back <emph render="quoted">Three water skiers make this sport look easy. Pub. by G.R. Brown Co., Rt. 5, Box 82, Eau Claire, WI 54701; Mike Roberts Color Productions, Emeryville, CA 94608.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.290</container>
<unittitle>B. Cameron Langston, Swansboro, North Carolina, <unitdate type="inclusive">1971-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Bridge extending across a body of water, truck driving towards photographer, sign next to bridge reads <emph render="quoted">B. Cameron Langston Bridge</emph>; on back <emph render="quoted">B. Cameron Langston Bridge, Cost - 3 - Million, Dedicated Aug. 24, 1971, 4500 ft. Long - 65 ft. High, Located Swansboro, N.C., Connecting mainland and Emerald Isle; Photo by Anthony Kelly, Kinston, N.C.; Pub. by B.E. Jones, Deep Run, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.291</container>
<unittitle>Banquet Hall, Mount Vernon, Virginia, <unitdate type="inclusive">1930-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Banquet Hall. Large room, area rug takes up most of room, 4 chairs sitting individually around the room, sofa under windows, paintings on wall, molding and decorated ceiling; on back <emph render="quoted">The Banquet Hall at Mount Vernon. Mount Vernon is owned and maintained by the Mount Vernon Ladies' Association of the Union, founded 1853 for the preservation of the home and tomb of Washington.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.292</container>
<unittitle>Banquet Hall, Mount Vernon, Virginia, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Banquet Hall. Large room, area rug takes up most of room, 4 chairs sitting individually around the room, sofa under windows, paintings on wall, molding and decorated ceiling. Curtains and carpet are green. View slightly different than 120.1.290, this view shows door opening to outside from inside Banquet Hall; on back <emph render="quoted">The Banquet Hall, Mount Vernon. The Banquet Hall or <emph render="quoted">New Room</emph> was completed after the Revolution under Washington's immediate direction. A glimpse of the Potomac is seen through the open doorway. Mount Vernon is owned and maintained by the Mount Vernon Ladies' Association of the Union, founded 1853 for the preservation of the home and tomb of Washington; copyright 1934 Mt. V. L. A. of the U.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.293</container>
<unittitle>The Library, Mount Vernon, Virginia, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of the Library, fireplace, hardwood floors, paneled walls, large table with several books spread out, no other books visible; <emph render="quoted">The Library at Mount Vernon. The Library conatins many of George Washington's books, with his own book plates in them; also a map of Mount Vernon, carefully plated by himself; Mount Vernon is owned and maintained by the Mount Vernon Ladies' Association of the Union, founded 1853 for the preservation of the home and tomb of Washington; copyright 1934 Mt. V. L. A. of the U.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.294</container>
<unittitle>General Washington's Bed Chamber, Mount Vernon, Virginia, <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of bedchamber, four-poster bed with white coverlet and bedcurtain, hardwood floors, two doors on either side of room; on back <emph render="quoted">General Washington's Bed Chamber, Mount Vernon. Here, in the room where Washington died, has been assembled a collection of original Mount Vernon furniture. Mount Vernon is owned and maintained by the Mount Vernon Ladies' Association of the Union, founded 1853 for the preservation of the home and tomb of Washington; copyright 1934 Mt. V. L. A. of the U.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.295</container>
<unittitle>Mt. Mitchell, the Highest Peak East of the Rocky Mts., <unitdate type="inclusive">1920-1960, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Mt. Mitchell in background, rhododendrons in bloom in foreground; on back <emph render="quoted">Hackney and Moale, Co., Asheville, N.C., Publishers. Made in Germany, 3609.</emph> postage rate- One cent for United States and Island Possessions, Cuba, Canada, and Mexico. Two Cents for Foreign. 
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.296</container>
<unittitle>Blue Ridge Parkway near Mount Mitchell, Highest Peak East of the Mississippi, <unitdate type="inclusive">1920-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Mountain road with two cars drivivng along, road curves, peak in the background. Can tell where mountain was blasted in order to create road; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.297</container>
<unittitle>Rhododendron in Bloom, <unitdate type="inclusive">1957, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Mountain peak in background, rhododendron in bloom (pink) in foreground; on back <emph render="quoted">Rhododendron in Bloom - Craggy Gardens near Asheville, North Carolina. Located on the Blue Ridge Parkway between Asheville and Mt. Mitchell this natural garden spot is at its height about mid-June; Photographed in Natural Color by Walter Cline;  Copyright 1957, W.M. Cline Co., Color-King Natural Color Card, W.M. Cline Co., Chattanooga, Tenn.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.298</container>
<unittitle>Mount Mitchell Intersection, <unitdate type="inclusive">1957, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>View of road leading up to Mt. Mitchell, Mt. Mitchell in background, car pull-off, with car pulled-off in foreground; on back <emph render="quoted">Mount Mitchell Intersection on Blue Ridge Parkway, Western North Carolina; Published by Asheville Post Card Co., Asheville, N.C.; Mirro- Krome by H.S. Crocker Co., Inc.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.299</container>
<unittitle>Mount Mitchell, Altitude 6711 Feet, The Highest Peak East of the Rocky Mts., <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>View Mt. Mitchell in background, rhododendron in foreground; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.; Metrocraft Everett Mass.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.300</container>
<unittitle>Mount Mitchell, Altitude 6684 Feet, The Highest Peak East of the Mississippi, <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>View Mt. Mitchell in background, rhododendron in foreground. This is the same picture from 120.1.299, but the altitdue of Mt. Mitchell is listed differently; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.301</container>
<unittitle>Mt. Pisgah and The Rat at Sunset, Western North Carolina, <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View Mt. Pisgah and another peak called The Rat. Trees in foreground, peaks in background. Sky is yellowish green and pinky- blues; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph> postage rate - One cent for United States and Island Possessions, Cuba, Canada, and Mexico. Two Cents for Foreign. 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.302</container>
<unittitle>Mt. Pisgah and <emph render="quoted">The Rat</emph>, <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Mt. Pisgah and <emph render="quoted">The Rat</emph> in background, flower garden on lawn in front; on back <emph render="quoted">Mount Pisgah and 'The Rat' as seen from the grounds of Asheville School, Western North Carolina; Asheville Post Card Co., Asheville, N.C.; 'C.T. Art Colortone' Reg. U.S. Pat. Off.</emph> postage rate - One cent. 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.303</container>
<unittitle>The Yeates- Vaughan Inn, <unitdate type="inclusive">1890-1910</unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Two-story home, chimneys on either side of house, large steps leading up to porch. Several people sitting on front steps, period dress; on back <emph render="quoted">The Yeates-Vaughan Inn, P.O. Box 159, Historic Murfreesboro, NC 27855, Telephone (919) 398-5233.</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.304</container>
<unittitle>Hollomon's Motel, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of motel, brick, office housed in small two story brick building, rooms in one-story brick buildings along either side, can see marquis out front; on back <emph render="quoted">Hollomon's Motel, 504 E. Main St. Murfreesboro, N.C., phone 3451, U.S. Highways 158 - 258. Twenty (20) clean, comfortable rooms, Connecting Units, T.V. and Air Conditioning, Restaurants and Laundromats close by, COMMERCIAL RATES - Owner Management; Holland Art Studios, Murfreesboro, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.305</container>
<unittitle>The <emph render="quoted">Nags Head</emph> Legend, <unitdate type="inclusive">1966, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Sand dunes with artist's rendering of man carrying a gun leading a horse with a yellow rope, the horse has a lantern around its neck, the man is carrying a gun. The dunes look like an actual picture with the man and horse added in; on back <emph render="quoted">Nag's Head North Carolina. The story is told that in the early days, an old nag with a lantern dangling from its neck would be led to and fro across the high sand dunes. Ships at sea, mistaking the swaying lantern for a ship riding at anchor in a safe harbor would attempt to come in thereby running themselves aground on the treacherous shoals of the Dare Coast and subsequently become easy prey for the land Pirates of Nags Head; Elizabeth City News Company, Elizabeth City, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.306</container>
<unittitle>Nags Head, N.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of beach, no piers or buildings visible, wave is crashing, people are playing in the surf at a distance; on back <emph render="quoted">Nags Head, N.C. The beaches of Nags Head, some 80 miles long (from Duck to Cape hatteras) offer unlimited opportunities for both fishing and swimming; Sides Photos, Nags Head, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.307</container>
<unittitle>Nags Head, North Carolina, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of man and woman watching a hang-glider take off from a dune, the man has just become airborne, part of another hang-glider can be seen behind them; on back <emph render="quoted">Nags Head, North Carolina. 'And away we go' Yep! Right off the top of Jockey's Ridge sand dune. This is just part of the fun you can have on this famous National Natural Landmark; Photo by Bruce Miley; Elizabeth City News Co., Elizabeth City, North Carolina, 27909; Plastichrome colourpicture, Boston, Mass. 02130.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.308</container>
<unittitle>The Carolinian, Nags Head, N.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of large complex next to beach, pier leads out to water, period cars in parking lot, possibly single family home picturesd as well; on back <emph render="quoted">The Carolinian, Nags Head, N.C.- A Friendly Motor Hotel on the picturesque and exciting Outer Banks of North Carolina. Open all year, with special children's programs in summer. Swimming in the ocean or heated swimming pools. Excellent food in ocean front dining rooms. Everything is relaxing and informal; Elizabeth City News Co., Elizabeth City, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.309</container>
<unittitle>Killdee Motel, Nags Head, N.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Postcard is split into two scenes, the top is of the motel, two-story yellow building with pool, bottom is of the beach; on back <emph render="quoted">Killdee Motel, Rooms - Efficiencies. On ocean front at 11 mile post, Nags Head, North Carolina 27959, Phone (919) 441-5858; MWM Color-Litho 'Bursheen' Finished. Made only by MWM Co. Aurora, Mo., Fed C. Elkins, 1207 Anne Ave., Chesapeake, Va. 23324.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.310</container>
<unittitle>Jockey's Ridge, Nags Head, North Carolina, <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Jockey's Ridge in distance, surrounding dunes and vegetation in foreground; on back <emph render="quoted">Jockey's Ridge, Nags Head, North Carolina, Dare County's most majestic wonder; Elizabeth City News Co., Elizabeth City, North Carolina, 27909; Plastichrome Colourpicture, Boston, Mass. 02130.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.311</container>
<unittitle>Historic Tryon Palace, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior of Tryon Palace, three story grand house in center, curved walkways lead to buildings that flank main building on left and right. Front lawn landscaped with walkways and topiaries, young man in colonial garb on front lawn; on back <emph render="quoted">Tryon's Palace- built 1767-1770- of which only one wing now remains, is recognized as 'the finest building in Colonial America.' Royal Governors William Tryon and Josiah Martin resided here. Later this building became the first State Capitol. The building burnt in 1798; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.312</container>
<unittitle>Tryon Palace Restoration, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior of Tryon Palace, three story grand house in center, curved walkways lead to buildings that flank main building on left and right. Front lawn is only grass, shows entry gates and lawn in front of gates; on back <emph render="quoted">Tryon Palace Restoration, New Bern, N.C. First permanent Colonial capitol of North Carolina, 1776. Restored as a State project through a bequest by the late Mrs. James Edwin Latham. Open to the public the latter part of 1958; Color Photo, Baxter's Studio- printed by Owen G. Dunn Co., New Bern, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.313</container>
<unittitle>Palace Entrance, Tryon Palace Restoration, New Bern, N.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Close up view of front entry gates, wrought iron, intricate scrollwork at top, rollers on bottom of gate, short brick wall topped with iron fence along sides; on back <emph render="quoted">Tryon Palace Restoration, New Bern, North Carolina. First permanent Capitol of North Carolina. Built by Royal Governor William Tryon, 1767-70. Restored 1952-59, through gifts of Mrs. James Edwin Latham, by the Tryon Palace Commission, a State Agency. Palace Entrance. The 1741 wrought- iron gates and railings are English; Curteichcolor 3-D Natural Color Reproduction (Reg. U.S.A. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.314</container>
<unittitle>Maude Moore Latham Memorial Garden, Tryon Palace Restoration, New Bern, N.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of garden behind house, walkways defined, various sections of vegetation, fountain in middle, place to sit; on back <emph render="quoted">Tryon Palace Restoration, New Bern, North Carolina. First permanent Capitol of North Carolina. Built by Royal Governor William Tryon, 1767-70. Restored by Mrs. James Edwin Latham and the State of North Carolina, 1952-59. Maude Moore Latham Memorial Garden. One of a number of gardens on the extensive Tryon Palace grounds designed in the manner of 18th Century English gardens. This ornamental garden, with memorial pavilion and plaque, honors Mrs. James Edwin Latham, whose gifts amd bequests financed the Palace Restoration; Photography by L.H. Frohman, Bronxville, N.Y.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.315</container>
<unittitle>Tryon Palace, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of main house with two flanking buildings on either side, instead of gardens or lawn, road to house lined with trees and other landscaping; on back <emph render="quoted">The Charles H. Overly Studio, Harvard, Mass. 01451.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.316</container>
<unittitle>Restored Tryon Palace, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of main house with building on right, builidng on left is out of the frame of the picture, landscaping in front of palace entrance, trees and other vegetation, large tree very close to palace entrance; on back <emph render="quoted">'Lith o Sketch' Reg. U.S. Pat. Off. - Made by Curhan Co., Glouchester, Mass.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.317</container>
<unittitle>Parlor, Tryon Palace, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of parlor, large rug, crystal chandelier, pianoforte, table set for tea, colonial painting of woman on wall; on back <emph render="quoted">Tryon Palace Restoration, New Bern, North Carolina. First permanent Capitol of North Carolina. Built by Royal Governor William Tryon, 1767-70. Restored 1952-59, through gifts of the late Mrs. James Edwin Latham, under the direction of the Tryon Palace Commission, a State Agency. Parlor. Southwest view of room, showing antique Waterford chandelier from Latham collection, walnut spinet made 1730 by Thomas Hitchcock, 16th century Turkish carpet, chairs with rare Soho tapestry. Paul de Lamerie coffee pot and George Hindmarsh tea kettle; Photography by L.H. Frohman, Bronxville, N.Y.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.318</container>
<unittitle>Coachman's Room, Tryon Palace, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of coachman's room, brick floor, brick fireplace with gun hung above, writing table under window, low ceiling; on back <emph render="quoted">Tryon Palace Restoration, New Bern, North Carolina. First permanent Capitol of North Carolina. Built by Royal Governor William Tryon, 1767-70. Restored 1952-59, through gifts of the late Mrs. James Edwin Latham, under the direction of the Tryon Palace Commission, a State Agency. Coachman's Room. Here the 18th Century Coachman had facilities for reading, writing, and protecting himself from marauders. Brick pavers were made to match original ones excavated on the site. Curtains are made of antique materials; Photography by L.H. Frohman, Bronxville, N.Y.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.319</container>
<unittitle>Lower Hall, Tryon Palace, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of hall, dark hardwood floors, staircase leading up, throw rugs, mirror; on back <emph render="quoted">Tryon Palace Restoration, New Bern, North Carolina. First permanent Capitol of North Carolina. Lower Hall, John Wright Stanly House, English Side Table, Oriental Porcelain Bowl, noteworthy architectural detail; Curteichcolor 3-D Natural Color Reproduction (Reg. U.S.A. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.320</container>
<unittitle>Hotel Queen Anne, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Queen Anne Hotel, large private home, with what appears to be a more modern building off the back, loop driveway with carport, chairs and umbrella on front lawn.
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.321</container>
<unittitle>Typical Bedroom, Hotel Queen Anne, New Bern, N.C., <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Interior of typical room, two single beds, bedside table, vanity, chest of drawers, chair, telephone; on back <emph render="quoted">Hotel Queen Anne, New Bern, North Carolina, Direction: Daniel M. Miles, Picture on reverse side shows a typical bedroom; Thomasen- Ellis- Hutton Co., Balto. 2 Md. Typogravure, Made in the U.S.A.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.322</container>
<unittitle>James Davis House, New Bern, N.C., <unitdate type="inclusive">1968-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story yellow house with red shutters and door, smaller building, same colors, to right side, paved parking lot in front; on back <emph render="quoted">James Davis House, Built 18th Century, 211 Broad Street, New Bern, N.C. Restored in 1968 by J. Frank Efird Construction Company and is used for their offices. James Davis was North Carolina's first printer- printed currency, also first newspaper, 'North Carolina Gazette.' Some original sidings, floors, and glass intact in house; Color photography by Chick's Camera Center, New Bern, N.C.; Dukane Press, Hollywood, FLA.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.323</container>
<unittitle>Jones House, New Bern, N.C., <unitdate type="inclusive">1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story white house, porches both levels, shutters against chimney, white picket fence in front; on back <emph render="quoted">Jones House - 1809, New Bern, North Carolina, Tryon Palace Official Guest House; 1970 Aerial Photography Services, Inc., Charlotte, N.C.; Pub. by Aerial Photography Services, Inc., P.O. Box 27112, Cahrlotte, N.C. 28208.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.324</container>
<unittitle>S.S. Constitution, New York, N.Y., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Oceanliner, two steam masts, can see <emph render="quoted">Constitution</emph> painted on the side; on back <emph render="quoted">S.S. Constitution, American Export Isbrandtsen Lines. The beautiful Sunliners...S.S. Constitution and her sister ship S.S. Independence provide regular service between new York and Meditteranean ports along the Sunlane...Beachcomber Cruises to the Caribbean...1,085 passengers...23 knots cruising speed...683 feet long...30,293 tons.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.325</container>
<unittitle>S.S. Constitution, New York, N.Y., <unitdate type="inclusive">1943, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two planes in flight, World War II era, white stars in a blue circle with red outline on the sides of both planes, a man in each cockpit; on back <emph render="quoted">Grumman F6F-5 'Hellcat.' Two aircraft undergoing tests near Grumman plant at Bethpage, NY during 1943, before being shipped to the front. (Grumman Photo); John Fry Productions, P.O. Box 9444, San Diego, CA 92109; McCrew Color Graphics, Kansas City, MD 64108.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.326</container>
<unittitle>Statue of Liberty, New York, N.Y., <unitdate type="inclusive">1940-1980, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Statue of Liberty, people at base of Statue, can see grounds that statue stands on, water in background, can see the shoreline of New Jersy behind Statue; on back <emph render="quoted">Liberty- Full View; The Statue of Liberty. (Courtesy of the National Park Service, Statue of Liberty National Monument). (From Statue of Liberty Postcard Book.); Manufactured in the U.S.A. Copyright 1985 Dover Publications, Inc., 31 East 2nd Street, Mineola, N.Y. 11501.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.327</container>
<unittitle>North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>North Carolina in center of postcard with cities marked, images of North Carolina landmarks around edges; on back <emph render="quoted">1-Mint Museum, Charlotte; 2-State Capitol, Raleigh; 3-Orton Plantation, Wilmington; 4-Wright Memorial, Kill Devil Hill; 5-Nathanael Greene Monument, Greensboro; 6- Old Market House, Fayetteville; 7-Looking Glass Falls- Pisgah National Forest; 8-The Chapel, Duke University, Durham; 9- Fontana Dam, Western North Carolina; 10- Chimney Rock, Chimney Rock; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.328</container>
<unittitle>North Carolina State Toast Card, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Image of a road with pine trees along either side, NC state flag in top left corner, state bird- the cardinal in upper right, the Capitol in the lower right, dogwood blossoms across the center of the road, the state seal in the lower left corner, Printed under North Carolina State Toast Card is the following <emph render="quoted">Here's to the land of the Long Leaf Pine,/ The Summer Land, where the sun doth shine;/ Where the weak grow strong, and the strong/ grow great,/ Here's to 'Down Home,' the Old/ North State!</emph>; on back <emph render="quoted">North Carolina, The Tar Heel State, was one of the thirteen original states. Area, 52,426 square miles. 1940 population, 3,571,623. Entered the Union, Nov. 21, 1789. State Flower- Dogwood, State Bird-Cardinal; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph> 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.329</container>
<unittitle>North Carolina Welcome Center, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>North Carolina Welcome Center, front view, brick entryway, trees and lamps out front; on back <emph render="quoted">North Carolina Welcome Centers. Conveniently located on Interstate Highways, the North Carolina Welcome Centers provide highway maps and brochures containing information about the state's attractions and travel accommodations; Color by C.H. Ruth; Pub. by Aerial Photography Services, Inc., P.O. Box 27112, Charlotte, N.C. 28208; Made by Dexter Press, Inc., West Nyack, New York.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.330</container>
<unittitle>Graveyard of the Atlantic, Hatteras, N.C., <unitdate type="inclusive">1961, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of ship wreckage in edge of surf, barely recognizable, wood; on back <emph render="quoted">Graveyard of the Atlantic, Hatteras, N.C. The remains of the mighty four-masted schooner G.A. Kohler. Among the last of her kind, she was washed ashore her in the storm of 1933. Through the heroic efforts of the crews from Gull Shoal and Chicamacomico Coast Guard stations, they succeeded in rescuing the eight men and one woman on board; 1961 Coastland Color Card Co., Nags Head, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.331</container>
<unittitle>Diamond Shoals, Cape Hatteras, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Aerial view of shoreline, can see roads, vegetation, single car traveling, no houses or other structures visible; on back <emph render="quoted">A long North Carolina's Outer Banks, Cape Hatteras, N.C. From the top of the Cape Hatteras lighthouse one may look out on one of the world's most famous nemesis of the deep, Diamond Shoals. In the swirling white waters seen here is also the meeting of the Gulf Stream and the cold waters of the Artic; Photo...Geo. B. Sides; Sides Photo, Nags Head, N.C.</emph> 120.1.331b has the same photo and information about Diamond Shoals as 120.1.331a. however the publication information on 120.1.331b is slightly different. It reads <emph render="quoted">1966, Elizabeth City News Company, Elizabeth City, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.332</container>
<unittitle>Cape Hatteras Lighthouse, Cape Hatteras, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Cape Hatteras Lighthouse in distance, red truck with camper top driving on wrong side of road as the driver avoids three people walking in right lane. Road is partially covered in sand, people are in bathing suits, shorts, can only see them from behind; on back <emph render="quoted">Cape Hatteras Light- Tallest light tower (193 feet) on the American coast and tallest brick lighthouse in the world. This tower erected in 1870 replaced the first built here on North Carolina coast in 1798. Its beacon warns mariners of dreaded Diamond Shoals which extend from the Cape's point 13 miles seaward to the edge of the Gulf Stream where it comes closer to North Carolina Coast than at any other region north of South Florida; Ektachrome by Aycock Brown; Pub. by Rowe Dstributing Co., Norfolk, Va.; Genuine Natural Color Made by Dexter Press, Inc., West Nyack, N.Y.</emph> Postcard has rounded corners and retains adhesive and notebook paper from its former housing.
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.333</container>
<unittitle>Entrance to Elizabethan Gardens, Roanoke Island, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Large brick entrance to Elizabethan Gardens, domed entryway, surrounded by brick, entrances are cut into brick wall, entryway partially obscured by vegetation; on back <emph render="quoted">The Outer Banks of North Carolina, Roanoke Island, North Carolina. Entrance to the Elizabethan Garden, created and maintained by the Garden Clubs of North Carolina, Inc., is located near the north end of Roanoke Island, adjacent to Fort Raleigh and the Lost Colony; Photo by Aycock Brown; Elizabeth City News Company, Elizabeth City, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.334</container>
<unittitle>Elizabethian Gardens, Roanoke Island, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of actors in the Elizabethan gardens, gardens very formal surrounding a fountain, actors next to fountain; on back <emph render="quoted">The Outer Banks of North Carolina, Elizabethian Gardens, Roanoke Island, N.C.; Queen Elizabeth and Sir Walter Raleigh, members of <emph render="italic">The Lost Colony</emph> drama, in the Elizabethian Gardens, a project of the Garden Clubs of N.C. on Roanoke Island, N.C.; Elizabeth City News Company, Elizabeth City, N.C.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.335</container>
<unittitle>Colorful Knot Garden, Elizabethan Gardens, Roanoke Island, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Knot Garden surrounding fountain, beds are planted with gold, purple, and white pansies, statues visible; The Outer Banks of North Carolina. Colorful Knot garden of the Elizabethan Garden on Roanoke Island features flowers and antique statuary. Shown here are some of the beautiful pansies in full bloom. The garden is a project of the Garden Club of N.C. Inc., and is located in the Fort Raleigh area; Color photo by P.Bayne; 1967 Pub. by  Elizabeth City News Co., Elizabeth City, North Carolina; Made by Dexter Press, Inc., West Nyack, New York.</emph> 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.336</container>
<unittitle>Sunken Knot Garden, Elizabethan Gardens, Roanoke Island, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Actors playing Queen Elizabeth and Sir Walter Raleigh in Knot Garden, actors are in full regalia, reading from a book; on back <emph render="quoted">Elizabethan Garden, Roanoke Island, North Carolina. Sir Walter Raleigh and Queen Elizabeth from <emph render="quoted">The Lost Colony</emph> visit the Sunken Knot Garden on Virginia Dare Day, the only day and place the Queen's Flag flies in the United States; Photographed and Published by Hugh Morton, Wilmington, N.C.; Plastichrome by Colourpicture Publishers, Inc. Boston 15, Mass., U.S.A.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.337</container>
<unittitle>Gate House, Elizabethan Gardens, Roanoke Island, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Gate House made of stone with gray shingle roof, fountain and brick lined walkways, flowers in bloom, lots of trees; on back <emph render="quoted">Elizabethan Garden on Roanoke Island, Manteo, North Carolina, Gate House; Elizabeth City News Co., Elizabeth City, North Carolina 27909; Plastichrome Colourpicture Boston 15, Mass. 02130.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.338</container>
<unittitle>Elizabethan Gardens - Manteo, North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large fountain, with circular wall around base, brick walkway surrounding, hedges and trees; on back <emph render="quoted">The magnificent Pompeian stone fountain, embossed with the Farnesi Coat of Arms, is the focal point of the Knot Garden; Pub. by Aerial Photography Services, Inc. 2300 Dunavant St., Charlotte, N.C. 28203.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.339</container>
<unittitle>Knot Garden, Elizabethan Gardens - Manteo, North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Knot garden in bloom, yellows, and pinks, large fountain in center, bordered by double row of hedges, photo by Jim Deane; on back <emph render="quoted">Spring aerial view of Knot garden showing the enclosing 11 foot alley of clipped Yaupon; Pub. by Aerial Photography Services, Inc. 2300 Dunavant St., Charlotte, N.C. 28203; Made by Dexter Press, West Nyack, New York.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.340</container>
<unittitle>Sunken Garden, Elizabethan Gardens - Manteo, North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large fountain in center, surrounded by brick wall, not alot of surrounding trees or vegetation visible, man and woman standing at fountain; on back <emph render="quoted">Elizabethan Garden, Manteo, North Carolina. Sunken Garden displays the statuary gift from John Hay Whitney to the Garden Club of North Carolina; Published by Hugh Morton, Wilmington, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston 15, Mass., U.S.A.</emph> 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.341</container>
<unittitle>Kill Devil Manor, Kill Devil Hills, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Postcard split into two views, top view is of exterior of motor lodge, two brick buildings facing one another. Bottom view is of man and woman looking out towards ocean on concrete deck with wooden chairs and railings, pier in background; on back <emph render="quoted">Kill Devil Manor, Route One, Box 418, Kill Devil Hills, N.C. 27948, Phone:(919) 441-5356. Motel Efficiences and Rooms. TV, Heat and Air Conditioning. Open All Year. Located at 6 and 1/2 mile post, near Avalon Fishing Pier; Photographed and Published by Cardinal Color by Modlin, Wilmington, N.C. 28401.</emph> 
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.342</container>
<unittitle>Kill Devil Hill, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Kill Devil Hills, Wright Brothers Monument, ocean in background, can see underside of plane wing; on back <emph render="quoted">Kill Devil Hill, North Carolina. The birthplace of aviation. It was at Kill Devil Hill that Orville and Wilbur Wright launched gliders, the spot where <emph render="quoted">The Kitty Hawk</emph> left the ground for the first time on December 17, 1903. The National Memorial covers over 300 acres; pub. by Coastland Color Card Co., Nags Head, N.C.; Made by Dexter Press, Inc., West Nyack, N.Y.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.343</container>
<unittitle>Kill Devil Hill, North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Wright Brothers Memorial with large crowd gathered, four planes fly overhead, picture taken from below level of Memorial; on back <emph render="quoted">Kill Devil Hill, North Carolina. A salute to the Wright Brothers by modern jet propelled aircraft, feature of the annual anniversary celebration on December 17th. It was on December 17, 1903, that the Wright Brothers made a short flight in the air with a fragile plane named Kitty Hawk, and opened the avaiation age; Pub. by Coastland Color Card Co., Nags Head, N.C.; Made by Dexter Press, Inc., West Nyack, N.Y.</emph>
</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.344</container>
<unittitle>Ocracoke Village and Harbor, Ocracoke, North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Ocracoke village and harbor, numerous structures to be seen, ocean and coastline undeveloped in background; on back <emph render="quoted">Ocracoke Village and Harbor, Ocracoke, North Carolina. Located on the Pamlico Sound, this is where the pirate blackbeard was killed in 1718. A modern ferryboat is seen docking next to the Coast Guard Station; Elizabeth City news Company, Elizabeth City, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.345</container>
<unittitle>The Outer Banks of North Carolina, <unitdate type="inclusive">1950-1980</unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sea oates covering dunes, part of a small city in the background, ocean on the right; on back <emph render="quoted">The Outer Banks of North Carolina, Golden Sea Oates found along the Outer Banks help build up the sand and make a unique pictorial scene; Elizabeth City News Company, Elizabeth City, N.C.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.346</container>
<unittitle>Laura Barnes Shipwreck, The Outer Banks of North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large shipwreck in the sand, ocean in background. Two sides of hull visible, with sand in between; on back <emph render="quoted">The Outer Banks of North Carolina, Laura Barnes Shipwreck is one of the many shipwrecks found along the coast of the Outer Banks of North Carolina, which is known as the graveyard of the Atlantic; Elizabeth City News Company, Elizabeth City, North Carolina; Plastichrome by Colourpicture, Boston, Mass. 02130.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.347</container>
<unittitle>Sea Turtle, Dare County, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large sea turtle upside down in surf, back flippers being pulled by two men back out into the ocean; on back <emph render="quoted">Dare County, N.C. A huge Sea Turtle that strayed fromt the nearby Gulf Stream provides sport for the bathers, finally being placed back in the water and being guided seaward; Pub. by Coastland Color Card Co., Nags Head, N.C.; Made by Dexter, West Nyack, N.Y.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.348</container>
<unittitle>Along North Carolina's Outer Banks, Roanoke Sound, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of outer bank with sand, some small trees and other sparse grass, in background sound and then mainland, clouds in sky; on back <emph render="quoted">Along North Carolina's Outer Banks, Roanoke Sound...typical of North Carolina's Dare Coast is this vast expanse of sand and water. In the distance can be seen Roanoke Island the sight of the first (but not permanent) English settlement on this Continent; Photo by Geo. B. Sides; Sides Photo, Nags Head, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.349</container>
<unittitle>The National Park Services', Coquina Beach, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>A one-story structure with yellow, white, orange, and blue rectangular cubes on left, large black structures like bleachers on right. A couple walks toward the structure, sand, a road in the foreground; on back <emph render="quoted">Along North Carolina's Outer Banks. The National Park Services'...Coquina Beach...This recently developed public beach area provides easy access to a wide expanse of the extensive Dare Beaches. The Bleacher-like structures are so designed so as to provide shade in the same spot regardless of the time of the day; Coastland Color Card Co., Nags Head, N.C.</emph> 120.1.349b has the same picture and informaiton has 120.1.349a, however, it also reads <emph render="quoted">Photo by Geo. B. Sides and Sides Photo, Nags Head, N.C.</emph></p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.350</container>
<unittitle>National Seashore Recreational Area, Dare County, North Carolina, <unitdate type="inclusive">1950-1965, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Group of men gathered around a Blue Marlin hung upside down, the marlin has written on it in yellow lettering <emph render="quoted">322 1/2, 9/7/59, -Pollard. Marlin hanging in front of yellow sided building with people on railing behind group of men</emph>; on back <emph render="quoted">National Seashore Recreational Area, Dare County, North Carolina. Pictured is a Blue Marlin, landed by an angler fishing at the edge of the nearby Gulf Stream in Dare coastal waters of North Carolina, which have become famous in recent years, for big game fishing, including White Marlin, Broadbills, Sailfish, Tuna, Wahoo, and Channel Bass; Pub. by Coastland Color Card Co., Nags Head, N.C.; Made by Dexter, West Nyack, N.Y.</emph></p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.351</container>
<unittitle>First Flight Marker, North Carolina, <unitdate type="inclusive">1950-1965, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Stone marker, paving stones leading to and around monument, plaque in center of monument; on back <emph render="quoted">Along North Carolina's Outer Banks, First Flight Marker. This stone marks the spot where the Wright Brothers launched their first airplane under its own power. The plane was launched from a rail and made four successive flights as designated by the white markers in the background; Photo by Geo. B. Sides; Sides Photo, Nags Head, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.352</container>
<unittitle>Entrance to Old Fort Raleigh, Roanoke Island, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Entrance to fort, large log towers on either side of entrance, which appears to be little more than a path through the trees. Two concrete and brick monuments stand in front of log towers, three people stand in entrancway; on back <emph render="quoted">This is the site of the first attempted English settlement in the New World, 1585-1587. Birthplace of Virginia Dare, first child of English parents born in America. Restoration of Fort Raleigh as it is thought to have been in 1587 has been completed; Hooper Bros., Elizabeth City, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph> There is some residual paper left on back from its removal from previous housing. </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.353</container>
<unittitle>Waterside Theatre, Famous for "The Lost Colony" Historical Drama, Roanoke Island, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of outdoor theater, audience faces water, lights housed in log towers on either side of stage, area surrounded by trees; on back <emph render="quoted">Waterside Theatre is located on Roanoke Island, where old Fort Raleigh has been restored. It is the spot where the first English settlers landed in 1587, and it is also the birthplace of Virginia Dare, the first White child of English parents, to be born in the New World. The fate of these first colonists has remained a mystery to this day; W.B. Fearing, Co., Manteo, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.354</container>
<unittitle>Fort Raleigh National Historic Site, <unitdate type="inclusive">1960-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Stone marker, looks like gravestone, surrounded by small bushes, grass covered fort in background, trees surrounding monument in foreground; on back <emph render="quoted">Outer Banks, N.C. Ft. Raleigh Nat'l Historic Site. Ramparts of restored fort, originally built in 1585, provides a backdrop for monument to Virginia Dare, first child of English parentage born in New World, a member of <emph render="quoted">The Lost Colony</emph> of 1587 fame; Color Photo by P. Bayne; 1966 Elizabeth City News Co., Elizabeth City, N.C.</emph> </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.355</container>
<unittitle>Ram Albemarle, <unitdate type="inclusive">1890-1920, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Ironclad sitting in water, smoke coming from smokestack, image is somewhat blurry, this ironclad was sunk near Plymouth, N.C. in Washington County; on back someone has written <emph render="quoted">Ram Albemarle</emph> in pencil. Evidence of adhesive and paper left on back from previous housing. </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.356</container>
<unittitle>Hillsboro Street, Raleigh, N.C., <unitdate type="inclusive"> 1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Hillsboro Street circa 1910, residential homes, cable car in distance, man standing on corner; on back <emph render="quoted">View of Hillsborough (Hillsboro) Street looking west from Capitol Square c.1910. Raleigh City Museum Collection; Raleigh City Museum 2000.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.357</container>
<unittitle>Fayetteville Street, Raleigh, N.C., <unitdate type="inclusive"> 1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of Fayetteville Street circa 1909, buildings along either side, cable car tracks, horse and buggy in foreground; on back <emph render="quoted">View of Fayetteville Street looking north toward the Capitol c.1909. Raleigh City Museum Collection; Raleigh City Museum 2000.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.358</container>
<unittitle>North Carolina State Capitol and Confederate Monument, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>View of confederate monument with capitol in background, in early fall. Sides of capitol obscured by trees, dirt road, period cars parked on either side; on back <emph render="quoted">Material of State Monument is native granite, height 77 ft., with bronze statues of artillery, cavalry, and infantry soldiers. The inscription says 'North Carolina was first at Bethel, the first battle of the war, farthest to the front at Gettysburg and Chickamauga and last at Appamattox, where General Robert E. Lee surrendered.'; Made in U.S.A. by E.C. Kropp Co., Milwaukee, Wis.</emph> 120.1.358 has retained paper some paper backing from previous housing, part of it obscures the information in the upper left corner on the back.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.359</container>
<unittitle>Confederate Monument and State Capitol, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p> Same view as 120.1.358, front view of confederate monument, but the picture is of full summer, and there are no parked cars visible as the view is closer in; on back <emph render="quoted">Material of State Monument is native granite, height 77 ft., with bronze statues of artillery cavalry and infantry soldiers. The inscription says 'North Carolina was first at Bethel, the first battle of the war, farthest to the front at Gettysburg and Chickamauga and last at Appamattox, where General Robert E. Lee surrendered.'; Published by Raleigh News Agency, Raleigh, N.C.; A 'Natural Color Card' Made in by E.C. Kropp Co., Milwaukee, Wis.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.360</container>
<unittitle>Illuminated Night View of State Capitol, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Taken from left side of building, state capitol is lit from within, moon in sky above; on back <emph render="quoted">James E. Thiem, office Outfitter, Raleigh, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.361</container>
<unittitle>Night View of State Capitol, Raleigh, N.C., <unitdate type="inclusive">1930-1970, </unitdate></unittitle>
<physdesc><physfacet>Colorized photographic print,  </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Taken from right side of building, state capitol is lit from within, and lit from without by spotlights. Surrounding trees, grass, and night sky completely black, can see silhouette of outdoor standing spotlight; on back <emph render="quoted">There are nine circuits supplying the flood lighting system.The four facades are illuminated with special facade banks. The dome is floodlighted with eight 1,000 watt special floodlighting projectors; Made in U.S.A. by E.C. Kropp Co., Milwaukee.</emph> postage rate <emph render="quoted">place one cent stamp here, five cents to anywhere in U.S. via airmail.</emph> In addition, 120.1.361b also reads <emph render="quoted">Pub. by Alfred Williams and Co., Raleigh, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.362</container>
<unittitle>Night View of State Capitol, Raleigh, N.C., <unitdate type="inclusive">1930-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Taken from right side of building, this is the same angle as 120.1.361, but there are no lights on inside and the floodlight is not visible. Surrounding trees, grass, and night sky completely black; on back <emph render="quoted">A 'Natural Finish' Card Made by Gray and Thompson Chapel Hill, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.363</container>
<unittitle>State Capitol and Grounds, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view from right side of building, two sides of capitol are visible in addition to the grounds surrounding the capitol. The grounds are full of trees, can see people milling around walkways; on back <emph render="quoted">Published by James E. Thiem, Raleigh, N.C. Made in U.S.A.; C.T. American Art.</emph> postage rate <emph render="quoted">Domestic One Cent, Foreign Two Cents.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.364</container>
<unittitle>North Carolina State Capitol, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>View of State Capitol, late afternoon, can see shadows cast by trees, one building visible in background; on back <emph render="quoted">Completed in 1840, this building has been pronounced by experts to be one of the most beautiful in America. The columns and entablature are Grecian Doric; Published by Raleigh News Agency, Raleigh, N.C.; A 'Natural Color Card' Made in by E.C. Kropp Co., Milwaukee, Wis.</emph>" 102.1.364b is the picture with the same information on the back except the information about the building is at the bottom instead of the top of the postcard.</p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.365</container>
<unittitle>North Carolina State Capitol, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of State Capitol, lawn and trees surrounding, one building visible in background, small statue in front; on back <emph render="quoted">James E. Thiem, office Outfitters, Raleigh, N.C.; 'C.T. American-Art' Reg. U.S. Pat. Off.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.366</container>
<unittitle>"Bigger, Busier, Better, Raleigh," Raleigh, N.C., <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of State Capitol, statue of men in front of capitol, trees. This image of the capitol is sectioned off with <emph render="quoted">Bigger, Busier, Better, Raleigh</emph> above and <emph render="quoted">State Capitol, Raleigh, N.C.; copyright 1909, by Mrs. H.A. London, Pittsboro, N.C.</emph> below the picture. On the right side is the North Carolina state flag and a portrait of Sir Walter Raleigh; on back postage rate- domestic one cent, foreign two cents.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.367</container>
<unittitle>Education Building, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of education building, 5 stories, sits on corner of two streets, NC flag on top; on back <emph render="quoted">Education Building. The Education Building is located at the corner of W. Edenton Street and South Salisbury Street. It is one of the largest and most expensive of the state buildings and houses a large number of the state departments; North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.368</container>
<unittitle>Justice Building, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering prin, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of justice building, 5 stories, faces one street, can see part of smaller brick building in front, though partially obscured by trees, NC flag on top; on back <emph render="quoted">Justice Building. The Justice Building is located at the corner of Fayeteville and Morgan Streets. It is the newest and one of the most elaborate of the state buildings. It houses the Supreme Court Room and offices of the Supreme Court Judges; North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph> There is a retained piece of paper from previous housing.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.369</container>
<unittitle>Governor's Mansion, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of governor's mansion from the side. Most of house visible, including multiple balconies and porches, landscaping around the house obscures part of house; on back <emph render="quoted">This mansion was built in 1889 for use as the residence of the Governors of North Carolina during their terms in office; Published by Raleigh News Agency, Raleigh, N.C.; A 'Natural Color Card' Made in by E.C. Kropp Co., Milwaukee, Wis.</emph> Retained paper from previous housing.</p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.370</container>
<unittitle>Governor's Mansion, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of governor's mansion from the side, can see driveway going up to house, less close than the view in 120.1.369. Back of postcard is obscured by black paper upon which it was fastened with adhesive, paper was cut around shape of postcard.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.371</container>
<unittitle>Governor's Mansion, Raleigh, North Carolina, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Almost full frontal view of governor's mansion; on back <emph render="quoted">A Natural-Finish Card made by Graycraft Card Co., Danville, Va.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.372</container>
<unittitle>Raleigh Memorial Auditorium, Raleigh, North Carolina, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior of Memorial Auditorium, doors closed on front of building, entrances appear to be on the side, some trees in front on lawn that borders walkway surrounding the bottom level of the auditorium, some people milling around; on back <emph render="quoted">Raleigh Memorial Auditorium, Raleigh, N.C.; Pub. by Raleigh News Agency, Raleigh, N.C.; Quality Views, Reg. U.S. Pat. Off. Made only by Tichnor Bros., Inc., Boston 15, Mass.</emph> </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.373</container>
<unittitle>Memorial Auditorium, Raleigh, North Carolina, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior of Memorial Auditorium, large building with columns, apppears very grand and imposing, covered entrances on side of building, doors in front seem to be non-existent. Lawn and trees in front of building; Back of postcard is obscured by black paper it was attached to with adhesive, probably from the same collection as 120.1.370. </p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.374</container>
<unittitle>Birdseye View of St. Mary's College, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Several buildings somewhat obscured by trees planted on lawn in front of buildings. Buildings appear to be in a straight row; on back <emph render="quoted">Published by James E. Thiem, Raleigh, N.C., Made in U.S.A.; C.T. American Art.</emph> postage rate- domestic one cent, foreign two cents.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.375</container>
<unittitle>War Memorial, State College, Raleigh, North Carolina, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>War Memorial, presently referred to as the <emph render="quoted">Bell Tower,</emph> sits on a slightly raised platform, with benches around the base. Memorial has a bell in the top of the tower, with clock just below the top section of the memorial. The Memorial sits just off Hillsborough St. on the NSCU campus; on back <emph render="quoted">A Natural-Finish Card made by Graycraft Card Co., Danville, Va.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.376</container>
<unittitle>State Fair Arena, Raleigh, N.C., <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dorton Arena has unique design and the exterior is all windws, people milling around a raised platform outside of the arena; on back <emph render="quoted">State Fair Arena. Located on the State Fair Grounds, Raleigh, N.C., this most unusual structure has attracted international interest. It has 4768 permanent opera type chairs and 656 box seats, with provision for 4000 additional portable seats. It is used for livestock and other shows requiring a large space; Pub. by Raleigh News Agency, Raleigh, N.C.; 'Lusterchrome' Reg. Pat. Off. made only by Tichnor Bros., Inc., Boston 15, Mass.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.377</container>
<unittitle>Coliseum or "Cow Palace," Raleigh, N.C., <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>A view of the cross hatch supporting the exterior of Dorton arena, this side faces Hillsborough Street as it passes the North Carolina State Fairgrounds, there is a large path leading towards the arena, a small building off to the side; on back <emph render="quoted">Coliseum or 'Cow Palace,' North Carolina State Fairgrounds, Raleigh, N.C. A stucture that has received world-wide attention due to its unique design; Pub. by Raleigh News Agency, Raleigh, N.C.; 'Lusterchrome' Reg. Pat. Off. made only by Tichnor Bros., Inc., Boston 15, Mass.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.378</container>
<unittitle>Andrew Johnson House, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Small, two-story house, stone and brick chimney, door and single window on front of house, surrounded by picket fence, lots of trees, flowers planted up next to house. On left side of card is portrait of Andrew Johnson, underneath portrait it reads <emph render="quoted">Andrew Johnson, President of the United States from 1865 to 1869, Raleigh, N.C.; on back "Andrew Johnson House. Andrew Johnson, the seventeenth president of the United States 1865-1869, was born in Raleigh on Dec. 29, 1808 in this house which now stands on city property adjoining the North Carolina State College campus. The house formerly stood not far from the State Capitol and was moved to its present location in order to preserve it as a historical shrine; North Carolina News Company, Durham, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.379</container>
<unittitle>Andrew Johnson House, Raleigh, N.C., <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Small, two-story house, stone and brick chimney, door and single window on front of house, surrounded by picket fence, lots of trees, flowers planted up next to house. This is basically the same picture as 120.1.378, but there are variations in the trees and the background sky. On left side of card is portrait of Andrew Johnson. Bottom of card reads <emph render="quoted">Born in this House Dec.29, 1808, Raleigh, N.C. - Died 1875.</emph>; on back "James E. Thiem, Office Outfitter, Raleigh, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off.). 120.1.379b has <emph render="quoted">C.T. American Art' Reg. U.S. Pat. Off.,</emph> instead of the Genuine Curteich, etc. printed on the back. postage rate for both is one cent. </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.380</container>
<unittitle>Lost Raleigh: An Architectural and Cultural Odyssey, <unitdate type="inclusive">2002, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Advertisement for an exhibition at the Raleigh City Museum. There is a black and white photo of buildings on the Meredith College campus surrounded by the following text, <emph render="quoted">On display at the Raleigh City Museum, March 2 to August 4, 2002, Lost Raleigh: An Architectural and Cultural Odyssey, Raleigh City Museum, 220 Fayetteville Street Mall in Downtown Raleigh, 919/832-3775, www.raleighcitymuseum.org, Open Tues-Fri 10AM-4PM, Sat-Sun 1pm-4pm;</emph> on back <emph render="quoted">Raleigh City Museum, 220 Fayetteville Street Mall, Raleigh, NC 27601-1310, 919/832-3775, www.raleighcitymuseum.org, Public Grand Opening, Saturday, March 2, 2002 1-4pm, Lost Raleigh: An Architectural and Cultural Odyssey, Rediscover vanished landmarks from Raleigh's past., On display at the Raleigh City Museum until August 4,2002.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.381</container>
<unittitle>Eleventh Annual National Post Card Week, 1994, <unitdate type="inclusive">1994, </unitdate></unittitle>
<physdesc><physfacet>Red ink on cream card, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>In honor of the Eleventh Annual National Post Card Week, May 1-7, 1994, this postcard was issued to honor firefighters in NC. This is a limited edition card. There is a photograph of the Raleigh Fire Department in front of Memorial Auditorium in 1936. The text across the top reads, <emph render="quoted">1912- Dedicated to the Fire Service of the Capitol City, Raleigh, NC- 1994.</emph> Below the photogaph it reads, <emph render="quoted">Raleigh Fire Department; Personnel and Equipment at Memorial Auditorium 1936. Greetings From: B.T. and Maxine Fowler, 504 Cardinal Drive, Raleigh, NC 27604, Collectors of Raleigh, Fire Related and N.C. Post Cards;</emph> on back <emph render="quoted">This card is issued to honor the fire personnel of the City of Raleigh, who are dedicated to the preservation of life and property through fire suppression, fire prevention, fire education and first responders. Through their training and hard work, they have truly earned their badges as protectors of, and servants to, the citizens of Raleigh. A salute also goes out to fire educators, fire marshals, and fire fighters throughout our great state of North Carolina, who honorably serve their community and its citizens. Smoke Detectors and Home Escape Plans Save Lives. Eleventh Annual National Post Card Week, May 1-7, 1994.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.382</container>
<unittitle>National Post Card Week, May 7-13, 1995, <unitdate type="inclusive">1995, </unitdate></unittitle>
<physdesc><physfacet>Brown ink sketch on cream card, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sketch of a ferris wheel with witness, inventor and attorney signatures. Text reads <emph render="quoted">National Post Card Week, May 7-13, 1995, Commemorating the 100th Birthday of Our Nation's Oldest Ferris Wheel. A Ferris wheel invented by Ernest Schnitzler received Patent  No. 544,866 and opened at Asbury Park, New Jersey in 1895. Passengers boarded a car inside Palace Amusements and passed through a slot in the roof for a view of the ocean and surrounding countryside. Those in the uppermost cars could depart for a more leisurely view from a two-story platform atop the tower. After Palace Amusements closed at the end of he 1988 season, the wheel was moved to an amusement park near Biloxi, Mississippi;</emph> on back <emph render="quoted">National Post Card Week, 1995. Published by Norman D. Anderson, P.O. Box 33211, Raleigh, NC 27636. For more information about the Ferris wheel at Asbury Park and similar amusement rides, you may wish to consult my book, <title render="italic">Ferris Wheels: An Illustrated History</title>. The book is available from Bowling Green University Popular Press, Bowling Green State University, Bowling Green, OH 43403. $29.95 (page) or $59.95 (cloth) plus $2.00 postage. Credit card orders can be placed by calling 419-372-7865. For a complimentary copy of the <title render="italic">Ferris Wheel Newsletter</title>, which I publish monthly to encourage research in Ferris Wheel History, please send a SASE to my Raleigh Post Office Box. Any Ferris wheel news you care to share with newsletter readers also will be appreciated.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.383</container>
<unittitle>Twelth Annual National Post Card Week, May 7-13, 1995, <unitdate type="inclusive">1995, </unitdate></unittitle>
<physdesc><physfacet>Brown ink on sepia toned card, photographic print, </physfacet>
<extent>Quantity: 4</extent></physdesc>
</did>
<scopecontent><p>There is an old photograph of Rex hospital, with <emph render="quoted">Rex Hospital - W. South St.</emph> Above are the words <emph render="quoted">1894 - Dedicated to Rex Hospital for a century of service- 1994.</emph> Below the photo is <emph render="quoted">NPCW Greetings From: B.T. and Maxine Fowler, 504 Cardinal Dr., Raleigh, NC 27604, Collectors of Raleigh, Fire Related and N.C. Post Cards, Limited Edition;</emph> on back <emph render="quoted">This card is issued to celebrate Rex Hospital's first hundred years and the beginning of the second century of caring service to the people of Raleigh and its surrounding communities. The first home of Rex Hosipital was on South Street. In 1937 it moved to St. Mary's Street. The move to the present location on Lake Boone Trail was in 1980. Each time the move was to a larger and better equipped facility. The services rendered are too numerous to mention, but may it suffice to say they are many and varied. A special thank you to Rex Hospital's leadership, staff and volunteers, both past and present. Twelth Annual National Post Card Week, May 7-13, 1995; B.T. Fowler, Raleigh, N.C.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.384</container>
<unittitle>Thirteenth Annual National Post Card Week, May 5-11, 1996, <unitdate type="inclusive">1996, </unitdate></unittitle>
<physdesc><physfacet>Red ink on cream paper, photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Picture of Hugh Morson high school. Caption reads <emph render="quoted">Courtesy of the NC Div. of Arcives and History, Hugh Morson High School, 1925-1965. In honor of the class of 1949 and the other graduates of Hugh Morson High School. Hugh Morson High School was opened in 1925. It was built at a cost of $533,771.94 to provide space for students from the crowded Raleigh High School. The school was named for Mr. Hugh Morson who came to Raleigh in 1877 as head of the Raleigh Male Academy. Later Mr. Morson became the first principal of Raleigh High where he was principal until 1920. The school located in the 300 block of East Hargett St. was demolished in the mid 1960's to make room for the new Federal Building and Post Office;</emph> on back <emph render="quoted">NPCW Greetings from: B.T. and Maxine Fowler, 504 Cardinal Drive Raleigh, NC 27604, Collectors of Raleigh, Fire Related and N.C. Post Cards. Thirteenth Annual National Post Card Week, May 5-11, 1996.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.385</container>
<unittitle>Fifteenth Annual National Post Card Week, May 3-9, 1998, <unitdate type="inclusive">1998, </unitdate></unittitle>
<physdesc><physfacet>Black and white on cream paper, photographic print, </physfacet>
<extent>Quantity: 2</extent></physdesc>
</did>
<scopecontent><p>Formal portrait of B.T. and Maxine Fowler. Text reads <emph render="quoted">B.T. and Maxine Fowler. Celebrate and Commemorate Our Marriage of 50 Years, 1948-1998.<title render="italic">We praise and thank God for a wonderful life together, and our loving family!</title>;</emph> on back <emph render="quoted">NPCW Greetings From, B.T. and Maxine Fowler, 504 Cardinal Drive, Raleigh, NC 27604. Collectors of Raleigh, Fire Related and N.C. Post Cards. Postcard collectors may be interested in the book Norman D. Anderson and I wrote: <title render="italic">Raleigh: North Carolina's Capital City on Postcards</title>. Featured are 230 early cards of Raleigh and neighboring communities in Wake County. The book can be ordered from Arcadia Publishing for $16.99 plus postage by calling 1-888-313-BOOK (toll free); The Raleigh City Museum, 1-919-832-3775, $16.99 plus S and H, or ordered from your local bookseller; B.T. and Maxine, Raleigh, NC; Fifteenth Annual National Post Card Week, May 3-9, 1998.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.386</container>
<unittitle>Sixteenth Annual National Post Card Week, May 2-8, 1999, <unitdate type="inclusive">1999, </unitdate></unittitle>
<physdesc><physfacet>Black and white on cream paper, photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>Front view of Briggs building in downtown Raleigh, circa 1870's. People standing in front of building. Caption underneath reads, <emph render="quoted">Photo courtesy of N.C. Archives.</emph> Text reads <emph render="quoted">The Historic Briggs Building Completed in 1874, 220 Fayetteville St. Mall. the former hardware store was Raleigh's first 'skyscraper.' Now home to the Raleigh City Museum, the Briggs Building has been renovated and continues to be an important part of our city's history;</emph> on back <emph render="quoted">NPCW Greetings and Best Wishes for the Millennium from B.T. and Maxine Fowler, 504 Cardinal Drive, Raleigh, NC 27604. Collectors of Raleigh, Fire Related and N.C. Post Cards. The museum is open Tuesday-Friday 10 a.m. to 4 p.m. and Saturday and Sunday 1 p.m. to 4 p.m. (919) 832-3775; Sixteenth Annual National Post Card Week, May 3-9, 1998; B.T. and Maxine, Raleigh, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.387</container>
<unittitle>Seventeenth Annual National Post Card Week, May 7-13, 2000, <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Green ink on cream paper, photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>Front view of the Joel Lane House, two-story, covered porch, picket fence. Text reads <emph render="quoted">Joel Lane Museum House, Raleigh, North Carolina. The Joel Lane House was built by Colonel Joel Lane in the 1760's. The house, originally on the corner of Boylan Avenue and Hargett Street, overlooked his 1,000 acres that became North Carolina's Capital City in 1792. The house was moved to its present location at the corner of St. Mary's Street and Hargett Street in the early 1900's. It presently houses a museum featuring the life and times of one of Raleigh's founding fathers;</emph> on back <emph render="quoted">National Post Card Week, Greetings and Best Wishes from B.T. and Maxine Fowler, 504 Cardinal Drive, Raleigh, NC 27604. Collectors of Raleigh, Fire Related and N.C. Post Cards. The Joel Lane House is open Tuesday thru Friday 10am- 2pm and Saturdays 1pm- 4pm March through December. (919) 833- 3431. Seventeenth Annual NPCW, May 7-13, 2000; B.T. and Maxine, Raleigh, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.388</container>
<unittitle>Eighteenth Annual National Post Card Week, May 6-12, 2001, <unitdate type="inclusive">2001, </unitdate></unittitle>
<physdesc><physfacet>Green ink on cream paper, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Side view of Memorial Auditorium, can see walkway out front, period cars, 1930s. Text reads <emph render="quoted">National Post Card Week, May 6-12, 2001. Raleigh Memorial Auditorium, Raleigh, NC. The Raleigh Memorial Auditorium (RMA) was completed in 1932 at a cost of $300,000. it was built to replace the Municipal Auditorium that was destroyed by fire in 1930. For many years Raleigh's No.2 Fire Station was located in the lower level of the new auditorium. I was assigned to this fire station in 1951. The RMA has undergone four major renovations since 1932 and now seats 2,300. A 40-million dollar addition called the BTI Center for the Performing Arts was completed in 2001. it includes The Meymandi Concert Hall, seating 1,700; The A.J. Fletcher Opera Theater, seating 600; and The Kennedy Theater, seating 170;</emph> on back <emph render="quoted">NPCW Greetings from B.T. and Maxine Fowler, 504 Cardinal Drive, Raleigh, NC 27604. Collectors Specializing in Raleigh, Fire Related and N.C. Post Cards. Eighteenth Annual NPCW, May 6-12, 2001; B.T. and Maxine, Raleigh, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.389</container>
<unittitle>Major League, Minor League, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Artist's rendering, color, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Advertisement for photography exhibit on baseball. Text on front reads <emph render="quoted">Historic Oak View Park invites you to the traveling Smithsonian Exhibit: Major League, Minor League: Visit America's ballparks by viewing exciting photographics taken by Jim Dow. Special Events include: Baseball Movie Nights (Select Fridays), Baseball Scout Day, Minor League Mascot Day, Appearances by Some of NC's Baseball Heroes. FREE ADMISSION!! For details call: (919) 250-1013. Historic Oak View County Park is located on the corner of Poole road and the I-440 Beltline. Jan.24- Mar.16, Wake County Parks and Recreation;</emph> on back <emph render="quoted">Historic Oak View County Park, 4028 Carya Drive, Raliegh, NC 27610. Take me out to the ballgame...take me out to the field...buy me some peanuts and cracker jacks...Oh, I don't care if I ever come back!</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.390</container>
<unittitle>Durham and Southern Railway, <unitdate type="inclusive">1970-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Durham and Southern railway engine car sitting on tracks. Engine car is by itself, painted red, white, and blue, with American flags hanging on front. Side of car reads <emph render="quoted">Pulling Together 1776-1976, North Carolina, Durham and Southern has the spirit;</emph> on back <emph render="quoted">Durham and Southern Ry. operates this specialty painted diesel locomotive between Durham and Dunn, N.C. to commemorate America's bicentennial. This General Motors engine, built by the Electro Motive Division, is one of more than 2,000 of this GP38 model in service on the railroads of North America; Official Durham and Southern Railway Photo; Photo by Mac Connery- Durham, N.C.</emph> Hand written on the back in red ink <emph render="quoted">3 and 1/8" wide state, May '76 shortlines.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.391</container>
<unittitle>In Her Place; A photographic exhibition and book by Peggy Fleming, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front of postcard has four black and white pictures across the top of the card, a black woman's hand, a white women in profile, the bottom of a leg and a shoe, a black woman speaking or singing into a microphone, below is the text that names the exhibit, <emph render="quoted">In Her Place; A photographic exhibition and book by Peggy Fleming;</emph> on back <emph render="quoted">Peggy Fleming, photographer. 3817 Jocelyn Street, NW, Washington, D.C. 20015. Phone: 202-537-1580, e-mail: peggyf@aod.cx, website: www.inherplace.com.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.392</container>
<unittitle>A Kind of Image of Myself, March 13- May 7, 2005, <unitdate type="inclusive">2005, </unitdate></unittitle>
<physdesc><physfacet>Color artist's painting, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Painting of Joan of Arc with wings and sword drawn standing on a naked woman crouched on the ground, mountains in background. Bottom of card reads <emph render="quoted">Installation and works by Alejandro Dorado, March 13 through May 7,2005, Rebus Works;</emph> on back <emph render="quoted">Rebus Works, an exhibition space organized by artists for artists. 301-2 Kinsey Street, Raleigh, NC 27603. (919) 754- 8452. Tuesday- Friday 11-7 and Saturday 1-4, www.rebusworks.net/pete@rebusworks.net. Installation and works by Alejandro Dorado, La imagen Amable de mi Misma, A Kind of Image of Myself. March 13- May 7, 2005. Opening Reception: Sunday, March 13, 2-5pm. Gallery Talk: Saturday, March 19, 4pm. Made possible through a grant from NC/ Bolivia Partners of the Americas www.nc/boliviapartners.net. Blue Brazil Gallery in Storefront and Office. Ceramics by Marlice Almeida. Photography by Adriano Fagundes, Sculpture of Oficina de Agosoto. see more at www.bluebrazil.com, painting by Sandra Felzen.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.393</container>
<unittitle>National Archives: What is Past is Prologue, 1934-1984, <unitdate type="inclusive">1983, </unitdate></unittitle>
<physdesc><physfacet>Color artist's painting, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Designed to look like a stamp, Abraham Lincoln's profile in black, George Washington superimposed on top in white with text <emph render="quoted">National Archives: What is Past is Prologue, 1934-1984, USA 20c;</emph> on back <emph render="quoted">The National Archives, Washington, D.C., 50 years, 1934-1984. Commemorated by this U.S. stamp designed by Michael David Brown, issued April 1984; Copyright United States postal Service, 1983. National Archives and Records Service, U.S. General Services Administration.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.394</container>
<unittitle>Moore Square: Past, Present, and Future, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Black and white sketch and photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Postcard arranged into six squares- top row: photo of kids on top of a brick wall next to a large acorn, solid black, sketch of a man with glasses; bottom row: white square, photograohic of kids in a classroom, gray square. Text at bottom reads <emph render="quoted">Moore Square: Past, Present, and Future: a project by Moore Square Museums Magnet Middle School students, Contemporary Art Museum, Raleigh, North Carolina;</emph> on back <emph render="quoted">Contemporary Art Museum, po box 66 raleigh, nc 27602. Saturday April 12th, 3-5pm and Long View Center, 118 S. Person Street, Recognition Ceremony 4pm, FREE, Call CAM at (919)836-0088 for more information. The Contemporary Art Museum and Moore Square Museums Magnet Middle School invite you to the unveiling of Moore Square: Past, Present, and Future, a storefront window art project by students from Moore Square Middle. Approximately 23 students worked after school with local artist Lee Moore. Special Thanks to our community participants: Cherry Huffman Architects, David Maurer- Maurer Architects, Exploris, Gordon Smith, Greenshields Brewery and Pub, David Shouse- Raleigh Parks and Recreation, Raleigh Rescue Mission, Carl Derreth- Litho Printing, Inc, Barefoot Press, Angelos Restaurant, Askew Taylor, Steve Massengill-NC Photo Archives, Travis Horton- Wake County Electronic Information Center, Ken Zorgry- The Pope House, Victoria Irving-Irving Swaim Press, Dan Becker-Raleigh historic Districts, Wanda Cox Bailey- Richard B. Harrison Library, Karl Larson, Ernest Charles, Ann Hunt Smith, Rose Marie Connell, John Dancy-Jones, Mrs. Dombalis-Mecca Restaurant, Ken Peters- Raleigh City Museum, Turner Printing. CAM would like to thank Long View Center for hosting the unveiling reseption. This project was funded in part by Wake County Public Schools, the United Arts Council, and the Mary Duke Biddle Foundation.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.395</container>
<unittitle>Zepol, handbags by Janet Lopez Laing, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Woman smiling and holding a purse up for presentation sits amidst a variety of purses in different sizes, styles, and colors; on back <emph render="quoted">Zepol, Handbags by Janet Lopez Laing, SPRING SALE tapestry, linen, Indian cotton, velvet. May 3 10am-5pm, May 4 12pm-5pm. 107 King William Road, Raleigh, NC 27610. 919-231-4588, Bring Your Friends!; Modern Postcard 800/959-8365.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.396</container>
<unittitle>Home Movie Day, Woman with Children, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Woman's head with wide eyes, holding a camcorder, smaller picture of small boy and girl riding carousel horse. Image appears to date from the early 1950s; on back <emph render="quoted">Home Movie Day! www.homemovieday.com; www.pro8mm.com.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.397</container>
<unittitle>Home Movie Day, Dual Reel Movie Projector, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Old fashioned reel-to-reel movie projector. Image coming out of lens says <emph render="quoted">Home Movie Day!" in yellow; on back "Home Movie Day! www.homemovieday.com; www.pro8mm.com.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.398</container>
<unittitle>Home Movie Day, Dog Watching Itself, <unitdate type="inclusive">1990-2005, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of dog watching home movie of itself. Image is surrounded by lace and fabric flowers, pink border; on back <emph render="quoted">Home Movie Day! www.homemovieday.com; www.pro8mm.com.; Photograph of Nicholas courtesy of Robin Pressnall, Small Paws Rescue. Please visit www.smallpawsrescue.org.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.399</container>
<unittitle>Artsplosure Millennium Project, image by Wolf Bolz, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image vaguely resembles a roof, reflected with a tree or green paint spreading above, blue background and clouds, image is not a direct reflection; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Wolf Bolz, Surreal Raleigh. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.400</container>
<unittitle>Artsplosure Millennium Project, image by Wolf Bolz, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of part of building and its reflection, walls are blue and gray, window frames bright yellow, trim green, color appears to have been added to image later on; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Wolf Bolz, Surreal Raleigh. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.401</container>
<unittitle>Artsplosure Millennium Project, image by Wolf Bolz, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Mirror image, yellow lines with red in between, surrounded by olive green border, outside border pale orange with black lines; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Wolf Bolz, Surreal Raleigh. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.402</container>
<unittitle>Artsplosure Millennium Project, image by Wolf Bolz, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Mirror image, concrete building; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Wolf Bolz, Surreal Raleigh. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.403</container>
<unittitle>Artsplosure Millennium Project, image by Wolf Bolz, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Mirror image, row of windows on office building or hotel. Split in half, and the bottom image pulled apart to make triangle. Lots of bright colors, yellow, blues, peach, red; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Wolf Bolz, Surreal Raleigh. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.404</container>
<unittitle>Artsplosure Millennium Project, image by Alexander Heilner, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Electrical tower with bottom covered in some kind of creeping vine, probably kudzu, late afternoon light; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Alexander Heilner, Centennial Campus. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.405</container>
<unittitle>Artsplosure Millennium Project, image by Alexander Heilner, 2,  <unitdate type="inclusive">2000</unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dry grass in a field, can see guardrail and road in background, trees on other side of road; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Alexander Heilner, Pullen Road and Western Boulevard. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.406</container>
<unittitle>Artsplosure Millennium Project, image by Alexander Heilner, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of a pole in foregrounnd that appears to be a tree, but is not, resembles smaller trees out of focus and in background; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Alexander Heilner, Near North Harrison Ave. and I-40. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.407</container>
<unittitle>Artsplosure Millennium Project, image by Alexander Heilner, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Small portion of train tracks, orange contraption appears to be holding track together, small weed growing around two of the longer ties, orange and green distinct against gray background of gravel; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Alexander Heilner, Near West Martin Street. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.408</container>
<unittitle>Artsplosure Millennium Project, image by Alexander Heilner, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Side of old warehouse, metal sheeting with brick, graffiti on side of building, one green bush growing beside building, grass is a pale brown; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Alexander Heilner, Near West Martin Street. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.409</container>
<unittitle>Artsplosure Millennium Project, image by Diana H. Bloomfield, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white, with color highlights, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Underside of large swings at state fair, sky appears cloudy, people in swings, parts of central machine colored in pastels- yellows, blues, pinks; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Diana H. Bloomfield, The Midway. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.410</container>
<unittitle>Artsplosure Millennium Project, image by Diana H. Bloomfield, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white, with color highlights, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of slide of some sort on left, Gravitron on right, young boy leans against fence next to slide and looks at Gravitron- colors are yellows, pink, red, and green; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Diana H. Bloomfield, The Midway. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.411</container>
<unittitle>Artsplosure Millennium Project, image by Diana H. Bloomfield, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white, with color highlights, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>People miling next to food stands, sky is cloudy, perhaps looking into sun?-clors are yellow, pink, blue; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Diana H. Bloomfield, The Midway. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.412</container>
<unittitle>Artsplosure Millennium Project, image by Diana H. Bloomfield, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white, with color highlights, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Behind the scenes, elephant giving small children a ride, can see rear of elephant, man standing beside elephant. They are standing in front of a trailer with an awning, can see the ferris wheel in background. Added colors are yellow, blue and pink; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Diana H. Bloomfield, The Midway. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.413</container>
<unittitle>Artsplosure Millennium Project, image by Diana H. Bloomfield, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white, with color highlights, photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Ferris wheel and Round-up with people milling in crowds below. Colors are yellow, pink, and blue; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Diana H. Bloomfield, The Midway. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.414</container>
<unittitle>Artsplosure Millennium Project, image by David Simonton, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of Salisbury Street (Looking South), picture taken above street level, two cars visible in distance, streetlights, other downtown Raleigh buildings in distance; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by David Simonton, Image of Salisbury Street(Looking South), June 1997. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.415</container>
<unittitle>Artsplosure Millennium Project, image by David Simonton, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Brick stairs with shadows visible, can see out of focus building at top of stairs; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by David Simonton, Steps (to the Mall), March 1995. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.416</container>
<unittitle>Artsplosure Millennium Project, image by David Simonton, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Building with tire tracks in dirt in front of it, building is plain, has some windows; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by David Simonton, Construction, Memorial Auditorium, May 1999. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.417</container>
<unittitle>Artsplosure Millennium Project, image by David Simonton, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front of two parked cars, image taken from a lower level than cars, can see shadows of trees against concrete block wall, buildings in background; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by David Simonton, Parking Lot, Downtown, July 1995. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.418</container>
<unittitle>Artsplosure Millennium Project, image by David Simonton, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Nightime picture of a tree on roadside with cage around it, image of car zooming past is barely discernible on the image; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by David Simonton, Traffic Stop, Downtown, May 1999. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.419</container>
<unittitle>Artsplosure Millennium Project, image by Stephen Aubuchon, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Colorized reverse polarity image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of building taken from ground; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Stephen Aubuchon, Untitled. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.420</container>
<unittitle>Artsplosure Millennium Project, image by Stephen Aubuchon, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Colorized reverse polarity image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dead End sign in front of Raleigh Supply Co., can see part of building with sign on front in background; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Stephen Aubuchon, Untitled. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.421</container>
<unittitle>Artsplosure Millennium Project, image by Stephen Aubuchon, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Colorized reverse polarity image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Small warehouse in foreground, cars barely visible parked in front, Wachovia building visible in background; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Stephen Aubuchon, Untitled. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.422</container>
<unittitle>Artsplosure Millennium Project, image by Stephen Aubuchon, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Colorized reverse polarity image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Plain wall in foreground, building visible in background; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Stephen Aubuchon, Untitled. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.423</container>
<unittitle>Artsplosure Millennium Project, image by Stephen Aubuchon, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Colorized reverse polarity image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Top corner of downtown building taken from ground, half of image is sky; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Stephen Aubuchon, Untitled. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.424</container>
<unittitle>Artsplosure Millennium Project, image by Elizabeth Kunreuther, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, made to look crackled, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of apartment homes with porches, Sign out front reads <emph render="quoted">Sedgewood Green, Apartment Homes;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Elizabeth Kunreuther, Developing Raleigh: Sedgewood Green. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.425</container>
<unittitle>Artsplosure Millennium Project, image by Elizabeth Kunreuther, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, made to look crackled,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Entrance to The Hollows Apartments, pansies planted next to walkway, Sign next to road reads <emph render="quoted">The Hollows Apartments, 1/2 Off Special, Call: 789-0056.</emph> sky in background is dark and cloudy; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Elizabeth Kunreuther, Developing Raleigh: The Hollows. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.426</container>
<unittitle>Artsplosure Millennium Project, image by Elizabeth Kunreuther, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, made to look crackled,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Entrance to Bentley Ridge, housing development, can see partially constructed house in background. Bentley Ridge is on plaque set into brick wall with monkey grass at base; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Elizabeth Kunreuther, Developing Raleigh: Bentley Ridge. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.427</container>
<unittitle>Artsplosure Millennium Project, image by Elizabeth Kunreuther, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, made to look crackled,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Entrance to the Apartments of Stonehenge, cars in background, some sort of knocked over metal sign in front of Stonehenge sign; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Elizabeth Kunreuther, Developing Raleigh: the Apartments of Stonehenge. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.428</container>
<unittitle>Artsplosure Millennium Project, image by Elizabeth Kunreuther, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, made to look crackled, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Entrance sign for Edinburgh Commons, brick surrounding with pinestraw below, aprtment complex; on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Elizabeth Kunreuther, Developing Raleigh: Edinburgh Commons. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.429</container>
<unittitle>Artsplosure Millennium Project, image by Linda C. Samuels, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, blurred slightly,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>South Wilmington St. as it goes in to downtown, motel in front of large industrial plant in background at night, one truck in parking lot, text across the front reads <emph render="quoted">she came on to him like a slow moving cold front;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Linda C. Samuels, text from Icy Blue Heart by John Hiatt, King's Motel, South Wilmington Street. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.430</container>
<unittitle>Artsplosure Millennium Project, image by Linda C. Samuels, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, blurred slightly,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Cowboy, pink flamingo, and bird bath in front of mobile home foundation, grass brown with a few green patches, trailer blue stripe on bottom and white on top, can only see small amount of trailer. Text across front reads <emph render="quoted">his beer was warmer than the look in her eyes...;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Linda C. Samuels, text from Icy Blue Heart by John Hiatt, Mobile Home, Hwy. 70. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.431</container>
<unittitle>Artsplosure Millennium Project, image by Linda C. Samuels, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, blurred slightly,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Close-up of headstone in Oakwood Cemetery. Headstone has horizontal crack which appears to be oozing something. Cemetery visible in background. Text reads <emph render="quoted">she sat on a stool, he said what do you want? she said give me a love that don't freeze up inside;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Linda C. Samuels, text from Icy Blue Heart by John Hiatt, Oakwood Cemetery. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.432</container>
<unittitle>Artsplosure Millennium Project, image by Linda C. Samuels, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, blurred slightly,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Photograph taken from edge of foosball table towards entrance, bar visible in background on right side. Text reads <emph render="quoted">these days we all play cool calm and collected why our lips could turn blue just shooting the breeze;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Linda C. Samuels, text from Icy Blue Heart by John Hiatt, Players Retreat, Hillsborough Street. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.433</container>
<unittitle>Artsplosure Millennium Project, image by Linda C. Samuels, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, blurred slightly,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of downtown Raleigh from Boylan Street bridge, late afternoon, can see shadow of photographer and guard rail. Text reads <emph render="quoted">but under the frost, well, he thought he detected a warm blush of red and a touch of her knee...;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by Linda C. Samuels, text from Icy Blue Heart by John Hiatt, Boylan Street Bridge. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.434</container>
<unittitle>Artsplosure Millennium Project, image by John Gordy, 1,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">View of large pipes coming out of machines and going into floor, paint on pipes is chipped and peeling, stairwell in background;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 1, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by John Gordy, Pipes at Baines. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.435</container>
<unittitle>Artsplosure Millennium Project, image by John Gordy, 2,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Red door, divided horizontally into four sections, some marks and scratches evident on door, no handle visible;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 2, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by John Gordy, Red Door. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.436</container>
<unittitle>Artsplosure Millennium Project, image by John Gordy, 3,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Corroded door on train, can see rivets, rust, and disintegrating paint. There is rectangular red object with similar corrosion on top of door;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 3, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by John Gordy, Red on Train. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.437</container>
<unittitle>Artsplosure Millennium Project, image by John Gordy, 4,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Corner of warehouse room? Two windows, radiator, shipped paint, debris on floor;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 4, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by John Gordy, Room at Baines. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.438</container>
<unittitle>Artsplosure Millennium Project, image by John Gordy, 5,  <unitdate type="inclusive">2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Large metal sheet with two pieces of metal crossing to make and X. There is a piece of rope hanging on the right side, parallel to a vine that is climbing the metal sheet. The metal is corroded and rusty;</emph> on back <emph render="quoted">In the space below, please share your <emph render="italic">favorite memories and wildest dreams</emph> of life here in Raleigh. Return this postcard with your thoughts and be one of 2000 visions to be displayed as part of the First Night Raleigh 2000 celebration at Artspace and Exploris beginning December 18th and on our website. 5, Look for different postcard images from each of eight local artists for a total of 40 different representations of Raleigh. Image by John Gordy, X and Rope. r2k, Raleigh 2000: Interpretations of a place. P.O. Box 28808 Raleigh, NC 27611, www.r2kpostcards.com; An Artsplosure Millennium Project, In collaboration with the Contemporary Art Museum.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.439</container>
<unittitle>St. Paul Methodist Church, Randleman, North Carolina,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front view of brick church, steeple in front, three steps lead to front door; on back <emph render="quoted">St. Paul Methodist Church, High Point Street, Randleman, North Carolina, built 1879, now being restored by The North Randolph Historical Society; Kolorvue by Artvue Post Card Co., 225 Fifth Avenue, New York, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.440</container>
<unittitle>Chinese Pagoda, Chinqua- Penn Plantation House, Reidsville, N.C.,  <unitdate type="inclusive">1950-1970</unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Chinese pagoda with red columns, open air, figures inside; on back <emph render="quoted">Chinqua- Penn Plantation House, Reidsville, N.C. Chinese Pagoda beside the pool in the gardens of picturesque Chinqua-Penn Plantation. Operated by the University of North Carolina at Greensboro.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.441</container>
<unittitle>Chinqua- Penn Plantation House, Reidsville, N.C.,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front entrance to plantation house, made of stone, most of home obscured by bushes, does not resemble the typical antebellum plantation house, except perhaps in size; on back <emph render="quoted">Chinqua- Penn Plantation House, Reidsville, N.C. The twenty-seven rooms of this English country house are filled with furniture and objects of art collected from around the world by its former owners, Mr. and Mrs. Jefferson Penn. Operated by the University of North Carolina at Greensboro.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.442</container>
<unittitle>Reception Hall, Chinqua- Penn Plantation House, Reidsville, N.C.,  <unitdate type="inclusive">1969, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Reception Hall decorated in dark paneled wood on walls, oriental rugs, and other oriental pieces, sunken ceiling has interesting features; on back <emph render="quoted">Reception Hall, Chinqua Penn Plantation, Reidsville, North Carolina. The oak paneling is from a house in England. An antique Karabaugh Oriental covers the floor. The Chinese Temple table is an altar piece from Nepal of gilt bronze and sterling silver studded with semi-precious stones. Operated by the University of North Carolina at Greensboro; 1969 Aerial Photography Services, Inc., Charlotte, N.C.; Pub. by Aerial Photography Services, Inc. P.O. Box 27112, Charlotte, N.C. 28208.</emph>" 120.1.442b has handwritten in the address area <emph render="quoted">10-29-73, Woolworth's, North Hills Mall, Raleigh, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.443</container>
<unittitle>Main Entrance, Pritchell Hall, Ridgecrest Baptist Assembly, Ridgecrest, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Outside entrance to large building, columned, three stories, cars are lined up outside, people are milling at cars; on back <emph render="quoted">Ridgecrest, N.C., atop the Great Divide and overlooking Royal Gorge, in the heart of the Blue Ridge Mountains, eighteen miles east of Asheville on U.S. Highway No. 70, is the summer Capital of Southern Baptists. The grounds cover 960 acres on which grow more than 600 species of flora. Handsome buildings and numerous attractive cottages add charm to the particularly inviting location; Published by Asheville Post Card Co., Asheville, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.444</container>
<unittitle>A Rocky Mount, N.C. Tobacco Field, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Close up view of tobacco leaves, taken in a large field of tobacco, trees and white structures visible in distance; on back <emph render="quoted">Distributed by Chandler's, Rocky Mount, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card . U.S. Pat. Off.).</emph> postage rate- one cent.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.445</container>
<unittitle>Municipal Lake, Rocky Mount, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of lake, houses on shore in background; on back <emph render="quoted">Pub. by Calvert News Co., Baltimore, MD.; 'Tichnor Quality Views' Re. Pat. Off. Made only by Tichnor Bros., Inc., Boston, Mass.</emph> postage rate- one cent.</p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.446</container>
<unittitle>City Park, Rocky Mount, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of city park, lawn with trees next to a lake, some type of structure visible in the background; on back <emph render="quoted">Pub. by Calvert News Co., Baltimore, MD.; 'Tichnor Quality Views' Re. Pat. Off. Made only by Tichnor Bros., Inc., Boston, Mass.</emph> postage rate- one cent. </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.447</container>
<unittitle>Holiday Inn, Salisbury, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Colorized photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Holiday Inn sign, large sign on top, photo taken at night, bright colors. Sign reads, <emph render="quoted">Holiday Inn: The World's Innkeeper;</emph> on back <emph render="quoted">Holiday Inn of Salisbury, North Carolina Zip 28144. U.S. 29 Bypass and Interstate 86 Telephone: MElrose 3-4211, Swimming Pool, Individually Controlled Air-Conditioning, Free TV- Restaurant- Free Holidex, Reservations; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card . U.S. Pat. Off.).</emph> </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.448</container>
<unittitle>Agricultural Building, Seattle, Washington, <unitdate type="inclusive">1908, </unitdate></unittitle>
<physdesc><physfacet>Colorized artist's rendering print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large white agricultural building, resembles more palace more than a fancy barn. Columns adorn entrance and sides, flags flying from top. Seal in upper left corner has two figures with what looks to be an angel between, around border text reads <emph render="quoted">Alaska-Yukon-Pacific Exposition, Seattle, 1909;</emph> on back <emph render="quoted">Portland Post Card Co., Seattle, Wash., and Portland, Ore. Official Post Card, copyrigthed 1908, A.Y.P.E. Co.</emph> postage rate <emph render="quoted">United States and Canada, one cent. Foreign, two cents.</emph> </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.450</container>
<unittitle>After-Dinner Entertainment, Shelby, N.C.,  <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Postcard divided into two scenes, left is woman standing with hands around man's slightly balding head, man is seated next to a woman who is wearing glasses but face is obscured because she is turned toward the other couple. Right frame is a man in partial clown makeup wearing suspenders and a shirt; on back <emph render="quoted">Something different in After- Dinner Entertainment- Specialities - Ladies' Nights. After- Dinner Entertainment for Special Occasions. John Ed Davis, Jr. (704) 487-8983, Shelby, N.C., 1003 W. Sumter St.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.451</container>
<unittitle>A Curve on the Geer Scenic Highway near Caesar's Head, Between Greenville, S.C. and Brevard, N.C.,  <unitdate type="inclusive">1930-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Car driving on mountain road around a curve, trees in background, side of mountain on left; on back <emph render="quoted">Caesar's Head, S.C., three miles from the North Carolina state line, is the highest point in South Carolina. From its proud crest can be seen innumerable peaks of the Blue Ridge and the cotton fields of the Sunny South. The great Geer Highway from Greenville, S.C. climbs around this wonder of nature to the noted Caesar's Head Hotel, on its way by Conestee Falls to its terminus, the Soldier's Monument four miles from Brevard, N.C., marking the Eastern Entrance to the Great Pisgah National Forest and Game Preserve; Published by Asheville Post Card Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.452</container>
<unittitle>Hotel Wade Hampton, Columbia, S.C., <unitdate type="inclusive">1950-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Hotel with <emph render="quoted">Hotel Wade Hampton</emph> across the top, monument stands in parking lot, period cars in parking lot; on back <emph render="quoted">South Carolina's largest Hotel Wade Hampton, Columbia. New guest rooms, drive-in motor lobby with elevator direct to rooms, versatile new meeting rooms...all recently added to make the best even better. Opposite the State Capitol, the Wade Hampton gives you the best in hotel living, attractive guest rooms, TV and radios, excellent food and service. Completely air-conditioned; Alert Advertising Agency, Galveston, Texas; Curteichcolor 3-D Natural Color Reproduction (Reg. U.S. Pat. Off.).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.453</container>
<unittitle>Myrtle Beach, S.C., <unitdate type="inclusive">1984, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Woman in black, high-cut bathing suit, lounging on red blanket next to picnic basket among the dunes, looking out toward the water; on back <emph render="quoted">Greetings from Myrtle Beach, South Carolina. Where you can always find a secluded spot for a picnic on the beach; Photo by Michael Slear; Copyright 1984 Brandon, Adv. Box 2250, Myrtle Beach, SC 29578; Plastichrome Boston, MA 02130-4598.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.454</container>
<unittitle>Kiawah, Charleston, S.C., <unitdate type="inclusive">1980-1990, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of resort pool from above, pool and condos visible, people milling, ocean visible in background; on back <emph render="quoted">After a day of shelling along the 10 miles of unspoiled beach at Kiawah you may want to take a dip in the pool; Pub. by Charleston Post Card Co., Inc., 2136 Coker Ave., Charleston, S.C. 29412; Photo by Bryan Riggs.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.455</container>
<unittitle>Charleston Water Front, S.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sketch of boats on water, buildings visible in the background. Text underneath reads, <emph render="quoted">Charleston Water Front, Drawn by Elizabeth O'Neill Verner, 85 Church Street;</emph> on back <emph render="quoted">Copyright by Elizabeth O'Neill Verner, For Post Card Use Only; Post Cards of Quality - The Albertype Co., Brooklyn, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.456</container>
<unittitle>Wrought Iron Gate in a Charleston Garden, Charleston, S.C., <unitdate type="inclusive">1920-1950</unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sketch of ornate wrought iron gate, lots of curlyqueues, bordered by vegetation on either side. Text underneath reads, <emph render="quoted">Wrought Iron Gate in a Charleston Garden, Drawn by Elizabeth O'Neill Verner, 85 Church Street;</emph> on back <emph render="quoted">Copyright by Elizabeth O'Neill Verner, For Post Card Use Only; Post Cards of Quality - The Albertype Co., Brooklyn, N.Y.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.457</container>
<unittitle>South Battery and Villa Margherita, Charleston, S.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sideview of large house from the street. A woman and child walk on the street in front of the house. The area of Charleston known as the battery faces the water in order to catch the ocean breezes, and only the very rich could afford to live there. Text underneath reads, <emph render="quoted">South Battery and Villa Margherita, Drawn by Elizabeth O'Neill Verner, 85 Church Street;</emph> on back <emph render="quoted">Copyright by Elizabeth O'Neill Verner, For Post Card Use Only; Post Cards of Quality - The Albertype Co., Brooklyn, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.458</container>
<unittitle>The Marshall Gate, Church Street, Charleston, S.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Gate in front of a house, Gate has wall on either side, can vaguely see the house in background, tree in front of house, several hitching posts available, woman standing in front of house. Text underneath reads, <emph render="quoted">The Marshall Gate, Church Street, Charleston, S.C., Drawn by Elizabeth O'Neill Verner, 85 Church Street;</emph> on back <emph render="quoted">Copyright by Elizabeth O'Neill Verner, For Post Card Use Only; Post Cards of Quality - The Albertype Co., Brooklyn, N.Y.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.459</container>
<unittitle>Charleston Free Library, Charleston, S.C.,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Side gate entrance into area surrounding building. Most of building obscured by large trees, can see steps that connect to walkway at side entrance. Text underneath reads, <emph render="quoted">Drawn by Elizabeth O'Neill Verner, 3 Atlantic Street;</emph> on back <emph render="quoted">Charleston Free Library; Copyright by Elizabeth O'Neill Verner, For Post Card Use Only; Post Cards of Quality - The Albertype Co., Brooklyn, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.460</container>
<unittitle>Scene in Weymouth Heights, Southern Pines, N.C.,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like sketch  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Road winding amongst trees with white blooms, no structures visible, split rail fence visible on right side; on back <emph render="quoted">Pub. by Carolina News Co., Fayetteville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.461</container>
<unittitle>Wisteria and Dogwood, Southern Pines, N.C.,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like sketch,   </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Dogwood with white blooms, wisteria with purple blooms climbing tree, both trees are depicted in sandy soil of Southern Pines; on back <emph render="quoted">Mack's 5, 10 and 25C Stores, Sanford, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card . U.S. Pat. Off.).</emph> Postage rate one cent.  </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.462</container>
<unittitle>Early Spring-time and Good Roads with the Dogwood in its Glory, Southern Pines, N.C.,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like sketch,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Three men riding away on horseback along a road with dogwoods in full bloom along left side of picture, other woodland scenes on right side; on back <emph render="quoted">Post Cards of Quality - The Albertype Co., Brooklyn, N.Y.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.463</container>
<unittitle>The Mid-South Resort, Southern Pines, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,   </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Corner of sun room visible, with outdoor patio and chairs, landscaping all around, springtime, dogwoods and azaleas all around; on back <emph render="quoted">Southern Pines, N.C. The Mid-South Resort. A residence on beautiful Highland Road in the Spring; Natural Color Photo - by Emerson Humphrey; Pub. by Humphrey's Studio, Southern Pines, North Carolina.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.464</container>
<unittitle>Library and Student Union, Mitchell College, Statesville, N.C.,  <unitdate type="inclusive">1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Multi-story brick building with chimney stack, sideview, front entrance on right, can see partial front of another building in left foreground;</emph> on back <emph render="quoted">Library and Student Union, Mitchell College, founded 1853, Statesville, North Carolina. A co-educational college founded by the Concord Presbytery and named Mitchell College in 1917. This warm and friendly college has an enrollment of around 200; 1970 Aerial Photography Services, Inc., Charlotte, N.C.; Pub. by Aerial Photography Services, Inc., P.O. Box 27112, Charlotte, N.C. 28208.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.465</container>
<unittitle>Holiday Inn: The World's Innkeeper, Statesville, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Holiday Inn sign, large sign on top, photo taken at night, bright colors. Same as 120.1.447. Sign reads, <emph render="quoted">Holiday Inn: The World's Innkeeper;</emph> on back <emph render="quoted">Holiday Inn  Statesville, N.C. Highway U.S. 21 at I-40 and I-77, Phone: 872-4101 - AC: 704, T.V., Radio, Music, Direct Dial Phones, and Free Newspaper. 'The Open Hearth Restaurant;'   Genuine Curteichcolor 3-D Natural Color Reproduction (Reg. U.S.A. Pat. Off.).</emph>"</p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.466</container>
<unittitle>The Ramada Inn, Statesville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of dining room, plaid carpet, chandeliers, windows covered in draperies, four person tables set with napkins; on back <emph render="quoted">The Ramada Inn, I-77 and U.S. Hwy. 70, Statesville, North Carolina 28677, 120 beautifully decorated rooms. Heated swimming pool - playground. Banquet rooms - Buffet noon and night. Color T.V. in all rooms; Pub. by Fotos by Frankie, West Memphis, Ark.; Made by Dexter Press, Inc., West Nyack, New York.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.467</container>
<unittitle>Swing-A-Long Bridge in Rock City Gardens, Lookout Mt., Tennessee,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Man and woman standing on top of suspension bridge. Tops of trees visible underneath, rocky outcroppings on either side; on back <emph render="quoted">Sky bridge in Rock City Gardens, Lookout Mountain, Tenn.; 'Tichnor Quality Views' Reg. U.S. Pat.Off. Made only by Tichnor Bros. Inc., Boston, Mass.</emph> postage rate- one cent.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.468</container>
<unittitle>Black Bear, Tenn., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Black bear cub on hind legs sniffing around tree stump. Bright yellow text bubble with <emph render="quoted">HI!</emph> on right side of photo; on back <emph render="quoted">A Nosey Black Bear; W.M. Cline Co., Chattanooga, Tenn.; Color photo by Henry Fry; Plastichrome by Colourpicture Publishers, Inc., Boston 30, Mass., U.S.A.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.469</container>
<unittitle>Aerial view of Fontana Dam, Western North Carolina,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Aerial view of Fontana Dam, can see dam and lake behind amongst mountains, can also see a portion of the downstream release. Text reads <emph render="quoted">Highest Dam East of the Rocky Mountains;</emph> on back <emph render="quoted">The Tennessee Valley Authority's Fontana Dam on Little Tennessee River in Western North Carolina is the fourth highest dam in the world and the highest in the United States east of the Rocky Mountains. Three million cubic yards of concrete were used in constructing it; Harry N. Martin, P.O. Box 324, Asheville, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card (Reg. U.S. Pat. Off..</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.470</container>
<unittitle>Dining Room, Oak Hall Hotel, Tryon, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 3</extent></physdesc>
</did>
<scopecontent><p>View of dining room, hardwood floors, white linens, tables set for a meal; on back <emph render="quoted">Oak Hall Hotel, Phone 10, Tryon, N.C. Northeast corner of the spacious dining room at the Oak Hall Hotel, overlooking the beautiful Blue Ridge Mountains of North Carolina; Pub. by Freeman Studios, Berrien Springs, Mich.; Dextone Made direct from Kodachrome and Ansco Color By Dexter Press. Pearl River, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.471</container>
<unittitle>Oak Hall Hotel, Tryon, N.C.,  <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior view of hotel sitting on hill, period cars in parking area; on back <emph render="quoted">From their vantage point on the crest of a hill, Oak Hall guests look out on 5 acres of well kept Gardens and many Mountains surrounding Tryon, N.C. Hardly can the diversion be suggested that is not available to Oak Hall guests. A mountain-surrounded golf course at the Country Club - Fishing and aquatic sports at Lake Lanier- Tennis, Swimming, Hiking, Hunting and Horseback riding. Oak Hall Cuisine preserves the finest traditions of the Southern dining hall. Oak Hall Hotel - A Place incomparable for rest or play. Ample Parking Space, with watchman on duty all night; Pub. by Freeman Studios, Berrien Springs, Michigan.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.472</container>
<unittitle>Oak Hall Hotel, Tryon, N.C.,  <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior view of hotel sitting on hill, same as 120.1.471, however this picture taken at a later date. There are bushes obscuring part of the first story, additional awnings, a large sign on top of the hotel, no cars in parking area; on back <emph render="quoted">Hospitality- Oak Hall Hotel- Tryon, N.C. From their vantage point on the crest of a hill, Oak Hall guests look out on 5 acres of well kept Gardens and many Mountains surrounding Tryon, N.C. Hardly can the diversion be suggested that is not available to Oak Hall guests. A mountain-surrounded golf course at the Country Club - Fishing and aquatic sports at Lake Lanier- Tennis, Swimming, Hiking, Hunting and Horseback riding. Oak Hall Cuisine preserves the finest traditions of the Southern dining hall. Oak Hall Hotel - A Place incomparable for rest for rest or play. Ample Parking Space, with watchman on duty all night; Color by Mike Roberts; Published by Asheville Post Card Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.473</container>
<unittitle>Pine Crest Inn, Tryon, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of dining room, rustic feel, hardwood floors, shaker style tables, visible ceilings beams, large picture window, fireplace with large mantle; on back <emph render="quoted">Pine Crest Inn, Tryon, N.C., The Carter Browns. Picture Window, Firelight, and candlelight make a Dining Room of Exceptional Charm, with Century- old Hand- hewn Timbers and Hand-made Brick in the Big Fireplace; Pub. by Freeman Studios, Berrien Springs, Mich.; Dextone Made direct from Kodachrome and Ansco Color By Dexter Press. Pearl River, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.474</container>
<unittitle>Vance Birthplace State Historic Site, near Asheville, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Exterior buildings on Zebulon Vance property, women in historical garb, split rail fence; on back <emph render="quoted">Vance Birthplace State Historic Site, near Asheville, North Carolina: The Spring House is one of the outbuildings at the log birthplace of North Carolina's Civil War governor, Zebulon Baird Vance. The historic site is 12 miles Northeast of Asheville- via U.S. 19-23 North (Weaverville highway) or the Blue Ridge Parkway; Photographed in Natural Color by Art Simmons; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.475</container>
<unittitle>Vance Birthplace State Historic Site, Weaverville, North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Slave cabin on Vance property, one-story, single window and door, stone foundation; on back <emph render="quoted">Vance Birthplace State Historic Site, Weaverville, North Carolina: The Slave House is one of the outbuildings at the birthplace of North Carolina's Civil War Governor, Zebulon Baird Vance; Photographed in Natural Color by Charlie Robinson; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.476</container>
<unittitle>The Log Cabin - Vance Birthplace State Historic Site, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story cabin with front porch, split rail fence, view of mountains in background, green lawn surrounding house; on back <emph render="quoted">The Log Cabin -  Birthplace of Zebulon Baird Vance; near Asheville, North Carolina, he was North Carolina's Civil War governor. The historic site is 12 miles Northeast of Asheville - via U.S. 19-23 North (Weaverville highway) or the Blue Ridge Parkway; Photographed in Natural Color by Kermit Sprinkles; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.477</container>
<unittitle>The Museum and Main Entrance to the Vance Birthplace State Historic Site, Weaverville, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>One story building with walkway leading up to it, three flags on flag poles - American, North Carolina, Confederate on grounds beside museum, Mountains visible  in background; <emph render="quoted">The Museum and Main Entrance to: Vance Birthplace State Historic Site, near Asheville, North Carolina: Zebulon Baird Vance was North Carolina's Civil War governor and this historic site is 12 miles Northeast of Asheville - via U.S. 19-23 North (Weaverville highway) or the Blue Ridge Parkway; Photographed in Natural Color by Kermit Sprinkles; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.478</container>
<unittitle>Loom House- Vance Birthplace State Historic Site, Weaverville, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Woman tending loom inside loom house, hardwood floors, fireplace; on back <emph render="quoted">Vance Birthplace State Historic Site, near Asheville,N.C. The loom house is one of the outbuildings at the log birthplace of North Carolina's Civil War governor, Zebulon Baird Vance. The historic site is 12 miles Northeast of Asheville - via U.S. 19-23 North (Weaverville highway) or the Blue Ridge Parkway; Color photo by Richard P. Putnam; Published by The Stephens Press, Inc., Asheville, N.C. 28803.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.479</container>
<unittitle>Kitchen Fireplace- Vance Birthplace State Historic Site, Weaverville, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Kitchen fireplace with pots and herbs hanging from ceiling as well as in front of fire, wood floor, can see construction of walls, part of kitchen table; on back <emph render="quoted">Vance Birthplace State Historic Site, near Asheville, N.C. Kitchen fireplace, standing since 1795, is one of the largest in the U.S. The log birthplace of North Carolina's Civil War governor, Zebulon Baird Vance, is 12 miles Northeast of Asheville - via U.S. 19-23 North (Weaverville highway) or the Blue Ridge Parkway; Photographed in Natural Color by Jack Bowers and Charlie Robinson; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.480</container>
<unittitle>Sitting Room- Vance Birthplace State Historic Site, Weaverville, N.C.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Sitting room, large brick fireplace, hutch with dishes in corner, rocking chair and cradle in front of fire, various tools and implements hung around mantle, including a gun, woven rug on floor; on back <emph render="quoted">Vance Birthplace State Historic Site, near Asheville, N.C. Sitting room in the 1795 log house, birthplace of North Carolina's Civil War governor, Zebulon Baird Vance. The house, outbuildings, and visitor center are 12 miles northeast of Asheville - via U.S. 19-23 North (Weaverville highway) or the Blue Ridge Parkway; Color photo by Richard P. Putnam; Published by The Stephens Press, Inc., Asheville, N.C. 28803.</emph> </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.481</container>
<unittitle>Park Ave. Baptist Church, Norfolk, Va.  <unitdate type="inclusive">1920-1940, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of church from across the street, large steeple, power lines visible in foreground, some trees planted along sidewalk; on back <emph render="quoted">Made in Germany, A.C. Bosselman and Co., New York.</emph> postage rate - One cent for United States and Island Possessions, Cuba, Canada, and Mexico. Two Cents for Foreign. Edges show slight wear.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.482</container>
<unittitle>Whispering Pines Hotels and Cottages, Accomac, Va.,  <unitdate type="inclusive">1940-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of hotel from across the street. Hotel surrounded by trees, appears tucked into its surroundings; on back <emph render="quoted">Your home away from home. In the 'Land of Accawmacke' lies an 'Isle' of refreshment where all is quiet amid nature's own surroundings. A home away from home nestled in the tranquil setting of Mother Earth's own sentinels - 'The Pines.' Whispering Pines, on U.S. 13, thirty-nine miles north of Cape Charles, Virginia, has something new and different to offer to the traveling public. Perfectly appointed hotel and cottage accomodations. A spacious dining room and soda shop. All centrally heated. Whispering Pines, Inc., Hotel and Cottages, Accomac, Virginia, AAA, Ocean Highway, Phone: Onancock 490; Published by Edwards Camera Center, Onancock, Va.; 'Tichnor Quality Views' Reg. U.S. Pat. Off. Made only by Tichnor Bros., Inc., Boston, Mass.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.483</container>
<unittitle>Mary's Rock Tunnel, Shenandoah National Park, Va.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Overpass in mountains, fall colors, reds and yellows; on back <emph render="quoted">Mary's Rock Tunnel on Skyline Drive, Shenandoah National Park, Virginia; Official Virginia Sky-Line Co. Card; Mirro-Krome Card by H.S. Crocker Co., Inc., Baltimore, MD. 21224.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.484</container>
<unittitle>Bell's Seafood Restaurant, Norfolk, Va.,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Interior of restaurant, dark carpet, dark lighting, no windows visible, interesting support beams for ceiling, tables set for meal; on back <emph render="quoted">Bell's Seafood Restaurant - 117-119 East City Hall Avenue, opposite the Montcello Hotel, Norfolk, Virginia. The South's Finest Restaurant. Specializing in Seafood and Steaks; Kodachrome by Rosinger; Pub. by L.B. Rosinger, Norfolk, Va.; Made direct from Kodachrome and Ansco Color By Dexter Press. Pearl River, N.Y.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.485</container>
<unittitle>Buggs Island Dam on the Roanoke River near Boydton, Va.,  <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering,  </physfacet>
<extent>Quantity: 8</extent></physdesc>
</did>
<scopecontent><p>Aerial view of dam, can see lake behind dam, downstream release, and some of the surrounding land; on back <emph render="quoted">Buggs Island Dam on the Roanoke River near Boydton, Virginia. Shown on the reverse side is the artist's conception of the completed Buggs Island Dam on the Roanoke River in Virginia which is now under construction. This is the first in a series of dams to be constructed by the Federal Government in the Roanoke River Basin in North Carolina and Virginia, comprising the Roanoke River and its tributaries, the Dan, Staunton, and Smith Rivers, for the purpose of ending disastrous floods. The United States Army Engineers are in charge of the project and this first dam will be 144 feet high. Electrical energy also will be developed and a huge lake will furnish excellent recreational possibilities for the two states. Completion is scheduled for 1952; Dextone Made direct from Kodachrome and Ansco Color By Dexter Press, Pearl River, N.Y.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.486</container>
<unittitle>The Proposed Philpott Dam on the Smith River near Bassett, Va.,  <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 14</extent></physdesc>
</did>
<scopecontent><p>Aerial view of dam, with lake behind and dowstream release, can see power lines leading from dam across landscape; on back <emph render="quoted">'Shown on the reverse side is the artist's conception of the completed Philpott Dam on the Smith River near Bassett, Virginia which is now under construction. This is the second in a series of dams to be constructed by the Federal Government in the Roanoke River Basin of Virginia and North Carolina comprising the Roanoke River and its tributaries, the Dan, Staunton, and Smith Rivers, for the purpose of ending disastrous floods and furnishing electric energy. The United States Army Engineers are in charge of the project and the first dam already is well on its way toward completion at Buggs Island, Virginia, and initial work is underway on the Philpott Dam; Colorcraft - made by the Dexter Press, Pearl River, N.Y.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.487</container>
<unittitle>The Seaport Inn, Alexandria, Va.  <unitdate type="inclusive">1940-1970, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Split view of dining room, top view has windows, large wooden beams supporting ceiling, bottom view is interior of restaurant, no windows, lanterns on tables; on back <emph render="quoted">The Seaport Inn, #6 King St., Alexandria, Va. A seafood restaurant housed in an original tide mill built prior to 1765 - located in the old port section of historic Alexandria, Virginia. (Free parking); Photographer and Distributor - Mrs. Gerry Peck, 1661 Crescent Place, N.W., Washington, D.C. 20009.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.488</container>
<unittitle>Grave of Anna Carter Lee, Warrenton, N.C.,  <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of monument on left, text on right. Text reads <emph render="quoted">Grave of Anna Carter Lee, 'Let us keep green the grave of Anna Carter Lee.' Mrs. Robert E. Lee and daughters were guests at the White Sulphur Springs, Warren County, North Carolina, in the late Summer of 1862. While there Miss Anne Carter Lee died of typhoid fever and was laid to rest in the family burying ground of the proprietor Mr. William Duke Jones. All that could be done by skilled physicians, the loving ministrations of Mrs. Lee and the family of the proprietor of the Springs to restore her health was unavailing and she passed to the Spirit World in the bloom of young womanhood...age 23 years. Through the initiative of Mr. Joseph Speed Jones and largely at his expense a monument carved from native granite by an invalid Confederate soldier, Mr. Zerald Crowder, was completed, and unveiled in 1866. General Lee could not be present, but Generals W.H.F and Custis Lee were present with a host of other notable former Confederates. The monument bears the following inscription furnished by General Lee:- Anne C. Lee/ Daughter of R.E. Lee and Mary Custis Lee/ Born at Arlington June 18, 1839,/ and died at the White Sulphur Springs, Warren County, N.C./ October 20, 1862./ 'Perfect and true are all His ways/ Whom Heaven adores and Earth obeys.' General Lee and his daughter, Miss Agnes, visited the grave in 1870, silently wept at her tomb, and turning away General Lee said he did not desire her remains disturbed. And thus silently sleeps on a beatiful knoll amid the soughing pines 'far from the maddening crowd' the dust of Anne Carter Lee. The General Assembly of North CArolian at its session of 1923 appropriated funds to build a standard Highway from the public Highway to her grave. A plot of four acres of land surrounding the Cemetery has been donated for the purpose of beautifying the knoll. It is proposed to request each State to contribute a shrub or flower to beautify this plot, and through the courtesy of the War Department a tree will be transplanted from Arlington, the home of her childhood, to stand as a silent sentinel o'er her grave. Mrs. Lee has written 'I love to think of her lying in that beautiful spot,' and it is for the purpose of aiding in keeping this spot beautiful that these cards are sold;</emph> on back <emph render="quoted">Copyrighted, Distributors, The Press Publishing Co., Warrenton, N.C.; C.T. American Art.</emph> postage rate- One cent for United States and Island Possessions, Cuba, Canada, and Mexico. Two Cents for Foreign.</p> </scopecontent>
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<c02 level="item">
<did><container type="Item">PhC.120.1.489</container>
<unittitle>Hotel Washington, Washington, D.C.,   <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of hotel on street corner, 9 stories, brick, flag flying, no cars or people visible; on back <emph render="quoted">Hotel Washington, An Affiliated National Hotel, Pennsylvania Avenue at 15th and F Sts., N.W., Completely Air-Conditioned - television, Radios - Drive-in Motor Lobby, Opposite the United States Treasury and Department of Commerce. Overlooking the White House and Parks. Washington, D.C.; Alert Advertising Agency, Galveston, Texas; Curteichcolor 3-D Natural Color Repreoduction (Reg. U.S. Pat. Off.).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.490</container>
<unittitle>North Carolina State Room, Washington, D.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of North Carolina State Room, Dining Room table, chandelier, hardwoods, oriental carpet on floor, fireplace, noteworthy for mural on wall, appears to be colonial, at least one encounter with Native Americans; on back <emph render="quoted">North Carolina State Room. Memorial Continental Hall, National Society, DAR 17th and D Streets, N.W., Washington, D.C., Maintained by North Carolina Society, DAR; Photo. and pub. by Joseph F. Morsello, 405 Paper Mill Rd., Phila. 18, Pa.</emph></p> </scopecontent>
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<c02 level="item">
<did><container type="Item">PhC.120.1.491</container>
<unittitle>Recruitment Poster, Navy, National Archives Washington, D.C.,  <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Woman in Navy uniform with smile. Text reads <emph render="quoted">Gee!! I wish I were a man, I'd join the Navy, Naval Reserve or Coast Guard.</emph> Signature of Howard Chandler Christy, 1918, one of famous <emph render="quoted">Christy girl</emph> advertisements. Model was his wife at the time; on back <emph render="quoted">National Archives, Washington, D.C., 20408. The recruiting poster is only one of the many kinds of valuable records preserved in the National Archives. Other kinds of records include photographs, maps, sound recordings, motion picture film, and documents; Printed by Printing Service, Co., Dayton, Ohio; Published by National Archives and Record Service, Washington, D.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.492</container>
<unittitle>Holiday Inn sign, Washington, N.C., <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large green Holiday Inn sign, star on top, arrow pointing toward hotel; on back <emph render="quoted">Holiday Inn. Washington, North Carolina, On US 17, <emph render="quoted">The Ocean Highway,</emph> Phone: 919/946-6141, Luxuriously decorated Guest Rooms - Swimming Pool- Superb Dining in the Red Velvet Room Featuring Medieval Decor-Coffee Shop-Banquet Rooms to 200; Curteichcolor 3-D Natural Color Reproduction (Reg. U.S.A. Pat. Off.).</emph></p> </scopecontent>
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<c02 level="item">
<did><container type="Item">PhC.120.1.493</container>
<unittitle>Congressman J.H. Small's Residence, Washington, N.C.,  <unitdate type="inclusive">1910-1930, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's rendering print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large home with columns and front porch, trees obscuring sides of house, circular walk in front of house; on back <emph render="quoted">Published by Worthy and Etheridge, Washington, N.C., Made in U.S.A.; C.T. Sepia.</emph> postage rate- Domestic one cent foreign two cents.  </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.494</container>
<unittitle>Joyner Building, Western Carolina College, Cullowhee, N.C.,  <unitdate type="inclusive">1950-1960, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Three story brick builidng, partially covered with ivy, male and female students milling on stairs and in parking lot, several perios cars parked, one in motion, can see partial building in background; on back <emph render="quoted">Western Carolina College's Joyner Building was a busy place in the late 1950s during class registration time.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.495</container>
<unittitle>Sliding Rock on Looking Glass Creek, Western North Carolina,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Four people sandwiched together in bathing suits sliding down a rock face into the pool waiting below, several people standing farther up rock face watching them, trees on either side; on back <emph render="quoted">Scenic Sliding Rock on Looking Glas Creek, Pisgah National Forest, Western North Carolina. Where one may enjoy swimming and water sliding in cool mountain water; Photographed in Natural Color by Walter Cline; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.496</container>
<unittitle>Dogwoods in Bloom, Springtime in North Carolina,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>One-story red house with red chimney, part of house obscured by dogwoods blooming in foreground, other building on property visible; on back <emph render="quoted">Dogwood in bloom at Springtime in the mountains of the Carolina's; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.497</container>
<unittitle>Roan Mountain Rhododendron, North Carolina-Tennessee,  <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Mountains in background, rhododendron in full bloom in foreground, and on the next hillside, blue sky with clouds above; on back <emph render="quoted">Roan Mountain Rhododendron, Roan Mountain, North Carolina-Tennessee; Photographed and Distributed by Hugh Morton, Linville, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston, Mass., 02130.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.498</container>
<unittitle>World's Largest Quilt, Western North Carolina, <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Five people sit on low stone wall with mountains in background. In front of them is a stone patio, and laid upon that is a large quilt. Each square appears to be unique; on back <emph render="quoted">World's Largest Quilt - 18"x21" - a sample of 116 traditional patterns in 18" squares, containing approxiamtely 3500 pieces and more than half a million hand sewn stitches. Produced by members of Maco Crafts, Inc., Western North Carolina's leading crafts co-operative. The Quilt has been on display at The Kennedy Center in Washington, D.C. and the 1982 World's Fair in Knoxville, Tenn.; Pub. by Maco Cards, Inc., Rt.2 - Box 1190, Franklin, N.C. 28734.</emph></p></scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.499</container>
<unittitle>U.S. Highway #70, Between Ridgecrest and Old Fort, Western North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Image of road curving around a mountain, can see where mountains were blasted through to make way for road, mountains in background; on back <emph render="quoted">Pub. by the Asheville Post Card Co., Asheville, N.C.</emph> Handwritten in blue ink are the following words, <emph render="quoted">July 4, Granny, Well, I'm up here at ea.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.500</container>
<unittitle>Moonlight on Lake Summit, Western North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Looking down onto lake, small islands in the center, trees on slopes in foreground, mountains in background, cloudy sky, no moon; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph> </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.501</container>
<unittitle>Moonlight on Lake Tahoma, Western North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>From deck or walkway, with a lamp resembling the moon, looking out over a lake, full moon in the sky, mountains in background; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.502</container>
<unittitle>Orton Plantation, Near Wilmington, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print,  </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Side view of Orton Plantation, azaleas in bloom, trees with Spanish Moss, lawn in front, no drive visible, text reads <emph render="quoted">Orton Plantation, Near Wilmington, N.C., A well preserved Colonial Mansion in Dixie;</emph> on back <emph render="quoted">Orton Plantation, one of the interesting, historical beauty spots, preserved from the cradle of America. Built in 1725 by King Roger Moore, the original house still comprises the central part of the building; surrounded by beautiful trees, festooned with Spanish Moss. Exquisite gardens, artistically planned, where Azaleas, Camellias, Rhododendrons, and other beautiful shrubbery, growing in profusion, surround the premises. These gardens are open to visitors at a moderate fee. The impressive walls of Colonial St. Philip's Church and the site of the residence of three Colonial Governors are adjacent to these gardens; Pub. by Service News Co., Wilmington, N.C., Natural Color Post Card made in U. S. A. by E. C. Kropp Co., Milwaukee, Wis., (ALL).</emph></p> </scopecontent>
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<c02 level="item">
<did><container type="Item">PhC.120.1.503</container>
<unittitle>Flower Gardens, Orton Plantation, Wilmington, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Grass pathway between flowering bushes and trees with Spanish Moss; on back <emph render="quoted">One of the many beautiful scenes at Orton Plantation Gardens. Here Azaleas, Camellias, Rhododendrons, and many other ornamental plants and flowers grow profusely side by side, in a setting of magnificent Live Oak trees, festooned with Spanish Moss; Pub. by Service News Co., Wilmington, N.C., Natural Color Post Card made in U. S. A. by E. C. Kropp Co., Milwaukee, Wis., (ALL).</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.504</container>
<unittitle>Cornwallis Headquarters in Wilmington, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large colonial city residence with porches extending entire length of two floors, wide stairs lead to front door, looking across road at side view of house; on back <emph render="quoted">Lord Charles Cornwallis, Commander-in-Chief of the British forces in the Carolinas, with his army, invaded Wilmington in 1781. While here, Cornwallis used as his headquarters the comfortable colonial residene at the southwest corner of Third and Market Streets. The basement of the building was used as a dungeon, in which certain citizens, who were held guilty of infraction of military laws, were imprisoned by the British forces, as well as soldiers, who were found guilty of infraction of military rules and discipline. The residence is in a perfect state of preservation today and is one of the outstanding points of historic interest in the Wilmington area; Service Merchandise Co., Wilmington, N.C.; Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card . U.S. Pat. Off.).</emph> postage rate- one cent.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.505</container>
<unittitle>Orton Mansion and Plantation near Wilmington, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Side view of Orton plantation, can only see small amount of house as large tree with Spanish moss obscures view, women in period dress are walking under the trees amongst the landscaping. Text at top of postcard reads <emph render="quoted">Dream-like Splendor - A Mansion in   Dixieland;</emph> on back <emph render="quoted">Genuine Curteich-Chicago 'C.T. Art-Colortone' Post Card . U.S. Pat. Off.).</emph> postage rate- one cent.</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.506</container>
<unittitle>Waves at Carolina Beach, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Color lithograph-like print </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large waves crashing onto what appears to be rocks at either sunrise or sunset. Text reads <emph render="quoted">Roll on, thou deep and dark blue ocean, Roll on! Carolina Beach;</emph> on back <emph render="quoted">Pub. by Service News Co., Wilmington, N.C.- Made in U.S.A.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.507</container>
<unittitle>Lake Greenfield and Community Five Mile Scenic Drive at Wilmington, North Carolina, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Lake with trees in foreground, a road in background. Surrounding road on both sides are the remains of trees still sticking out of the water; on back <emph render="quoted">The Dexter Press, Inc., Pearl River, N.Y.</emph></p> </scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.1.508</container>
<unittitle>Lilies in Greenfield Lake, Wilmington, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Lake with lilies in foreground, trees rising from water in background with Spanish moss; on back <emph render="quoted">The five mile scenic drive, entirely around Greenfield Lake, presents numerous vistas of aged cypress trees, festooned with graceful southern grey moss, impressive beauty never to be forgotten</emph>; on back <emph render="quoted">Pub. by Service News Co., Wilmington, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.509</container>
<unittitle>Typical Beautiful Scene at Greenfield Lake and Park, Wilmington, N.C., <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Lake with fountain in foreground, footbridge in background, trees on either side, water lilies on the water, other bushes blooming alongside the lake; on back <emph render="quoted">Greenfield Lake and Park owned by the city of Wilmington constitute one of the most beautiful and alluring recreational centres in the United States. The gardens are being rapidly developed in a way which will make the display of Azaleas second to none in the South; Asheville Post Card Co., Asheville, N.C.; C.T. American Art Colored.</emph> postage rate- one cent. </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.510</container>
<unittitle>A Beautiful Southern Scene, Azaleas, Live Oaks and Spanish Moss, <unitdate type="inclusive">1920-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Outdoor scene, azaleas next to a lake, live oaks with Spanish moss in them; on back <emph render="quoted">Asheville Post Card Co., Asheville, N.C.; 'C.T. American Art' U.S. Pat. Off.</emph> postage rate- one cent. </p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.511</container>
<unittitle>Blockade Runner, Wrightsville Beach, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Taken from boat on water, sailboats on water with hotel in background, some residential homes visible on either side; on back <emph render="quoted">Blockade Runner Motor Hotel, Wrightsville Beach, North Carolina. Sunfish sailboats from the Carolina Yacht Club race on Banks Channel in front of North Carolina's largest coastal resort hotel; Photographed and Published by Hugh Morton, Wilmington, N.C.; Plastichrome by Colourpicture Publishers, Inc., Boston, Mass., 02130.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.512</container>
<unittitle>Indian Trail Tree, Southport, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Tree appears to have fallen over at some point and lower part of tree made an upside down <emph render="quoted">U</emph> and then continued to grow up. There is a bench next to the tree, can see residenatial homes in background; on back <emph render="quoted">Indian Trail Tree. One of Southport's historic landmarks is this giant live oak, used as a marker by the Indians on their way to fishing areas; Pub. by Bill Norment Photography, Box 1100, Lumberton, N.C.; Dynacolor Graphics, Inc., Miami, Florida.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.513</container>
<unittitle>The Pilot House Restaurant, Wilmington, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Outside deck of restaurant, tables set for dinner, no diners, tables look out over water; on back <emph render="quoted">The Pilot House Restaurant. Located in the 1870 Craig House on the Historic Cape Fear River, the Pilot House has been a local favorite since 1978. 2 Ann Street, Wilmington, NC 28401 (910) 343-0200; Printed by Eddy Match.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.514</container>
<unittitle>First Baptist Church, Wilmington, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Watercolor painting, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Brick church with large steeples, fountain in parking lot; on back <emph render="quoted">First Baptist Church, 15 North 5th Street, Wilmington, N.C. 28401. This watercolor painting was done by Samuel D. Bissette. The Church was organized in 1808; present building erected 1860-1870, tall spire 197 feet.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.515</container>
<unittitle>The Landis, Wrightsville, N.C., <unitdate type="inclusive">1980-2000, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of hotel at water's edge, private pier leads to a gazebo. Text at bottom reads <emph render="quoted">The Landis...on the ocean front. Famed for its Fine Food...Its congenial clientele...Private Porches and Beach...Airy Rooms...Ample Parking Space...Private Baths. Wrightsville Beach.......North Carolina;</emph> on back <emph render="quoted">The Landis...Wrightsville, N.C. Located at Station One, The Landis offers everything for a perfect vacation. On the Ocean...No roads to cross.</emph></p> </scopecontent>
</c02>

 <c02 level="item">
<did><container type="Item">PhC.120.1.516</container>
<unittitle>St. Mary's Epicopal Church, Beaver Creek, West Jefferson, N.C., <unitdate type="inclusive">1970-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large mural of Christ on cross, behind and above him there is an image of God; on back <emph render="quoted">St. Mary's Epicopal Church, Beaver Creek, West Jefferson, North Carolina. The Mystery of Faith Fresco 1977 by Ben Long; Photographed in Natural Color by Ewart M. Ball; Color-King Natural Color Card, W.M. Cline Co., Asheville, N.C.</emph></p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.517</container>
<unittitle>Bluff Mountain, near West Jefferson, N.C., Height 5075 feet, <unitdate type="inclusive">1970-2000, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of mountainside, some rock, some trees, mountains in distance; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.; Commercial Chrome.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.518</container>
<unittitle>Dick's Hot Dog Stand, Wilson, N.C., <unitdate type="inclusive">1970-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>View of exterior of restaurant at dusk, lights on inside, neon sign lighted up outside that says <emph render="quoted">Dick's.</emph> No cars in parking lot; on back <emph render="quoted">Dick's Hot Dog Stand, 1500 W. Nash Street, Wilson, NC 27893. Wilson historic landmark, founded in 1921 by Socrates Dick Gliarmis and now operated by son, Lee, is located at the corner of Pearson and W. Nash Street, once voted one of the 7 most beautiful thoroughfares in America by National Geographic. Come by and enjoy a world famous hot dog and gaze at the 'Wall of Fame;' Pub. by Raines and Cox Photographers - 315 E. Nash St., Wilson, NC.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.519</container>
<unittitle>Discover Our Simple Treasures and Simple Pleasures, Wilson, N.C., <unitdate type="inclusive">1970-2000, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Six images of Wilson, Published by the Vistors Bureau of Wilson, N.C. Clockwise- The Imagination Station Hands on Science Museum, Vollis Simpson's 'Whirligigs,' World Famous Barbecue, Historic Walking Tour, 'The Art Place' Wilson offers over 100 active artists, and East Coast's Largest Antique Market. Text Reads <emph render="quoted">Discover Our Simple Treasures and Simple Pleasures, Wilson, North Carolina Visitors Bureau, to find out more about Wilson, NC call 1-800-497-7398. Or find us at http://www.wilson-nc.com;</emph> on back <emph render="quoted">Wilson, Norht Carolina Visitors Bureau, P.O. Box 2882 Wilson, NC 27894. Known as 'America's Largest Tobacco Market'. Wilson is a unique Southern experience with great accomodations. come discover our treasures and simple pleasures.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.520</container>
<unittitle>"Hope," home of David Stone, Governor of North Carolina, <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story federal period house, yellow with green shutters, standing by itself, staircase to front porch; on back <emph render="quoted">'Hope,' circa 1800, home of David Stone, Governor of North Carolina (1808-10), located 4 miles west of Windsor, N.C. on Highway NC 308. This fine Federal Period house feature a 20 x 30 foot drawing room and a library with floor to ceiling bookcases on the second floor; Elizabeth City News Co., Elizabeth City, North Carolina; Plastichrome by Colourpicture Publishers, Boston, Mass. 02130.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.521</container>
<unittitle>Original Free Will Baptist Tabernacle, Inc. <unitdate type="inclusive">1960-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Inside of church, taken from back, altar at front, choir pews on either side; on back <emph render="quoted">The Bishop L.N. Forbes, Original Free Will Baptist Tabernacle, Inc., 1800 Lane St. S.E.- Wilson, N.C. 27893; Pub. by Raines and Cox Photographers, 315 E. Nash St., Wilson, NC; MWM Dexter Aurora, Missouri, U.S.A.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.522</container>
<unittitle>Pilot Mountain, An Historic Landmark of North Carolina, near Winston- Salem, N.C., <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Pilot mountain, mountain with outcropping of rock on top; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.; 'C.T. Art Colortone' Reg. U.S. Pat. Off.</emph> postage rate- one cent.
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.523</container>
<unittitle>Municipal Building, Winston-Salem, N.C., <unitdate type="inclusive">1930-1960, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Brick and concrete building, taken from across the road, flag flying from top; on back <emph render="quoted">Published by Asheville Post Card Co., Asheville, N.C.; 'C.T. Art Colortone' Reg. U.S. Pat. Off.</emph> postage rate- one cent. There is retained paper from previous housing covering part of back of card. Some blue marks across front of card.
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.524</container>
<unittitle>Single Brothers House, Old Salem, Winston-Salem, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Single Brothers house, side yard, men in costume working period machines on lawn in front of house; on back <emph render="quoted">Old Salem, Winston-Salem, N.C. The Single Brothers House was once the home of unmarried men and boys in Salem. Today the restored building houses many of the original craft shops where host-craftsmen demonstrate the tools and skills of the 18th century town; J.B. Armstrong News Agency, Winston-Salem, N.C.; Curteichcolor 3-D Natural Color Reproduction (Reg. U.S.A. Pat. Off.).</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.525</container>
<unittitle>John Vogler House, Old Salem, Winston-Salem, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Two-story brick house on road, cistern in foreground, small house in background; on back <emph render="quoted">The John Vogler House, Old Salem, Winston-Salem, N.C. The John Vogler House (1819) was once the home of the Salem silversmith and is today furnished largely with original possessions of the Vogler family. In the background is the picturesque Anna Catherine House (1772), in the foreground the restored cistern pump (1778). Restored Old Salem is open daily to visitors; J.B. Armstrong News Agency, Winston-Salem, N.C.; Curteichcolor 3-D Natural Color Reproduction (Reg. U.S.A. Pat. Off.).</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.526</container>
<unittitle>Reynolda House, Winston-Salem, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Front view of Reynolda House, bushes in front, trees on either side obscure rest of house; on back <emph render="quoted">Reynolda House, Winston-Salem, N.C. Former home of Richard Joshua Reynolds, founder of R.J. Reynolds Tobacco Company, Reynolda House is famous for its collection of American paintings. The house was built in 1917; Charles E. Talton Color Labs, Inc.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.527</container>
<unittitle>Living Room, Reynolda House, Winston-Salem, N.C., <unitdate type="inclusive">1950-1980, </unitdate></unittitle>
<physdesc><physfacet>Color photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Living Room, catwalk around perimeter, chandelier, social groupings, fireplace, blue carpet and upholstery on chairs; on back <emph render="quoted">Living Room, Reynolda House, Winston-Salem, N.C. Former home of Richard Joshua Reynolds, founder of the R.J. Reynolds Tobacco Company, Reynolda House is famous for its collection of American paintings. The house was built in 1917; Charles E. Talton Color Labs, Inc.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.528</container>
<unittitle>Moravian Cemetery, Winston-Salem, N.C., <unitdate type="inclusive">1910-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Cemetery, flat headstones with trees, flowers have been left at graves, sunrise or sunset; on back <emph render="quoted">Published by J.B. Armstrong News Agency, Winston-Salem, N.C.; Natural Color Post Card Made in U.S.A. by E.C. Kropp Co., Milwaukee, Wis.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.529</container>
<unittitle>Reynolds Park, Winston-Salem, N.C., <unitdate type="inclusive">1910-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Set of stairs leading into distance, trees on either side; on back <emph render="quoted">Published by J.B. Armstrong News Agency, Winston-Salem, N.C.; Natural Color Post Card Made in U.S.A. by E.C. Kropp Co., Milwaukee, Wis.</emph>
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.530</container>
<unittitle>Hotel Robert E. Lee, Winston-Salem, N.C., <unitdate type="inclusive">1910-1950, </unitdate></unittitle>
<physdesc><physfacet>Colorized lithograph-like print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Large brick hotel wiht shops around base, some period cars parked out front; on back <emph render="quoted">The Robert E. Lee Hotel, located at Winston-Salem, N.C., is in service, furnishings, and equipment one of the best in the famous Piedmont Resort Section. It was built at a cost of one and three-fourths million dollars, has 350 rooms, each with private bath, and no expense has been spared to make this hotel the very last word in modernity; Published by Asheville Post Card Co., Asheville, N.C., Made in USA.</emph> Card has material on right hand side of card. 
</p> </scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.1.531</container>
<unittitle>An Outdoor Cookout, Camp Hardee, Blount's Creek, North Carolina, <unitdate type="inclusive">1910-1940, </unitdate></unittitle>
<physdesc><physfacet>Postcard negative, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Postcard negative and clear sheet of plastic with identification information on it. There are a number of children sitting in the ground with several adults in the background, one woman scooping something out of a pot.  
</p> </scopecontent>
</c02>
</c01>


<c01 level="series">
<did>
<unittitle>Series 2: Addressed Postcards</unittitle>
</did>


<c02 level="item">
<did><container type="Item">PhC.120.2.1</container>
<unittitle>Birthday Greetings, <unitdate type="inclusive">1900-1920, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p><emph render="quoted">Birthday Greetings,</emph> Lilies of the Valley spilling out of basket; on back <emph render="quoted">Miss Eula Bailey, Stony Point, NC, R.F.D. #1,</emph> Postcard from Mary Ward, wants Eula to visit once she gets over the whooping cough.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.2.2</container>
<unittitle>Compliments of the Season,<unitdate type="inclusive">1907, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed image; </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Rose with lily of the valley sprig behind it, bottom left corner, border, in blue design; on back <emph render="quoted">Miss Pearl Bailey, Scotts (marked through with pencil), Stony Point, N.C.; postmarked Oct. 2, 1907;</emph>" stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.3</container>
<unittitle>Merry Christmas,<unitdate type="inclusive">1907, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Pink, white, and dark pink flowers tied with some greenery; on back <emph render="quoted">Miss Pearl Bailey, Scots, N.C. Postmark Dec. 20, 1907;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.4</container>
<unittitle>Girl with Watermelon,<unitdate type="inclusive">1908, </unitdate></unittitle>
<physdesc><physfacet>Colorized photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Girl of 6 or 7 years old in white dress, white socks, white shoes with red hair, holding slice of watermelon that has had part of it eaten; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#, Postcard from Bessie Morrison, postmarked from NC, Jan 14, 1908;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.5</container>
<unittitle>A Bright and Happy Birthday,<unitdate type="inclusive">1908, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Blue streetcar with purple flowers and text <emph render="quoted">A Bright and Happy Birthday;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#; Postcard from Cousin Nora, Postmark NC, Feb 19, 1908;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.6</container>
<unittitle>Four Leaf Clover,<unitdate type="inclusive">1908, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Four leaf clover with red ribbon, <emph render="quoted">Good Luck;</emph> on back <emph render="quoted">Miss Pearl Bailey, Scots, N.C.; Postcard from Mary Bobbitt, Postmark Stony Point, NC, March 20, 1908;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.7</container>
<unittitle>Two Young Girls in the Snow, <unitdate type="inclusive">1908, </unitdate></unittitle>
<physdesc><physfacet>Black and white photographic image, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Two young girls posed in their winter outfits with trees and house covered in snow in background, girls with pine cones and pine boughs; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.; Postcard from Mary Kate Bell, postmarked Minden, LA March 25, 1908;</emph> Mary Kate wrote that their is small pox in their area and they worry about getting it. stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.8</container>
<unittitle>Hearty Congratulations, <unitdate type="inclusive">1908, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Mountain scene with sheep in small circular area, birds on branch, border of red pattern; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.#1, Postcard from Mary Ward, Postmark Statesville, NC, April 26, 1908;</emph> stamp- one cent Franklin. Card is torn on bottom. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.9</container>
<unittitle>Purple Flowers, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Purple flowers in a bunch, some of writing from back extended to front of card; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1, Postcard from Ethel Grose, Postmark Statesville, NC, June 10, 1909;</emph> stamp- one cent Franklin. Ethel wants to know whether or not Pearl and her family are finished hoeing the cotton.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.10</container>
<unittitle>Man with flock of sheep, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p><emph render="quoted">Man walking along country lane with flock of sheep in front of him, trees along side, track looks rough with some grass beginning to grow into tracks;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, R.F.D.#1, N.C., Postcard from Rosetta Combs, Postmark Barber, NC, June 16, 1909;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.11</container>
<unittitle>Arms of the States and Territories of the American Union, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p><emph render="quoted">Various patches with state seals and territories;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, R.F.D.#1, N. Carolina, Postcard from Ethel G. (Grose), Postmark Statesville, NC, June 23, 1909;</emph> stamp- one cent Franklin. Ethel has been hoeing cotton, wanted Pearl to tell Eula hello.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.12</container>
<unittitle>Two Dutch Girls, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Two Dutch girls, images of windmills behind them, one girl is telling secret to the other; on back <emph render="quoted">Miss Pearl Bailey, Scoots, N.C., R.F.D.#1; Postcard from Mary W, Postmark Statesville, NC, Jul. 26, 1909;</emph> stamp- one cent Franklin. Mary had just gotten over a spell of fever that kept her in bed for weeks.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.13</container>
<unittitle>Purple flowers around an "L" shape, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Purple flowers around an <emph render="quoted">L</emph> shape; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, R.F.D.#1, N.C.; Postcard from M.E.G. (Mary Ethel Grose), Postmark Statesville, NC, Jul. 27, 1909;</emph> stamp- one cent Franklin. Ethel got back from her trip okay, but the mule got scared.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.14</container>
<unittitle>White Flowers in a basket, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>White flowers in bowl of water, text reads <emph render="quoted">Ask and it shall be given to you;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point,  N.C.,R.F.D.#1, Postcard from name indecipherable, Postmark Stony Point, NC, Aug. 17, 1909;</emph> stamp- one cent Franklin. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.15</container>
<unittitle>Horseshoe Falls, Niagara Falls, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Colorized photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Horseshoe Falls at Niagara Falls, can see lookout point and city in background; on back <emph render="quoted">Viewed from Goat Island, showing Terrapin Rock, height of Falls 160 feet, width over half a mile; Miss Pearl Bailey, Stony Point, N.Carolina, R.F.D.#1, Postcard from E.G. (Ethel Grose) Postmark Statesville, NC, Aug. 24, 1909;</emph> stamp- one cent Franklin. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.16</container>
<unittitle>America's Switzerland, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Colorized photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Aerial view of Lake on Cone Estate, can see road around lake and surrounding countryside, text reads <emph render="quoted">America's Switzerland. The unrivaled Blowing Rock Country. Lake on Cone Estate. Blowing Rock, N.C.;</emph> on back <emph render="quoted">Miss Pearl Bailey, Scotts, N.C., Postmark Lenoir, NC, Sept. 27, 1909;</emph> stamp- one cent Franklin. </p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.17</container>
<unittitle>Horseshoe Falls, Niagara Falls, <unitdate type="inclusive">1909,  </unitdate></unittitle>
<physdesc><physfacet>Colorized photographic print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Face of waterfall, with rocks below; on back <emph render="quoted">Viewed from below, Canadian side about 160 feet high, over half a mile across. Ten times more water flows over this Falls, than the American Falls; Miss Pearl Bailey, Stony Point, R.D.F. #1, N.C. Postcard from E.G. (Ethel Grose), Postmark Statesville, NC, Sept. 28, 1909;</emph> stamp- one cent Franklin. </p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.2.18</container>
<unittitle>Evolution of a Chinaman, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Three images, first image is can marked opium, some type of tub on stand, middle image everything has begun to meld together, third image is <emph render="quoted">chinaman</emph> - bald head with braid, red coat, blue pants, text above reads <emph render="quoted">Evolution of a Chinaman;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, R.F.D.#1, N.C., Postcard from Mary Ethel, Postmark Statesville, NC, Aug. 10, 1909;</emph> stamp- one cent Franklin. Mary wrote that the Chinaman looked like her.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.19</container>
<unittitle>Woman in City in Blue Dress, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Woman in blue period dress standing in front of the Flatiron Building in New York, known as the nation's first skyscraper, built 1902. The woman is leaning over as though she is listening to something, wind is blowing her skirt up slightly, text reads <emph render="quoted">A flat iron is a good thing for doing up skirts;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, R.F.D.#1, N.C.; Postcard from E.G. (Ethel Grose), Postmark from Statesville, NC, Sept. 9, 1909;</emph> stamp- one cent Franklin. E. wrote that she was looking forward to them all coming so they could listen to the preaching at Trinity.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.20</container>
<unittitle>Birthday Roses, <unitdate type="inclusive">1909, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed print, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Red roses, surrounded by green leaves, text reads <emph render="quoted">Most bounteously may Heaven bless your birthday with true happiness;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1; Postcard from Mary Ward, Postmark Statesville, NC, Dec. 25, 1909;</emph> stamp- one cent Franklin. Mary was worried Santa wasn't going to visit her.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.21</container>
<unittitle>Heartiest Congratulations, <unitdate type="inclusive">1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Blond woman in large hat with feathers, pink high-necked dress, orange flower on lapel, text reads <emph render="quoted">Heartiest Congratulations;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.Car., R.F.D.#1; Postcard from Henrietta, Postmark Lenoir, NC, Feb. 5, 1910;</emph> stamp- one cent Franklin. Henrietta has started back to school and had a cold.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.22</container>
<unittitle>Rose Bouquet, <unitdate type="inclusive">1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed border, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Bouquet of roses with embossed border; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1; Postmark Statesville, NC, Mar.7, 1910;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.23</container>
<unittitle>Heartiest Congratulations, <unitdate type="inclusive">1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Birds sitting on branch, some singing, with flowers behind, text reads <emph render="quoted">Heartiest Congratulations;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#; Postcard from Bessie Morrison, Postmark Scotts, NC, Jun.7, 1910;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.24</container>
<unittitle>Best Wishes, <unitdate type="inclusive">1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Dianthus blossoms in pinks and reds, <emph render="quoted">Best Wishes</emph> medallion in center, at bottom text reads <emph render="quoted">I long to clasp your Hand and say The good things that I wish today;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1;</emph> Postcard from MEW, Postmark Stony Point, NC, Jun.14, 1910; stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.25</container>
<unittitle>Birthday Greetings, <unitdate type="inclusive">1910, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Red and pink flowers with small picture of a house in background, gold border, text reads <emph render="quoted">Birthday Greetings;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.#1; Postcard from Mary Ward, Postmark Statesville, NC, Aug. 10, 1910;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.26</container>
<unittitle>C. and N. W. Line, near Lenoir, N.C., <unitdate type="inclusive">1910, </unitdate></unittitle>
<physdesc><physfacet>Black and white artist's sketch, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Front of steam engine just emerging from trees around bend in track, can see mountains in background; on back <emph render="quoted">Miss Pearl Bailey, R.F.D.#1;Stony Point, N.C.; Postcard from H.M., Postmark Lenoir, NC, Sept. 15, 1910;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.27</container>
<unittitle>A Merry Christmas, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Christmas scene, holly and red berries, Santa with reindeer in middle; on back <emph render="quoted">Miss Pearl Bailey, Scotts, N.C.; Postcard from Joe Larenby, Postmark Olin, NC, Jan. 4, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.28</container>
<unittitle>To My Valentine, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Two angels hugging on top of what resembles a piece of paper, two doves on either side; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1; Postcard from no name, Postmark Stony Point, NC, Feb.15, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.29</container>
<unittitle>Hearty Greetings From, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Purple flower in bottom left corner, text reads <emph render="quoted">Hearty Greetings From,</emph> and nothing in open space surrounded by small purple flowers; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.#1; Postcard from name indecipherable, Postmark Statesville, NC, Feb.17, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.30</container>
<unittitle>Best Easter Wishes, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>A red cross with an easter lily to the left, in background church next to a river; on back <emph render="quoted">Miss Pearl Bailey, Scotts, N.C.; Postcard from name indecipherable, Postmark Scotts, NC, April 13, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.31</container>
<unittitle>Single Red Rose, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed,</physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent>
<p>Single red rose, with red ribbon tied around it, smaller rose in background; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1; Postcard from Ethel (Grose), Postmark Stony Point, NC, April 14, 1911;</emph> stamp- one cent Franklin. Ethel has had the <emph render="quoted">French measles</emph> and won't be allowed to attend some upcoming event which she is upset about.</p>
</scopecontent>
</c02>


<c02 level="item">
<did><container type="Item">PhC.120.2.32</container>
<unittitle>When Love is Young, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Young people camping out, in foreground young couple sitting next to one another looking off into darkness, man leans into woman, in background there is a tent with several people playing musical instruments, campfire, another couple faces musicians, it is night; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C.; Postcard from H, Postmark Stony Point, NC, July 19, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.33</container>
<unittitle>The Witching Hour, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Young couple on boat in water, man is grasping woman's hand, another boat can be seen in the distance. On shore, individual cooks over camp fire in front of tent, can see reflection of moonlight on water; on back <emph render="quoted">Miss Pearl Baley, Stony Point, N.C.; Postcard from Knox E., Postmark Stony Point, NC, July 26, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.34</container>
<unittitle>Red Carnation Affection, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Red carnations, at top in banner text reads, <emph render="quoted">Red Carnation Affection,</emph> at bottom text reads <emph render="quoted">Take red carnations, Dear from me, And let them tell, my love for thee;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C.; Postcard from <emph render="quoted">you know who,</emph> Postmark  Statesville, NC, July 29, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.35</container>
<unittitle>With Fond Wishes, Good Luck, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Purple flowers in bouquet with horseshoe made out of daisies, text reads, <emph render="quoted">With Fond Wishes, Good Luck;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C.; Postcard from Knox, Postmark Marion and Columbia, SC, Sept. 13, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.36</container>
<unittitle>Best Wishes, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Woman at fence, surrounded by geese, house in background obscured by tree, scene bordered by heart, text on bottom reads, <emph render="quoted">Best Wishes,</emph> and handwritten in black ink <emph render="quoted">Hello Mr. Fred;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, North Carolina.; Postcard from indecipherable, Postmark Statesville, NC, Sept. 13, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.37</container>
<unittitle>Thansgiving, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p><emph render="quoted">Small child in red sweater, ready to kick football, turkey on other side of football, gold border;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R#1; Postcard from Ethel (Grose), Postmark Stony Point, NC, Sept. 28, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.38</container>
<unittitle>Best Wishes, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Red/orange vase, with red roses behind, gold border, text reads <emph render="quoted">Best Wishes;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R.F.D.#1; Postcard from indecipherable, Postmark Lem(?), NC, Oct. 3, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.39</container>
<unittitle>To Greet You, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Purple flowers in green and pink stocking type object, text reads <emph render="quoted">To greet you;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R.#; Postcard from Jessie Turner, Postmark Lem(?), NC, Oct. 10, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.40</container>
<unittitle>Blue Flowers and Horseshoe, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Blue flowers on right side of card, sitting in container with golden horseshoe on it; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R.F.D.; Postcard from Ethel R.(?), Postmark Morganton, NC, Oct. 10, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.41</container>
<unittitle>A Wealth of Happines to You, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Red flower on yellow patterned background, text reads <emph render="quoted">A Wealth of Happines to You;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R.F.D.?; Postcard from indecipherable, Postmark Statesville, NC, Nov. 21, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.42</container>
<unittitle>May this Be a Very Merry Christmas, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Half Moon with gold on sides, gold holly leaves, text at bottom reads <emph render="quoted">May this Be a Very Merry Christmas;</emph> on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R.F.D.#1; Postcard from Mary Ward, Postmark Statesville, NC, Dec. 15, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.43</container>
<unittitle>My Christmas Wish, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Bouquet of holly leaves and berries; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C. R.F.D.; Postcard from no name, Postmark Statesville, NC, Dec. 15, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.44</container>
<unittitle>Good Luck, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Bouquet of purple and white flowers, surrounded by gold frame, connects to bows on either side; on back <emph render="quoted">Miss Pearl Bailey, Scotts, N.C.; Postcard <emph render="quoted">from a friend,</emph> Postmark Scotts, NC, Dec. 21, 1911;</emph> stamp- one cent Franklin.</p>
</scopecontent>
</c02>

<c02 level="item">
<did><container type="Item">PhC.120.2.45</container>
<unittitle>A Merry Christmas to You, <unitdate type="inclusive">1911, </unitdate></unittitle>
<physdesc><physfacet>Color artist's rendering, embossed, </physfacet>
<extent>Quantity: 1</extent></physdesc>
</did>
<scopecontent><p>Santa Claus with backpack of toys, sleigh behind him; on back <emph render="quoted">Miss Pearl Bailey, Stony Point, N.C., R.F.D.#1; Postcard from H.M., Postmark Lenoir, NC, Dec. 23, 1911;</emph> stamp- one cent Franklin.</p>
</scope